Blinded By The Sun (Piano Day Tribute)

Other Time

Toms Corner

The Well The River

Hazy House

Available here:
https://thesisproject.us/projects/thesis-17
&
https://thesisproject.bandcamp.com/album/thesis-17-ceeys-constant-presence

To be released on the conceptual collaborative-minded, boutique label Thesis, is the new joint project by the two neo-classical and contemporary ambient acts of CEEYS, and CONSTANT PRESENCE, the new outing between Peter Broderick [Erased Tapes, Type, Efterklang], and Daniel O’Sullivan [Grumbling Fur, Guapo]. Released during Q3AMBIENTFEST, a sterling three-day event of avant-garde, experimental pop and ambient-classical taking place in Potsdam, Germany during the first weekend of April, the limited edition 10inch EP, enriched with Zen ideology, comes replete with bespoke artwork, exclusive handmade packaging, and laser-etched designs.



CONSTANT PRESENCE, the new mesmerizing project by soundsmith Peter Broderick and multidimensional songwriter Daniel O'Sullivan, has been sporadically performing across the globe since coming together in 2019. This new, recorded body of music will see their release alongside the cello-piano brothers, Sebastian and Daniel Selke aka. CEEYS, who also happen to be the founding partners and curators behind Q3AMBIENTFEST. Looking to celebrate the notions of duology, unity and harmony, the EP features two ambient tracks that are enshrined in the teachings Shunryu Suzuki, a twentieth-century Soto Zen monk who gained popularity in the Western world for his teaching of Zen Buddhism outside of Japan. This nature of dualism becomes ever more pertinent when factoring in the 30th anniversary of the fall of the Berlin Wall, the bringing together of new and old worlds, and the pairing of Potsdam and Berlin. The East-West divide is something also very admissible to the works of the Selke brother’s, who imbue various elements of their East German upbringing within their recordings and philosophical approaches. Now celebrating its fourth year, Q3AMBIENTFEST is CEEYS’ labour of love, and it was a great honor, love and respect that they can now release something together with the multitalented and accomplished minds that are Broderick and O'Sullivan.



The Thesis Project, now on its 17th release, has set about on uniting two different artists together to create limited, custom designed bodies of music. Uniquely crafted and designed by Gregory Euclide, each 10” jacket for THESIS 17 consists of laser cut-etched designs portraying brutalist architecture and atomic structures glued on top of airbrushed designs that use the homemade Black Walnut Ink that Euclide made himself from the trees on his property, then letter pressed with the THESIS logo. Each record is hand numbered in an edition of 300, and will be made available on the second day Q3AMBIENTFEST, where it is also possible to get the record hand-signed by the artists. During the second day of the festival CONSTANT PRESENCE will share the stage with CEEYS, for a unique performance that juxtaposes the notion of duality and harmony yet further, in a show that will combine professionalism with liveliness, method with lightness of touch, and efficacy with flexibility.

THESIS 17

Nothing Special

Lost stories

Spring Camp

Outplant is a new podcast from the Data.Wave webzine that features releases sent to our magazine by artists from various places of the world.

The episode 2 contains work of German sound artist Thomas Köner, electronic project Växtfolket, Michel van Collenburg aka nobuka, a track from the fresh release of A Strangely Isolated Place label and an unreleased composition by the New-York based musician Andrés León.

For musicians and labels: send your tracks to our email: datawv.office [at] gmail [dot] com

Tracklist: 

01. Thomas Köner - Substance (Suicide) (Mille Plateaux, 2020)
02. Växtfolket - III (Auditive Abstraction, 2020)
03. nobuka - Bluebird (Self-released, 2020)
04. Wanderwelle - Decay (A Strangely Isolated Place, 2020)
05. Andrés León - Variations (Unreleased, 2020)

Outplant #02

Live performance of the Japanese artist Teruyuki Kurihara recorded for the Data.Wave webzine.

Spring Camp

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