Just some tunes I like to dance to with my poi

Stuff 2flow2

K Motionz - High Note (ft. Emily Makis) [UKF Release] 🔊
↳ Download/Stream → http://ffm.to/high-note 🎵
↳ Follow our Drum & Bass Top 100 Playlist → http://ukf.io/DNBTop100​ 🎧

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» Connect with K Motionz 🎧
Facebook → https://facebook.com/kmotionzuk/
Instagram → https://instagram.com/kmotionzuk/
SoundCloud → https://soundcloud.com/kmotionzuk
Twitter → https://twitter.com/kmotionzuk

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» Connect with Emily Makis 🎤
Facebook → https://facebook.com/emily.makis.music
Instagram → https://instagram.com/emily.makis.music
SoundCloud → https://soundcloud.com/emily_makis
Twitter → https://twitter.com/emilymakis

High Note (ft. Emily Makis)

Download/Stream

K Motionz - High Note (ft. Emily Makis)

CP095: Mostly Magic - 9 Muses EP

1. Per Noctum


release dates: April 19th, 2021 (Beatport)
                          April 30th, 2021 (non-Beatport digital)

https://www.facebook.com/mostlyxmagic
https://www.facebook.com/CulpritLA

CP095: Mostly Magic - Per Noctum

Buy the 3LP vinyl / Stream the digital album: https://turborec.lnk.to/LadyBurningSky

Turbo Recordings is humbled to present this lovingly rendered reissue of Neutron 9000’s lost ambient trance classic. Composed and recorded at London’s Orinoco Studios in 1994 by Dominic Woosey, Lady Burning Sky was originally released on the legendary UK label Rising High. 

Turbo prides itself on living in the moment and fighting for the future, and this rare excursion into the past is arguably the most forward-looking release of the next five years. To learn how this is possible, we sat down with label owner Tiga, for whom this represents a true passion project.

Why a reissue?

I live my life with no regrets. That said, I do see the value in righting the wrongs of history and shining a light on music that hasn’t received the recognition it deserves. I’ve never met anyone who knows Lady Burning Sky, and it'’s usually the first thing I ask as a way of establishing dominance. This album has been a constant companion of mine for decades, and it’s high time others got in on that companionship.

What is your history with Neutron 9000?

I met Dominic Woosey on my first trip on my own to Europe. Yeah, I was a Eurail Kid, stowing away in sleeper cars and riding the winds of culture across the continent. I got Dominic’s number through a mutual friend, and when I met up with him in Berlin. he instantly became the coolest person I had ever met, which is crazy when you consider I grew up in Quebec. It was like I had fallen in with Berlin techno royalty, an eager young squire getting my first glimpse of a kingdom I had no idea existed. 

What was so special about him?

He was the only person I knew who was into early trance, but he wasn’t a new age hippie. He was aloof. He was witty. He took the piss. And this album reflects that. It’s like hardcore ambient. It is distinctly not about peace, love, and unity, and that made a real impression on me. 

The album originally came out on Rising High, which was my favorite label at the time. And while a lot of early 90s stuff has been revived, this hasn’t. There simply aren’t that many albums this good that have remained largely unknown. 

Why is this such an important release for you?

Ambient has perhaps the lowest bar to clear in all of music, and Lady Burning Sky stands out as a real record by a real multidimensional artist, something no one else could have made. As someone who chilled out super fucking hard throughout the 90s, I can say with full confidence that it is a true anomaly in the genre, as tangibly great a the best pop and dance music. It was made with a real record company budget, but is completely uncompromising and uncommercial. This album should not exist, but it does. And you should not be hearing it, yet you are. I once said that real art is a celebration of the impossible. That sounded great at the time, and now it rings truer than ever as you come to realize this secret flame has endured all along. A lifetime burning doing the neutron dance. 

