Name: Who is she? part 1 by Lake of Madder in 1 Eighty
Duration: 8 min 37 s
Description: 2020,06,30 Cello Guitar,Violin,Bowing Zither,Rhythm Box

1 Eighty

Rain

A Verdure is a type of tapestry decorated with a design based on plant forms and woodlands. It is also called Garden Tapestry. This short orchestral work presents the musical impressions and representations of the shapes, textures, modulating colors and moods from the designs in these tapestries.
Copyright © 2021 by Conrado del Rosario - All rights reserved

Other concert compositions can be found at: 
https://youtu.be/u_Djy93CsVs?list=PLzkLHn8QrAqGjOCiOkYoAO7nLCv_PBUtT
Thank you for listening.
-----------------------------------------------
Conrado "Titus" del Rosario was born in Angeles City, Pampanga. He won a scholarship to study composition, conducting and flute at the University of the Philippines College of Music with Lucio San Pedro, Francisco Feliciano, Ramon Santos, Eric Barcelo and Sonny Yangco. He worked as a professional musician , composer and arranger for studio and film in Manila as well as teach Music Theory at the Asian Institute for Liturgy and Music. He won 3rd prize in solo instrument category (flute) in the National Competitions for Young Artists.He conducted the Young Artists' Chamber Orchestra and the Philippine Philharmonic Orchestra at the Cultural Center of the Philippines.

In 1982 he won the first prize in the League of Filipino Composers Chamber Music Composition Competition with his String Quartet No.1 and received a Young Artists of the Philippines Foundation Scholarship for further studies at the Berlin Hochschule der Kuenste (now Berlin University of the Arts) where he studied composition with Isang Yun and Witold Szalonek. He won the 1985 Hambacher International Composition Competition Prize. 2nd prize at the 1988 Hitzacker International Composition Competition. He also won Work-Scholarships from the Berlin Cultural Senate in 1988, 1991 , 1992 and 1997 which provided funds to create a composition and have it performed. His chamber music piece "pine whispers“ was chosen as one of the four finalists in the 1995 IRINO International Composition Competition in Japan. He was invited for a Concert-Lecture tour in the 1997 Pacific Music Festival in Canada. In 1998 he was the Berlin representative for a half year Working-Scholarship at the Cite International des Arts in Paris, France.

His comprehensive list of works include works for orchestra, chamber music, pieces for improvising ensembles, electronic music, music for radio and a chamber opera. Performances and broadcasts of his chamber music and opera in different European, Asian and American cities and festivals.

Conrado del Rosario taught piano and composition privately and was a Instructor in Piano and Improvisation at the Berlin-Charlottenburg Musikschule as well as the Piano Instructor in the Show and Musical Department of his alma mater, the Berlin University of the Arts.

He was a member of the Gamelan-Ensemble, Banjar Gruppe Berlin. In 1989 he founded B I C E -The Berlin Improvising Composers Ensemble and has performed with with this group in various european and american cities. Since 2007 he has returned to forming, playing and writing for Berlin jazz groups like Understatement, The BeCool Jazz Quartet, Sowat von Funk and OhrJazzMus. In November 2013 he returned to his hometown, Angeles City, Pampanga and founded KAPAMU (Kapampangan Musicians’) Jazz Collective and built the Jazz Grill, founded the bamboo instrument ensemble SUNLAG. He was in the Philippine delegation of composers in the 2017 China Asean Music Festival in Nanning. Guest speaker and performer at the Maceda100 Symposium. Conrado del Rosario was the 2017 Most Outstanding Kapampangan Awardee in the field of Arts and received the 2018 Pupul ning Banua Award for Music. He was nominated as Aliw Award Best Solo Instrumentalist in 2018. He will continue his various musical activities in his country.

Conrado del Rosario: "Verdures" for Orchestra (2021)

This rendition of Black Magic Woman is different than any other. It is different than Santana or Fleetwood Mac or any version you may have heard.  It breathes the passion and obsession that the words convey.

Facebook:  https://www.facebook.com/1EightyBand 
Website:  www.tgday.com/1eighty

Black Magic Woman   *
Butch O’Brien (Drums)
Carlos Barbera (Guitar)
Tom Rucktenwald (Vocals, Bass, Alto Saxophone)

 * Mixed and Mastered at Tom’s House Recording Studios.

Pictures, LogoTM by Andy Pieski

Black Magic Woman

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022  https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future   But it was so much fun we are back for more.

