Dark, mysterious and atmospheric, complex sounds that work well together!

So. Very. Awesome!!!!!!! 👏 👏👏👏👏

Great piano work Luke! Magnificent production..marvelous soundtrack..passionate execution.. brilliant percussion! captivating & mesmerizing..perfectly executed synthesizer work..brilliant effects..sumptuously infectious..excellent mix & recording production!

wow! some powerful sounds in this thought provoking piece

Feeling IT! This Real Strong!!💪🏽 The Artwork is Great matching it Well! A Musical Labyrinth Following Through! LOVE IT. ~VIBES~ BRAVO 👏🙌🏾

Impressive!  Awesome piano playing and beat! 🔥🔥🎹✨

Janne Hennie

“ Colpi Dritti “  by Luke 

During Medieval & Renaissance days the fencing word..
“Colpi Dritti”…means: “Vadi blows from the right side used to defend one self” as the warriors had to do…

Just a fun experimental piece …

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Colpi Dritti”  by Luke

Collaboration
Check out Ramixjoe ♈︎ music
@josef-schweinzer

In Color -With Ramixjoe ♈︎

Pole Shift

The earth shakes below
lightning flashes above
hearts and minds are broken
Poison all around

Nowhere else to go
Everywhere the same
There’s no time at all
where we find ourselves

If we could only see
That we lack nothing
fear would fade away
Only truth would stay

Swallowing the hook
we consume the bait
Can’t agree at all
Save the need for change

Divided in our minds
Can’t tell love from hate
Then before we know
It may be too late

Blind with mental plays
walk into the blaze
Cannot see what’s here
in front of our face

Earth shakes below
lightning flashes above
hearts and minds broken
Poison all around

If we could only see
That we lack nothing
fear would fade away
Only truth would stay

Earth shakes below
lightening flash above
Hearts and minds broken
Poison all around

If we could only see
That we lack nothing
fear would fade away
Only truth would stay

Seeing in real time
Following the way
Having seen what’s real
Only truth will stay

Lightly holding on
As the poles turn round
peaceful through it all
as the world falls down

Pole Shift (2025 Remaster)

(Written by Terry Reeves)
Terry Reeves: Vocal
Gary Reeves: Toms
Hans Albers: All other instruments, Arrangement & Production

Photo of Max from The Albers' Archive

What to say about Maximilian?
There are so many things to be told: a lifetime of 24 years, full of special moments, joys, fears, sorrows, worries, hopes, dreams, ups, downs, progress, regress, searching, finding, winning, losing, restlessness, peace...
His life had begun with an extremely difficult birth, almost as if the world didn’t want him. They told us he had a life-threatening infection, there were probably holes in his lungs and he obviously had no kidneys. In total, his chances of surviving were exceedingly slim. However, after endless weeks of both despair and hope, he overcame the infection, the diagnosis of holes in his lungs turned out to be totally wrong and they even discovered a kidney.  Just one maybe but at least it worked perfectly.  His journey into existence had begun.
As he grew, so did the never-ending nightmare of problems, challenges and battles, until we began to wonder what could possibly happen next.  Through it all, Max took every opportunity to accumulate extreme experiences - never hiding, always   seeking.  For that, we loved him even more…and even more it broke our hearts that we couldn’t help him find what he was looking for.
But suddenly, as the Summer of 2011 dawned, his troubles seemed to merely fade away.  Was he just arriving in life, coming of age, finding his place in society?  To be honest, we hadn’t the faintest idea.  But it was abundantly clear that, having always been an underdog, that same unwelcoming world had simply started to like and respect him.  He began to realise his many talents, enjoying his job as never before, finally becoming something he had never been - happy.
Fast forward to the gorgeous Summer evening of June 28th, the eve of a 4-week vacation to which he had been looking forward so very much.  A smile on his face, he said he was in the mood to go jogging, something he loved. Sometimes, he ran and ran for ages.  He’d been gone about 3 hours, quite a long time even for him, so Carina called his phone and he answered, cheerfully telling her not to worry and assuring her he’d be home very soon.  Seconds after the call, out of the blue, he collapsed.  A pulmonary embolism.  They told us he died instantly. 
Max, we have no words for what happened, nor for the eternal gratitude we feel for every single second of your life.  We do know we will never stop loving you.”
(Hans & Carina Albers)

Small chance of survival, words from the first day
Stretching all emotions not a single which way
Asking whys and reasons, a chance to breathe long
Heartbreaking moments, hopes remained strong

Such a short distance, but a life running miles
Bring every sensation, fear to a million smiles
Experience not forgotten, continuous hug of care      
Born with fighting spirit, giving back more to share

24 years of love, no single regret
24 years of love, never to forget

Every challenge building, inner muscles to be felt
Secret ways to be happy, never question hand dealt         
Complication of thinking to find a new sentence 
Pathways to friendships, dreams of acceptance

24 years of love, no single regret
24 years of love, never to forget

A vision full of truth with strength to admire
Finding a hidden talent, past helping to aspire 
No journey of distance could prevent direction
A phone call assurance became last connection

It’s hard to find words, express feelings remaining 
Deep down inside shell, empty, sad, self-complaining 
But we will never forget our boy hero from birth
Brought love and kindness, past and future unblurred

24 years of love, no single regret
24 years of love, will never forget
24 years of love…

MAXIMILIAN - CRIPPLE CLUB  (Please Read Description)

I felt like this one needed the extra time to unfold and develop in the direction it wanted to go, could be my longest solo piece yet! My songwriting process has moved almost entirely to Ableton Live and I'm find it to be such an inspiring workflow. This is yet another recent track where I'm having fun weaving in the guitar.

