Jadal is an Arabic Rock Band, Formed by Mahmoud Radaideh Composer/Guitarist/Music Producer in 2003 Amman, Jordan. Jadal are one of the first Arabic rock bands in the region, starting their journey by grabbing listener's attention with their cover "Kol Ma Gool Al-Tobah" for the legendary Egyptian artist Abdel Halim Hafez in Jadal's Arabic Rock style. They then introduced their fans to their hit song "Salma" composed and written by Mahmoud Radaideh which created a great following in Jordan

Jadal are known for their lively performances. Jadal's music breaks boundaries, challenges the music scene. Their diverse fans, both rock and Arabic music fans, prove that music isn’t biased to language or background.

"Arabic Rocks" is the first album for JadaL released in August 2009 contains 14 songs with JadaL's Arabic Rock Style.

JadaL released 29th Dec 2012, contains a collections of Mahmoud's compositions performed by himself (vocal, guitar, keys and more) and musicians Ahmad Zoubi (Vocals), Bader Helalat (Keys & Synthesizers), Amjad Shahrour (Bass), Ammar Urabi (Drums), Hani Mezyan (Keys) and for live performances Hakam Abu Soud (Drums).

The story of Asa (pronounced Asha) begins in Lagos, Nigeria where she found a home in her father's extensive and eclectic collection of records from soul classics to traditional Nigerian music. Starting to sing at a young age, Asa was inspired by the sounds and messages of artists such as Marvin Gaye, Fela Kuti, Bob Marley, Sunny Ade and Ebenezer Obey who served as touchstones when she later began crafting her own songs. It wasn't until she was studying in Paris that she truly formed her musical style, immersing herself in the songs of her musical contemporaries — Erika Badu, D'Angelo, Rafel Saadiq, Lauryn Hill and Angelique Kidjo.

Asa fuses pop, r&b, world, funk, soul and reggae in a debut eponymous album where she sings in both English and Yoruba. Featuring impeccable percussion, a funky Hammond organ and reggae-infused bass, the album has two stand-out tracks: Jailer, a song about "the irony of oppression, the one that operates in everyday life" and Fire In The Mountain. Asa's album met recognition worldwide and the artist engaged in an extended tour including Europe, North America, Africa and Japan. Asa gained global recognition as a charismatic songstress with a trademark husky voice, unafraid to tackle serious issues with intelligence and confidence. "This Nigerian singer-songwriter might actually be a twenty-first century Bob Marley" — BBC Music

With her dreams fully in motion and with an array of experiences under her belt, Asa was in a purely positive frame of mind when crafting her new album, Beautiful Imperfection. The album's lead single "Be My Man", an up-tempo rock-tinged track with hints of 1960s soul, sees Asa in romantic mode, as she sweetly croons to her love interest. Guitar-driven "Why Can't We", laced with strong horns and beautiful harmonies is undoubtedly a toe-tapper. "The first album reflected my state of mind then. I had a lot to talk about — social and political issues. Beautiful Imperfection is different, it has more brightness. This time, I wanted to create something that would make people feel uplifted".

ASA -- "BEAUTIFUL IMPERFECTION" out from 25 OCT, 2010 in Europe (naïve) and set to release 04 April 2011 in the UK (Dramatico)
Asa

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Kelma music is one of the well known music production companies based in Egypt specializing in technical supervision, and production of Music Albums and Music Videos as well as organizing live concerts . 

Mohamed Adawia (Mohamed Ahmed Adawia) is an Egyptian singer born in Cairo March 11, 1976. Mohamed is the son of the first big star of shaabi music Ahmed Adawia

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


This is the record where my music truly reflects who I am,” proclaims Tamar Braxton about her long-awaited new album Love and War (Streamline/Epic, Sept. 3). “It’s sassy, opinionated, insightful, smart and high energy. It’s everything that defines me as an individual. It’s finally time for me to be me.”

In fact, it’s finally time for this multi-talent to take her deserved place in the spotlight. Ever since she was a young girl, Braxton dreamed of being a singer, songwriter, producer and television star. Fanning the flames of her musical vision was a backstage encounter with Whitney Houston. At the time, a 14-year-old Braxton was singing background vocals for her sister Toni. “Whitney said to me, ‘Your voice is amazing! You’re going to be a star,’” recalls Braxton.

Now Houston’s prediction is coming true—as is Braxton’s long-held dream. Having already scored two back-to-back hits off the forthcoming Love and War (the title track and “The One”), Braxton is riding the perfect multimedia storm. Reality TV star (WE tv’s “Braxton Family Values,” “Tamar and Vince”). Engaging talk show host for Fox-TV’s “The Real.” Savvy business entrepreneur (“Get Your Life” fashion line). Illuminating author (upcoming book “Love and War.”)

And while the realization of Braxton’s musical dream might have taken longer than planned, she says it’s still right on time. “I’m a perfect example of God having another plan for me than what I had in mind,” she says with a laugh. “No matter how good the situation, it just seemed like nothing would never ever happen. Now with everything starting to happen, I realize it all boils down to timing. But singing has always remained everything for me.”

Love and War, Braxton’s album, offers a diverse mix of impassioned and impactful songs threaded together with pure soul. Heartfelt and honest, the set brims with deep emotion and searing honesty painted against a modern R&B backdrop.

