Pé - As Honor Was On Its Last Leg (CSAM)

Apeiron Wav

Unus Mundus

From yolabmi's Before Your Past Lives, out on Nov.25 on tape and digital:
https://muzaneditions.bandcamp.com/album/before-your-past-lives

"A longtime friend of Muzan, yolabmi's Before Your Past Lives pulls the listener into prehistory (or perhaps pre-existence) with a suite of tracks structured around gently vibrating synths, crisp field recordings, and expertly manipulated samples that fizz and crackle and whirr in rich stereo. Secure your headphones, close your eyes, and think back to before there was a before."

yolabmi - II

Elisha Morningstar/Lorenzo Abattoir, Titled

idmspase

The music of Naarm/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concréte threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.

Drawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.

Although each piece exists in its own rare air the composite panorama they present is striking in its sweep...  more

Credits:
Released August 21, 2020

All music by Lisa Lerkenfeldt
Mastering by Kassian Troyer at D&M
Design by Bartolome Sanson
Scores by Lisa Lerkenfeldt

Collagen

Gates Of Desire

In Her Hair

Penultimate Press is pleased to present A Sunset for Walter, the first duo release from long-time collaborators Jérôme Noetinger and Anthony Pateras. Having worked together in a number of different collaborative contexts over the years, the pair used Pateras’ 2018 residency at Schloss Solitude in Stuttgart as an opportunity to develop a major durational work for Steinway piano and multiple Revox tape machines. Presenting four excerpts from a three-hour concert, the LP’s opening moments immediately establish its distinctive sound-world: an austere sequence of octaves slowly sounded by the piano gradually develops into passages of fragmentary lyricism as Noetinger’s tape manipulations dilate the sonic space with rumbling sub-bass, distant echoes, and hints of uncanny backmasking.
 
A Sunset for Walter was conceived as a loose tribute to the piano works of Walter Marchetti, particularly the slowed-down subaquatic expanse of Nel Mari Del Sud. As Marchetti described his own work, A Sunset for Walter is ‘music without beginning, or end, or development’, where the lack of obvious structural divisions creates something like an endless present. But where the monochrome surface of Marchetti’s work – in its willingness to descend, in his own words  to the ‘pits of aesthetic poverty’ – often approaches total stasis, A Sunset for Walter is calmly immovable in its overall texture but perpetually changing in detail, as the performers respond intuitively to each other, their instruments, and the environment. Noetinger’s tape manipulations range from nearly imperceptible shadowing of the live piano to anarchic bursts of rewinding tape, floating wisps of feedback, and dreamlike concrète interjections of children’s voices and splashing water. Pateras’ piano performance moves from single pitches left hanging over a backdrop of silence to almost Messiaen-esque sequences of complex chords and arpeggios, all sounded within a temporal framework that seems to follow internal rhythms of breath and bodily movements.
 
Caught in this hall of mirrors, the listener is often unable to distinguish the live piano from its tape-manipulated reflection. Like the sunset of the title, here outlines blur into a crepuscular haze, as fleeting effects of light and shade catch our attention just as they disappear.

A Sunset for Walter

Jérôme Noetinger and Anthony Pateras - 19h39 / 19H46

This track is upsizing and upscaling of the "Tedious series".
Work in progress.
It may be deleted soon.
Thank you for listening!! :-)

Tedious5 - Test2 (15/11/19)

Takumi Akaishi "Memoria" Voices

L’œuvre a été commandée par Radio France pour l’émission « Création Mondiale » (ex Alla Breve) le 9 février 2020 et a été réalisée dans le studio du Groupe de Recherches Musicales (GRM) à Paris France. La pièce a eu sa création publique le 14 février 2020 au Festival Présences 2020 à la Maison de la Radio (Paris)

Portrait de la compositrice : France Musique 
https://www.francemusique.fr/emissions/creation-mondiale-l-integrale/okno-de-rocio-cano-valino-diffusion-integrale-et-portrait-de-la-compositrice-80441

- MUSICWORKS 2020 | First prize in Electronic Music [Canada]
- Marcelle Deschênes Prize 2020 [Canada]
- PRIX KLANG! 2021 | Second prize [France]

(Excerpt) Okno [2020]

I like noise music & electronic music.
love creation. love originator.
Please feel free to send me a mail. :-)

Tedious5 - Test2 (15/11/19)

(sona) formo

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