The Löst Tapes, Vol. 6

Hellraiser (Live at Eissporthalle, Berlin, 14th Dec, 1992)

🎸 VORYNTH (Self-Titled Album)
Blues-rock, reborn in fire and digital myth.
Debut album from UK-based queer artist Vorynth: raw riffs, soulful storytelling, and bold, myth-soaked lyrics collide in anthems of defiance and transformation.

Crafted in creative partnership with Suno’s advanced vocal AI, each track is an intimate rebellion against silence, chronic illness, and conformity. From the fierce journey of "Devil’s Highway" to the reflective power of "Fourteen Fourteen", this self-titled release turns personal scars into sonic strength.

Blues. Myth. Identity. Amplified.

Written & Performed by Vorynth.
Vocals powered by Suno AI, custom-trained to amplify my authentic voice.

When life said no stage—music found another way.

Not Your In-Between

“Gather close, and let the embers speak. For this is no tale of kings and crowns — this is the saga of fire, oath, and blood. This is the song of the last skald, and the flame that refused to die.”

In the twilight of the old world, when the fjords whispered of gods and ghosts, a warband rose beneath the dawn. Their oaths were carved in stone, their names etched in frost. The saga begins with “Oathbound at Dawn,” where warriors swear loyalty not by word, but by fire — a ritual of steel and spirit beneath the rising sun.

From the shadows of the fjord comes “The Wolf and the Fjord,” a tale of cunning and survival. The warband moves like smoke, striking with the silence of beasts. Then the drums thunder in “Hammerfall Rite,” a berserker’s invocation to Thor — the moment before the clash, where rage becomes ritual and the sky splits with fury.

But war is not only steel. In “Seidr’s Veil,” the warriors kneel before the völva, the seer who chants in tongues older than time. She shows them fate — not as prophecy, but as consequence. And then the clash: “Blood on the Ice” erupts with chaos, where shields splinter and the fjord runs red. Victory is won, but not without cost.

The ravens arrive in “The Raven’s Feast,” circling the dead with solemn grace. They do not mourn — they honor. The battlefield is silent, save for the wind and the wings. And then the myth deepens in “Stone of the Nine Worlds,” where the skald walks through realms of fire, frost, death, and dream. Each world speaks, each stone remembers.

Now the skald stands alone in “Skald of the Last Flame,” the titular track. He sings not for glory, but for memory — the last voice of a vanished warband, the final ember of a forgotten age. The longship burns in “Ashes of the Longship,” a funeral voyage across the sea, where names are whispered into the tide.

But the saga does not end. In “Echoes in the Hall of Shields,” the voices of the fallen rise in chorus. Their shields line the walls of the honored hall, and their names thunder through eternity. Yet even this is not the final flame.

A new chapter begins with “Where the Chief Fell, the Flame Rises.” The warband’s leader is gone, lost to legend. But his fire lives on. The Son steps forward in “The Son Who Bears the Ember,” uncertain but resolute, carrying the weight of legacy in trembling hands.

He learns the truth in “Peace Is a Lie.” The world does not honor restraint — it devours it. The Son casts aside hope and embraces fire. But in “Ashes of the First Command,” he learns that war is never clean. The cost of leadership is written in blood.

And finally, he rises in “The Flame That Does Not Bow.” No longer a child, no longer a warlord — he is the flame itself. Not wild, not broken, but eternal. He walks not for vengeance, but for truth. The saga ends not in silence, but in fire.

“So remember this, you who listen by the hearth: the skald may fall, the chief may fade, but the flame marches on. And in every oath, in every name, in every echo — the saga lives.”

The Flame That Does Not Bow

RISE LIKE THUNDER

FIRE IN MY VEINS

Fists of Fire

Shadows crawl across the land
Where dreams have turned to dust
The streets are empty, no one stands
Against this rising rust

Chorus:
Embers of a broken nation
Burning low, burning slow
We're living on desperation
With nowhere left to go

Verse 2:
Factories silent, highways bare
The hope has bled away
Communities beyond repair
Just ghosts of yesterday

(Repeat Chorus)

Bridge:
We're the last ones holding on
When everything feels wrong
Watching everything we knew
Just fade into the song

(Final Chorus)
Embers of a broken nation
Burning low, burning slow
We're living on desperation
With nowhere left to go
(Nowhere left to go...)

Guitars Bluesdude
Bass Amy Ives
Lead Vocals Albie Ingurson
Keyboards & Synth Archie Ingles
Drums & Percussion Mel Young
Produced by the Shed Studios Wycombe
©2025 The Shed Studios Wycombe All Rights Reserved

Fists of Fire

jake junior

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