Part A: Intro   with big accents C#5-E5

Part B Spacious guitar  interlude C#m   A-B    C#m   E-F# x2
Part C Guitar Melody hook C#m   A-B    C#m   E-F#x2 
Part D  Spacious guitar  (Verse 1) C#m   A-B    C#m   E-F#   x4
Part E Funk Guitar  (Continuation of Verse 1) C#m   A-B    C#m   E-F# x2 
 
Part C Guitar Melody hook C#m   A-B    C#m   E-F#  x 2
Part D  Spacious guitar  (Verse 2) C#m   A-B    C#m   E-F#   x2
Part E Funk Guitar  (Continuation of Verse 2) C#m   A-B    C#m   E-F# x2

Part F 1/8 note riff  (pre-chorus)  C#m   A-B    C#m   E-F#   x2 
Part G Huge Chorus Power Chords  B-C#5   E5   D#5   B5   G#5  F#5    C#5    E  x2

Part B Spacious guitar  interlude C#m   A-B    C#m   E-F# x2

Part C  Spacious guitar  (Verse 3) C#m   A-B    C#m   E-F#   x4
Part E Funk Guitar  (Continuation of Verse 3) C#m   A-B    C#m   E-F# x4 with melodic guitar hook

Part E 1/8 note riff  (pre-chorus)  C#m   A-B    C#m   E-F#   x2 
Part F Huge Chorus Power Chords  B-C#5   E5   D#5   B5   G#5  F#5    C#5    E  x4

The Touch of Blub

Jon Wilson played drums and I played bass. Later I over dubbed some strats. All are first takes with no practice and little discussion other than let's channel Mitch Mitchell and Noel Redding

Killing Floor white '64 strat lead (experimental)

Killing Floor (no lead) Backing Track

Killing Floor with blue Strat

Killing Floor with blue strat

These two parts were recorded not listening to the other one so they are deliberately  random .

Killing Floor both lead guitar parts slammed together

When I was a teenage stoner with a boner this is what I sounded like

灰色の空

Kegstone

I did this demo the other day. The song is a piece of garbage but has a cool riff so I decided to see if I could recycle it and make it cool or just have fun recording it. Experimenting with microphone placement. Distant miking of the guitar amps to get a bit of room sound. Mostly P-90 Guitars through old Marshalls.

OLD Brookies' Demos and Jams

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