Cover image: Norman Zabusky/Hilary Shames (CC BY 3.0)

Time and Space

Hot girl on girl action version of “Heavy Sexy”
Fucking vocal by Anais Giulia @user-520332251 
Squirting vocal by Stixx @stixx2025
Sounds by Box Number Eleven and MJ
Image by Anais Giulia (“no, I’m not wearing anything under that hat!”)

Anais Meets Stixx (featuring Anais Giulia)


Link to the usual pictures and sounds combo space - https://youtu.be/hi3shfq1pfc

Original artwork by EL-HO
Lyrics
Well when…
yesterday’s deaths are tomorrow’s lack of news
the headlines read a tragedy of a rich man’s point of view
while all around we struggle as their fight goes on and out
we’re just candles in a monsoon and a lightning strike in drought
We feed monsters in our heads
We beat monsters under our bed 
We need monsters to aim our guns
We feel monsters to regret what’s done
Yeah we are monsters

With every breath a fresh chance a new time to be awake
but we’d rather hate our enemies than befriend a fool who’s fake
with every shot not taken that’s saved up ‘til the end
dying in our apathy in our wake we’ll still pretend
that every day’s a new day another chance to be alive
instead we choose the monsters feed them demon’s ‘til they thrive
We feed monsters in our heads
We beat monsters under our beds
We need monsters to aim our guns
We feel monsters to regret  
Do you regret what’s done
Monsters…just monsters 
We’re monsters of monsters and monsters
Monsters…just monsters 
We’re just monsters of monsters and monsters
Monsters…just monsters
We’re all monsters of monsters and monsters
Monsters…just monsters
They’re all monsters of new old monsters
We’ll all monsters and monsters and monsters
All monsters of monsters their monsters
All monsters of monsters they’re monsters
We’re all monsters of their old monsters
Monsters of their old monsters
They’re monsters
Same old monsters


Feeding Monsters

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

“180 Bars of Solitude”  by Luke

Still working on my Waltz composition..
So here’s another dark piano piece
the short version 😂

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“180 Bars of Solitude” by Luke

Pierre and JC Bordetti productions (c) 06/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Lyrics
Lost in the night, under silver beams, Drifting through cosmic, endless dreams. 
A thousand lights whisper my name, Guiding me home through time and flame.

Stars above, shining so bright, Lighting up the lonely night. Tell me tales of space and time, Sing me songs, make the world divine.

Fullness

'banjovi'

something until the next thing

banjovi

“L’Amour de Love” by Luke

I posted the long version when I only had 50 followers..
here is the shorter version .. it’s one of my favourite compositions.. and yes the “big tough as nails” is a romantic 

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“L’Amour de Love”  by Luke

Conga and bass, Sergio Párraga.
Piano and drumms, Ireal pro.
Front page, Pepe Gámez.

Conversando

I had the absolute pleasure of collaborating again with the greatly talented David De Michele who has created an incredibly enchanting cinematic soundscape for my piano composition "Up". 

Please listen to more of David’s beautiful music here: @user-92820487

Sincere thanks for your attention to this work. We do hope it brings you some joy and comfort!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Up (Ft. David De Michele)

There's a heat wave going on in Norway...  I made the music in GarageBand.  Maybe I add some vocal eventually.... :)
Thank you for listening!  🎧😊

Heat Wave (Instrumental-Original)

BUY | DOWNLOAD

Grocery Store - Abstract Hip Hop [FREE DOWNLOAD]

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

My new 🎹 piece is called … “The  S c h ü ß m a n n  Waltz”
                         

All music posted on this channel created & composed & played & arranged & produced in house by myself (Luke)

I’m a 🎶 writer / composer / musician / producer always creating & producing new Piano 🎹 arrangements / scores / themes / compositions / tracks from scratch ..
 
all my work is Original.. 
one of a kind …
played with old school instruments including my 100yr old upright piano & Yamaha keyboards 🎹 my old school skins 🥁 and trumpet 🎺 etc…
 
👉🏻NO Artificial Intelligence  aka A.i. 👈🏻

I don’t do Covers 
I’m to busy to Collaborate at this foreseeable time..

so stay tuned & check back weekly / monthly..

In between creating major  Piano & Symphonic music,
I like to wind down by creating quick “fun music” using “Found Sound “ & samples & loops & libraries along with a few bars from my piano / keyboard or synthesiz..
 (they are usually of a “ Trap “ genre) 

Use your headphones 🎧 to really experience my music layering to its fullest... 

Lastly..thank you for being a loyal fan supporting all my “experiments” and successes..

Luke 😊   Attention:👉🏻  Name change coming soon..
               from 👉🏻  Beats by Luke 
                    to 👉🏻  Luke H.  S c h ü ß m a n n

Recorded / mixed / Mastered by Luke 
a 🥶“Frosty - Nutz Production”🥶 🇨🇦 🇺🇸

“180 Bars of Solitude” by Luke

Beats By Luke..

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