🔥Fantastic Performance.., Nenad 🔥
👏🏻Brilliant Title & cover art
👏🏻just in time for summer..
a captivating yet relaxing piece.,
👏🏻nice composition & arrangement & production 
👏🏻👏🏻👏🏻👏🏻Bravo👏🏻👏🏻👏🏻👏🏻

Du très beau travail superbe à écouter. Une belle réalisation. EXCELLENT. Grand bravo.

nice beat almost samba, lovely guitar work!

Howdy Neno and how are you doing? Excellent Bossa Nova my friend! I loved it! I've been away for a few and am catching up now. Listening to this is making me want to have a Mojito or two!! Yes, two is the ticket! Great job!👍😎✌🏼

Ohhhhhhh soooo wonderful ❤️❤️❤️❤️🙌

Cover
You started Laughing - Supertramp - Rick Davies -1975

When you're in heaven what you gonna do?
You're gonna sit around a cloud and say
"Hey what a lovely view"

Is there a reason why you're like you are?
Is there a reason you'll be leaving?
Is my love out of season?
I wouldn't mind but to me that is treason

You started laughing
When I held you in my arms
You started leaving
When I told you of my charms

I was in love with you
And then you said we're through
And then I said boo hoo

Was my tie not on straight?
Was it something I ate?

You Started Laughing

Les dés perdants       (Translated after the French text )

Vidéo: https://youtu.be/40uf8PC8Q0I

Texte et chant : Muette
Guitare :              Strataddict
Musique:            Alain Illos

Le père :
On dit qu'les mères en amour ont neuf mois d'avance,
Qu'on ne vous porte pas, et que nous : c'est la loi.
On dit même qu'on vous fabrique par inadvertance.
Mais ma tendresse est un lait qui ne se tarit pas.

Le fils :
Si tu peux tout cela,                 
Rassasier l'affamé,
Pourquoi ces terres brûlées,
Ce vide en moi, papa ?

La mère:
Tu es quelqu'un de bien. Tu es quelqu'un de rare.   
Celui qui te trahit, celui qui te salit,
Qu'il change de trottoir : je lui lav'rai la bouche
Avec du savon noir. Je veux pas qu'on te touche.

Le fils:
Tous tes regards sont teints                    
De ton amour pour moi.
C'est mon pain quotidien,
J'en connais trop le goût. 

La mère:
Blé noir qui se morfond et ne veut pas lever,       
Tu cherches des soleils pour croire et espérer.
Les plafonds sont trop bas, les idéaux s'effondrent
Et la triche est partout, le monde est à refondre.
Tu ne peux plus mettre dans les miens tes pas.

Le fils :
Si tu sais tout cela,                
Sur le tapis vert,
Pourquoi tes mains jetèrent
Les dés perdants, maman ?   

La mère et le père
Les dés seront gagnants si tu changes les règles. 
Hier, j'ai vu un lièvre emporté par un aigle.
Et j'ai pensé : Merveille, les lièvres volent !

Le fils:
Et moi je n’arrive plus à marcher jusqu’à l’école .

The losing dice,

The father:
They say that mothers in love have a nine-month head start,
That we don't carry you, and that we: it's the law.
They even say that we make you inadvertently.
But my tenderness is milk that never runs dry.

The son:
If you can do all that, 
Rassasier l'affamé,
Why these burnt lands,
This emptiness in me, dad?

Mother:
You're a good person. You're a rare one.   
The one who betrays you, the one who dirties you,
Let him change sidewalk: I'll wash his mouth
With black soap. I don't want anyone to touch you.

The son:
All your looks are tinged 
With your love for me.
It's my daily bread,
I know the taste too well.

The mother:
Black wheat that mopes and won't rise, 
You're looking for suns to believe and hope.
Ceilings are too low, ideals are collapsing
And cheating is everywhere, the world needs to be remade.
You can no longer follow in my footsteps.

Son:
If you know all this, 
On the green carpet,
Why did your hands throw
The losing dice, Mom?

Mother and father
The dice will win if you change the rules. 
Yesterday, I saw a hare carried off by an eagle.
And I thought: Wonder, hares can fly!
Son:
And I can't walk to school.