Subscribe: bit.ly/turboworldnews

Connect:
www.turborecordings.com/
www.facebook.com/turborecordings
www.instagram.com/turborecordings/
www.spoti.fi/332HIq8
www.youtube.com/user/TurboRecordings
www.twitter.com/turborecordings

3LP Vinyl / Stream

Neutron 9000 - Lady Burning Sky

Reykjavik

Reykjavik (Bell Towers Remix)

Lithe & NORA DRUM - Split EP 

Four slices of polyrhythmic bass and breaks. 

"Split EP is the result of conversation between two work colleagues swapping and sharing tracks while on shift, finding common interest in music that takes the core stylistic markers of drum and bass and breaks it down into new and exciting forms. The result is a venn diagram of Lithe and NORA DRUM’s individual sounds, often overlapping and feeding back into the other but distinctly their own. 

Lithe’s contribution is markedly lighter in tone. Opener ‘It’s Rhythm’ is an upbeat, hard drum-inflected take on polyrhythmic drum and bass with pitched percussion and wobbling sub bass. The follow up ‘Second Pavilion’ is a lengthy, progressive take on liquid drum and bass that sits somewhere between fast techno and the composition style of Forest Drive West. 

NORA DRUM takes an introspective turn on their half of the EP with both tracks allowing space for mood and texture. ‘Lungfish’ is a rolling dark d&b number where polyrhythms encourage the listener to stop worrying about meter and give in to the feel of the track, with chaotic breaks on the back end that offer little respite. Closer ‘I Can Tell That You’re Trying’ is the heaviest of the four, with a deep, weighty lumber that crescendos into distorted amens and hoover bass."

Tracks 1 & 2 written and mixed by Lithe 
Tracks 3 & 4 written and mixed by NORA DRUM 
Mastered by Charles Murdoch 
Photography by Hamish Thomson 
Additional editing, graphic design, and art direction by Nadeem Tiafau Eshraghi

Lithe - It's Rhythm

Conclave
”The Remixes”
CAT#: LIR-004
Release Date: December 15, 2021

Photay’s “All That I Need (Remix)” brilliantly sets the tone. Anchored by an irresistibly syncopated percussive line, it accumulates perfectly placed rhythmic layers and accents, then drops in Cesar and sister Sharin Toribio’s sparse vocals amidst touches of haunting modulating organ and Bernie Worrell-esque synth squeals, all while largely dispensing with traditional basslines. It’s an intoxicatingly moody (re-)arrangement, reflective of Photay’s uncanny ability to generate momentum and evoke stillness at once. And it’s reprised in a more stripped down iteration for his lovely Photay Lullaby Remix, which dials back the percussion and plays up a simple thumb piano melody from the song’s beautifully bridge for maximum emotional resonance.

Arranged, Produced & Mixed by Evan Shornstein (ASCAP)
Written by Cesar Toribio (ASCAP) Scott Scribner (ASCAP) 
Mastered by Walter Coelho
Digital Distribution by Seed Worldwide
Sync/licensing by Terrorbird Media
Front cover illustration by Lisa Rampilli
Layout by Paul Raffaele

©℗ Love Injection Records 2021
Cesar Toribio (ASCAP), Scott Kapelman (ASCAP), Evan Shornstein (ASCAP)
loveinjection.nyc
conclavemusic.com

Conclave The Remixes

Conclave - The Remixes

Listen/Buy

Conclave - All That I Need (Photay Remix)

ATRO & HENCE T - Because Of U (Rydeen JBW Dub)

Station 5

Station 5 Review (Nathan Fake Remix)

C2FX

C2FX (Eluize Remix)

home

Silhouette / Android Funk

Silhouette

Home By Nine (feat. MARIA)

Download

Deep Waters

Little Bit More (feat. Winslow)

Manila

Manila (FaltyDL Remix)

LDN VBZ

Brighton’s @a_m_radio kicks off its year with four cuts of murky, mutant dancehall, trap and minimalist UK techno from @soreabuk. Hear ‘Done Everything Feat. Logan’ now

More info: https://djmag.com/listen/premiere-soreab-done-everything-feat-logan

Perspectives

Premiere: Soreab ‘Done Everything Feat. Logan’

Phrixus returns with the next instalment of Random Beats & Pieces, a series of hard drive extraditions manifested as self releases.

