Name: Dancing To Substances & Sound by Mono-Lux in Circuitery 4.0
Duration: 4 min 22 s
Description: Dance-scape reimagined from the track Substances and Sound

Cool mixture of different elements forming impressive soundscape!

Melodic riff with tone of voice is sweet. 

Circuitery 4.0

The title is from the novel The Man Who Fell to Earth by Walter Tevis (https://en.wikipedia.org/wiki/The_Man_Who_Fell_to_Earth_(novel))

Walter Tevis is a great writer (https://en.wikipedia.org/wiki/Walter_Tevis)

Pic - based on Icarus by Henri Matisse (https://www.matissepaintings.org/icarus/)

Published on SC 11 February 2023

ESO7 WIP

1975: Rumplestiltskin

Music composed to accompany a video showing >100 photographs of the same view taken over the course of a year.  Third in the series.
For video, see https://youtu.be/tEuRxZBihBU

Walk Through a Pandemic #3

Part 62 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | Part 62

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!_____

As there is Science Fiction, there is also Music Fiction and I wanted to pay homage to the excellent Science Fiction cartoonists and especially to the one who inspired me the most: Philippe Druillet
Superb science-fiction comic book with Philippe Druillet who has a fantastic, delirious, violent drawing, but which shows us the permanent violence since the night of times!
Men have always been "ugly" but the difference is that the Earth before was undeniably more beautiful. Thank you for listening!

Cover image: Philippe Druillet
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Music Fiction_1

Music Fiction 1

I saw you one day drinking coffee and 
penciling words on a page
Thought maybe she’s writing the passages 
or acting them out on a stage
Its clear from your efforts and focus, you’re
sworn to the oaths of your art
Since you’ve been sharing your pain with me
Its torn me apart

Joan
Cold like a stone
Why did you leave?
Where did you go?
Joan
You left me alone
The lies that you weave
I wish I had known

You told me the roots of your storyline
Had me perched on the edge of my seat
I said you could stay on my sofa 
Just till you got on the soles of your feet
I fell for your naive anthology
I got lost in the pink of your hair
and woke in the fog of the morning 
when your things weren’t there

Joan
Cold like a stone
Why did you leave?
Where did you go?
Joan
You left me alone
The lies that you weave
I wish I had known

Ghosted

Also available on my Youtube channel: https://youtu.be/VjliSDfr5Ts

Snowing

on YouTube

Dance-scape reimagined from the track Substances and Sound

Dancing To Substances & Sound

These people are driving me nuts.

What is it with these people?

These people who are so desperate to be seen to be heard, and be seen to be part of the herd, that they stand up and say something.

They then apologise for having said it, when, out of a global population of 8bn, someone, like, maybe, I dunno, Quentin from Bishop's Itchington who breeds rare goats, and has an embarrassing skin problem and no friends declares himself offended by the “something” and because his goats look sad and a bit grubby and have floppy ears, twenty other people out of the 8bn declare themselves to be offended too.

Cue apology and retraction.

“These people” have no use or value in society and need to be removed from the gene pool immediately by the empowerment of balanced observers such as me.

For crying out loud.

(The artist wishes to make no apology whatsoever either for the bum notes in this live recording or the loss of his voice.  That's just how it is).

_____________________________________________________________________

Sorry

I’m sorry for whatever I just said,
I’ll now expound the opposite instead.
While what I said is simple fact sure as I’m standing here,
Twitter’s going nuts and that truth will cost me dear.
So I’ll lie right through my teeth, a heinous sin,
To keep them fat endorsement happy dollars rolling in.
Tell everyone what I don’t think, platitudes never cause a stink,
So I’ll bleat them liberal sheep’s opinions.

Now if a non-PC view slips between the cracks,
I’ll get my PR guys to hastily redact.
Get awareness training, counselling claim PTSD,
Identify as sumpin’ else, blame genetic deficiency.
I got pre-recorded “sorrys” for any trans…(gression) day,
I save apologetic time by having “sorrys” stashed away.
Use any heap of steaming crap to retract my previous monologue tract,
The plain and honest truth ain’t never going to pay.

Oh I’m sorry for what I’ve said and what I’ve not
For all the stuff I did and what I didn’t  
I must apologise for my stream of serial lies
For telling it how it is…… then how it isn’t.