The following Artists appear on this track :
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Ambient Annie    -  Electronic
Banalytic  - Noise 
Chicago Word Brigade - Metal Electronica
Dane Renshaw  - Drums/Voice
Dani Kirby              -  Piano/Voice  
JZsuperstar - Doors/Keyboards/Water 
Libby Laksmi   -   Jazzy Loops      
Oberlin   -   Electric Guitar
Paul Miller - Electronic Percussion/Funk/Keyboards
Phil Bywater - Saxophone/Voice
Rosin Dust - Field Recordings/Saw/Violin
Robert Jefferson - Percussion
Wivresse - Electronica/Vocals
Mat Ward - Noise/Bass Guitar/Voice/Arrangement

Then She Reaches For The Gun - This Isn't Even Creating A Sense Of Space

I accidentally ripped-off Aphrodite and QED (Aladdin). Genuine mistake, but one which I was both unwilling and unable to rectify. Forgiveness, please.

Sapien

Johnny Diamonds

More on the 676th weekly Disquiet Junto project, Sub Melody — The Assignment: Bury a slow melody deep inside a drone — at https://disquiet.com/0676/

submerged [disquiet0676]

Music by https://soundcloud.com/marcolucchi 
Sonopoem and mixing by Ilaria Boffa
This piece is included in the work 'Intrusion' by the EAPS Collective.

+1
'I might embody the igneous bodies, carbon and non-carbon-based, forced through existing formations.
Settle like the dregs of the liquid left in thousands of bottles plasticizing the oceans.
I might recycle into non-recyclable thermal paper and coat with dyes and sensitizers and stabilizers and vaporise with heat. I’d roll.
Rolling and rolling, squeezing, a can, at each kick a bounce forward, future-ing. 
I can sense myself hovering, the +1 part per millions of CO2 trying not to take it personally and resent when you decarbonize and diminish me.
I can feel myself being tape, sticking things together, taping wires and mouths, un-taping, warping and buckling up.
I might emerge from a liquid solution, a precipitate, an insoluble solid suspension ejected and fallen at the bottom of a vial.
I might flat on the soil and bituminize to carry all steps on me and all of a sudden, tragically crack and let us plummet, crash.

Potrei assumere sostanza di corpi ignei, a base di carbonio o meno, spinti a forza attraverso
formazioni esistenti.
Depositarmi come fondi di liquidi rimasti in migliaia di bottiglie che plastificano l’oceano.
Potrei riciclarmi in carta termica non riciclabile e cospargermi di tinture e sensibilizzatori e stabilizzatori e poi evaporare per calore. Rotolerei.
Rotolare e rotolare, schiacciarmi, una lattina, a ogni calcio un balzo in avanti, futurizzare. 
Posso percepirmi fluttuare, la parte per milione di CO2 aggiuntiva, cercare di non prenderla sul personale e risentirmi quando decarbonizzate e mi diminuite.
Posso sentirmi essere scotch, scotchare le cose insieme, adesivare cavi e bocche, staccarmi, deformarmi e accartocciarmi.
Potrei emergere da una soluzione liquida, un precipitato, un solido insolubile, sospensione espulsa e caduta sul fondo di una fiala.
Potrei appiattirmi al suolo e bitumare per caricarmi di ogni passo e d’improvviso, creparmi tragicamente e lasciarci precipitare, schiantare.'

+1  (Ilaria Boffa & Marco Lucchi)

An electronic composition, sounds created using Pure Data and Audacity.



Thought Takes Flight (naviarhaiku577)

Doomscroll

2025-04-19

reconciliation

Detun'd

/
The Conditioner - Conditions of Conditions // find me here mix
/
The Conditioneers: Architects of Equilibrium
/
written by fictionalive // music, carefully used, curated by fictionalive and provided by mobygratis.com, fully licensed / fair use only // June 18, 2025

The Conditioner - Conditions of Conditions // find me here mix

2020,06,30 Cello Guitar,Violin,Bowing Zither,Rhythm Box

Who is she?

Who is she? part 1

Blue Oni (Art Is Personal)

Original song
https://soundcloud.com/loveles_0/exotica-tex-ft-yokot
Vo [YOKO.T]
@yoko-t-201142980
mastering [rjnk]
@rjnk-1

Exotica tex(ryu remix)

Loving Life and Sharing what I am able to share.

Who is she? part 1

Lake of Madder

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