Effortlessly sliding between fragments of bmore, footwork, sci-fi film music, noise and IDM, the EP showcases the wildly rich tapestry of influences and sounds the London-based beat maker and sound designer is known for.

'Bmore>STAND UP!’ hits hard with an arrangement aimed squarely at the dance floor. A brutal brass line dominates the opening, with influences clearly discerned from Rod Lee and DJ Technic’s Bmore club productions, before the tune’s effortlessly simplistic and wickedly effective main focus pulls in.

@phrixusmusic

Buy:
https://phrixus.bandcamp.com/album/random-beats-pieces-vol-2

PREMIERE: Phrixus - BMORE...>STAND UP!

With this EP Polo Lilli channels the lost spirit of rave, with two tracks of euphoria that will make your head spin and bring a tear to your eye! Despite the modern production these two tracks could have come straight out of 1992.

Out 18/March/2022

POLO LILLI - Love Will Be There For You

a special new LP from @gacha on @lapsus-records!

Buy on BandCamp

Premiere: Gacha Bakradze - Thank You For This Upload [Lapsus]

Llyr brings his debut EP release on Mesh and the next issue in the 3D Reworks series, following the second binaural experiment by Reid Willis in June ’20.

The 3D Reworks series aims to challenge artists to express their work and expand their creative awareness to enable every listener to experience high-definition immersive audio. The EP comprises three tracks of headphone surround sound, immersive audio at it's most powerful. 

Experience: shifting scenes with trains thundering past; teleportation into a futuristic virtual reality headphone rave; and an escape to a digital dream-like state. Llyr presents music created using a mixture of binaural recordings captured of an eerily daunting present-day London by award-winning sound designer Will Cohen and a series of personal answer phone recordings left for him by Crystal Tassels, a renowned burlesque singer from the Berlin performance art underground

Digital Tracklist 
01 Depersonalised 3D
02 Powergraze 3D
03 Dream Sequence 3D

Release schedule 
5th Feb - Released on Bandcamp
26th Feb - Available across all major stores 

Contacts
Label: anthony@thewildseeds.com
Press: mt@tailored-communication.com 

The release is available for free download/pay what you want from Bandcamp for one week only.
 
Llyr
"In keeping with Mesh's 3D Reworks series this was originally conceptualised for headphone listening. I used binaural (‘3D’) recordings and lots of binaural (and other spatial) processing techniques. It should translate fairly well to regular speakers too, but you'll be missing out on some of the fun. I tried to create dense, dynamic mixes with a rich audio environment to explore. The intention is that with repeat listens you can discover different things buried in the music. I hope you enjoy listening as much as I enjoyed creating it."

Max Cooper
"Llyr aka Gareth Williams has been a long-time advisor and tutor of my own work for many years, and demonstrates his breadth of knowledge with this treat of a surround-audio package optimised for headphone listening. I was also excited to see the involvement of award-winning sound designer Will Cohen of 'String and Tins' studio. The result being an enveloping abstracted wander through dream space, beautiful sweeping harmonies, and even a delve into the dancefloor where we get a more centralised punch before returning to the outer edges of sound around our heads. It's a pleasure to hear and get lost amongst, many thanks Llyr.


Credits
Written, mixed and produced by Llyr (Gareth Williams) 
Mastered by Chris at Blacklisted Mastering Ltd
Additional binaural recordings by Will Cohen
Answer phone recordings by Crystal Tassels
Artwork by Tyler Hobbs
(P) Mesh (C) Gareth Williams (Llyr) 2021

02. Llyr - Powergraze 3D (Binaural Version - Headphones Only)

Flow artist. Just making playlists to spin to.

IG: @nell.woz.ere