Ah thank you - let me answer that by saying “sorry” first,
In case I make an un-woke inappropriate outburst.
Wouldn’t do to confuse you with something that I really thought,
Social media ripples leave my income stream distraught.
So let me for the record unequivocally state my views,
I think you’ll understand if you put you into my shoes.
Well maybe yea and maybe no, couldn’t say, it might be so,
I hope that does and doesn’t make front page news.

Oh I’m sorry for what I’ve said and what I’ve not
For all the stuff I did and what I didn’t  
I must apologise for my stream of serial lies
For telling it how it is…… then how it isn’t.

____________________________________________________________________

Photo by mark tulin on Unsplash

Sorry

Here is my isolated guitar solo track with full orchestra for my title track "The Wheel."
The Wheel is a concept song spanning over 20 minutes long, which I wrote in 2017/2018 and recorded in 2019. I uploaded it to my SoundCloud back in early 2020. Here are the last 4 minutes of the song. The song itself is a finale to an album idea that I had, and this guitar solo acts as the grand finale movement. The Wheel was written, recorded and arranged by Louis Taverna
All instruments, including orchestrations were recorded and arranged by Louis Taverna
All rights reserved ©

The Wheel - Guitar Suite Finale

Salvage your damage a song about a rebound relationship that was beyond repair as the damage was already done in the last one.

Salvage Your Damage ~Conscience of Kings

CALA BOCA (SPEED UP + BASS)

D Traction

D Traction 2.

https://kriptonia.bandcamp.com/album/kripton-a-split-vol-xiii

Gluko Lin

Es el nombre del proyecto audiovisual electrónico del artista cordobés Horacio Campestrini. Los estilos que predominan son muy variados: suena House, techno, acid y por momentos nos encontramos en ambientes totalmente minimalistas. Todos estos ritmos decoradísimos con el sonido 8bit, hace al sonido mucho más interesante, dándole alma y personalidad.
La nostalgia y la reminiscencia que el proyecto provoca es el motor del mismo. Melodías pegajosas, emotivas y desorbitadas hacen a la naturaleza lúdica de Gluko Lin.

----------------------------------------------------------------------------

Audiota

Entró en el mundo de la música como baterista de Heavy, Trash y Speed Metal. Siguió su camino como Guitarrista, bajista y cantante de Punk Rock. Siempre interesado por el mundo de los sintetizadores y el diseño sonoro.
Autodidacta y obsesivo escuchador de música, para analizarla y nutrirse de ella. Ha participado en Seminarios, Becas y Workshops interiorizándose en el mundo de la Síntesis Sonora, haciendo culto de los sonidos en loop, repetitivos, llegando a estados mántricos.
Cautivado por el mundo de la música electrónica y en especial el Techno, por sus sonidos contundentes, se encontró atraído por la electrónica hecha en vivo, en formato Live set. Desde aquí, comenzó a acrecentar su arsenal de maquinaria para investigar, crear y eventualmente tocar en vivo. Hizo sus primeras presentaciones en lugares del circuito Under tanto en la costa como en Buenos Aires.
Actualmente reside en el partido de Pinamar donde se desempeña como educador en el campo de la producción musical y el diseño sonoro con distintas tecnologías.

----------------------------------------------------------------------------

/////////////////////////////////////////////////////////////
Idea y producción: Kriptonîa
///////////////////////////////////////////////////////////// 
credits
released June 2, 2020

Mezcla: Gluko Lin // Audiota
Masterización: Kriptonîa // Audiota

Diseño: Pau Lee (www.instagram.com/sheispaulee/)
Kriptonîa son Ismael Verde y Santiago de la Torre.

Kriptonîa Split vol. XIII

Gluko Lin - Trapstorno

https://allbuttonsin.bandcamp.com/album/abi

Download

Obsidian Shards

Reckless

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Please check out our LATEST RELEASES here…
Mono-Orbit @user-560290178

This is a Morris Broome project and follows on from our Mono-ha collection. We explore numerous soundscape ideas from ambient to traditional song formats using the expanded sonic field of original and treated donor sounds and narrative. Enjoy the experience and thanks for listening...

Repost/support page :
@user-298027276

Previous page :
@mono-ha-music

Dancing To Substances & Sound

Mono-Lux

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