Les dés perdants  avec Muette

Well it is time again for a guitar song with my fine and good friend Stephen of TexMex Shaman--The Brilliant production work is his as is the rather hilarious artwork, some of the percussion recordings , a whole stadium full of screaming fans that he found somewhere, and of course his kick-ass electric guitar play--i in turn added some guitar noise a little synth, and some percussion recordings from my Roland/Boss bass and drum player--Hope those of you that find your way here enjoy this as much as we do:):)

who said anything about a Bridge  (with TexMex Shaman)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Let me feel this breeze

When they realize

This track is my very personal take at the Koan "Hear the Clap of your Hand". If you can not relate the music with that title, I can fully relate to you :-). Just wait for the lyrics version that will be up in a few weeks time to make things clearer. (yes, this is my sneaky strategy to tweak you into revisiting my channel)

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

Original composition by Neno J. June, 2025.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100 and bass Ibanez.

Summer lounge bar

------------------------------------------------------------------------
YouTube: https://youtu.be/r4dPV7LslbY?si=sgroLKNHHCoIfleM
Spotify: https://open.spotify.com/intl-de/track/3z58ycYlJStW1e6L3dso0k?si=1313c616061f4937
Amazon: https://amazon.de/music/player/albums/B0FD7ZPWZ8?marketplaceId=A1PA6795UKMFR9&musicTerritory=DE&ref=dm_sh_ON7teKAwoyBZ97RWGOmiRFIKu&trackAsin=B0FD7ZLL8L
Apple: https://music.apple.com/de/album/das-herz-kennt-den-weg-single/1820681573
------------------------------------------------------------------------
Lyrik: (The English translation is below the German lyrics)
Ein Zittern tief in meiner Brust
Wenn alle Vernunft verstummt
Die Fessel bricht, ich hab's gewusst
Was jahrelang mich eingezwängt

Die Angst war stets mein treuer Gast
Lähmte jeden kleinen Mut
Grau lag sie schwer als dunkle Last
Erstickte meine innere Glut

Doch dann kam dieser Augenblick
Das Herz sprach lauter als der Zweifel

Es ist wie ein Erwachen
Wärme strömt von tief in mir
Meine Wahrheit will sich Bahn brechen
Sonnenstrahlen führen mich zu ihr

Wild brennt die Sehnsucht ungezähmt
Nach meinem wahren Selbst
Nicht mehr gespielt, nicht mehr verschämt
Ein Leben das mir selbst gefällt

Der Sprung ins Ungewisse
Vertrauen statt Vernunft

Ich fliege, schwebe, bin so frei
Berauscht von diesem neuen Mut
Die Ketten brechen jetzt entzwei
Es fühlt sich himmlisch an und gut

Still kommt die Erfüllung
Dies bin ich, dies ist mein Weg
Keine Selbstverleugnung
Ich tanze, wo ich früher schwieg

Die wichtigste Liebesgeschichte
Beginnt mit mir und meinem Mut
Wenn ich mich selbst nicht mehr vernichte
Wird alles leicht, wird alles gut

Himmlische Empfindung
Ich bin bei mir zuhaus

English translation:
The heart knows the way

A tremor deep in my chest
When all reason falls silent
The shackles break, I knew it
What has constrained me for years

Fear was always my faithful guest
Paralyzing every little bit of courage
Lay heavy as a dark burden
Suffocating my inner fire

But then came this moment
My heart spoke louder than doubt

It's like an awakening
Warmth flows from deep within me
My truth wants to break free
Sunbeams lead me to it

Wild, untamed longing burns
For my true self
No more pretending, no more shame
A life that I like

The leap into the unknown
Trust instead of reason

I fly, I float, I am so free
Intoxicated by this new courage
The chains are now breaking in two
It feels heavenly and good

Fulfillment comes quietly
This is me, this is my way
No self-denial
I dance where I used to be silent

The most important love story
Begins with me and my courage
When I no longer destroy myself
Everything will be easy, everything will be fine

Heavenly sensation
I am at home with myself

Das Herz kennt den Weg

Over the weekend, a tiny creature showed up at our home, in need of a little help.  After a day of some care, it scurried away to continue on with life, no worse for the wear.  The experience brought to mind a hymn I used to sing as a child, “All Things Bright & Beautiful." The refrain is probably the most well-known part of the hymn:

“All things bright and beautiful, all creatures great and small,
All things wise and wonderful, the Lord God made them all.”

The hymn speaks of the wonder of creation as well as the inherent value of life and served as the inspiration for this piano improvisation. The words (but not the original melody) from the refrain are integrated into the composition beginning at the section from :58 – 1:17 and repeating several times thereafter.

Bright and Beautiful

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

My favorite Instrumental country & blues songs

Purchase Licenses

Trees on the Hill (ID 1390)

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

Summer lounge bar

Neno J.

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