One of the first songs she cut was the title track and debut single. She co-wrote the ballad’s lyrics with legendary writer LaShawn Daniels, whose credits fittingly include Whitney Houston (Michael Jackson, Usher), and Makeba Riddick (Beyoncé, Rihanna). The no-holds-barred song explores the push and pull of a relationship as well as how real love can weather any storm. Over a slow sultry beat, Braxton's soulful soprano simply captivates.

 "I'd experienced love, but I never experienced passion until I met my husband," reveals Braxton. "This song is the soundtrack to our relationship. We fight hard, but we love even harder. We get through everything, and we keep going strong.”

 As did the single. It spent ten weeks at No. 1 on Urban AC and reached No. 13 on Hot R&B/Hip-Hop Songs, racked up more than 7 million views on YouTube and gave Braxton her first Centric Award at the 2013 BET Awards. "The award let me know," says Braxton, "that I was on the right path." Saucy follow-up single, “The One,” is following the same trajectory.

A veteran performer who began singing backup vocals for her older sister Toni at age 12, Braxton was also a founding member of R&B group The Braxtons with Toni and their siblings Traci, Towanda and Trina.

"I found the sound I'd been looking for within myself for years,” recalls Braxton. “I’d never had the chance to go as deep as I did. The vocals just poured out of me. I also let the music pick itself. You can't make or force a personality or feeling onto an artist. It never works."

Music isn't the only way the creative Braxton expresses herself. She executive produces and stars in the WE tv reality hit "Braxton Family Values," which comes back for a new season in November. Originally created and spearheaded by Braxton and sisters, the show soared as the cable network’s highest-rated television show. Braxton also co-stars alongside her music manager husband Vince Herbert on WE tv's spinoff Tamar & Vince. Its second season premieres on Sept. 5. 

Elsewhere on the TV front, Braxton co-hosts and produces FOX-TV’s “The Real” which recently rated #1 as the highest rated test-run in talk show history. Braxton reveals, "'The Real' is one of the best things to ever happen to me. I get to chat with a group of women and its feels like happy hour in the middle of the day.
 
A fashion force as well, the multi-tasking Braxton launched her own fashion line, “Get Your Life,” through Bravado in 2012.  Dedicated to "real chicks"—as its creator eloquently puts it— and inspired by Braxton's catchy, colorful hashtag phrases (#getyourlife, .com) on "Braxton Family Values.”

In the meantime, Braxton’s frank and sassy writer alter ego will surface again in Fall 2013 with the release of her first book, “Love and War.” Co-penned with husband Herbert, the tome examines both sides of the relationship equation. Readers will “get a detailed and honest look at the yin and yang,” pledges Braxton.

But first things first. In what continues to be a banner year, a tireless Braxton is getting ready to bring her music to her “Tamartian” fans live across the country. In conjunction with Love and War, the singer will open for Grammy Award winner John Legend during a national six-week tour that kicks off in October.

“Everything I’m doing is liberating my different sides: sister, wife, girlfriend and entrepreneur,” declares the glowing new mom. “Now, with Love and War, it seems SHE has it all.”


With multi-fold projects in his music archive, El Far3i is a Palestinian and Jordanian songwriter, rapper, drummer, and producer from Amman, Jordan. Known for his dichotomous solo act El Far3i/ Far3 El Madakhil, he enmeshes Arab acoustic folk and hip-hop and continues to experiment sonically, evolving into the more recent forked axis, El Far3i Flux.
This brand encapsulates the essence of both the versatility of styles and the complexity of ideas. It is a space within which a sense of freedom exists, enabling experimentations with different tools, instruments, and writing techniques... A vision rooted in the ideals of independence, yet branches out to reflect the journey. Those concepts race between censorship and exaggeration, concealing at times, and pushing hard at others.

Deep lyrical capabilities and versatile flow styles, have allowed El Far3i to homogenize Arabic vocals with rap, to create a native Arab sound in the vast world of acoustic and electronic pop. His vocal inspiration sediments deep into the high mountains of Palestine, down to the Jordan Valley. It derives from global hip-hop techniques, while preserving the power of simple grooves, and floating, yet daring, ghost notes in the background.
His songs come from his region’s subconscious, with lyrics that archive the socio-psychological, political and personal subtexts of Arab daily life, extending to the diaspora. Themes of love, borders, spirituality and identity manifest. El Far3i’s ever reflexive raw rapping style contrasts his soulful melodies, creating chantable anthems and craved earworms.

In 2008, El Far3i first started performing songs and rap on his guitar at local venues in Amman. At the time, he was in the middle of producing his first hip-hop release under the name “Far3 El Madakhil”. A year later, his first demo collection of acoustic songs was released, and shortly after, other rap tracks saw the light on the Internet.
2012 was a witness to El Far3i’s two albums, both his debut acoustic “Soat Min Khashab”, and Arab Rap album “Far3 El Madakhil”. Since then, he has released an Arabic sample-based boom bap album, Kaman Dafsheh (2014), and the defining acoustic record, El Rajol El Khashabi (2017).
He is currently working on combining new melodic skills and rap with latest production trends as his fans await upcoming music that touches on new hip-hop styles. He is also carefully ‘engineering’ a project that weds Arab sound with electronica… Flux.

El Far3i’s grass-roots approach to music projects, and his belief in the importance of solidifying, growing and evolving different independent scenes, has resulted in numerous collaborations with the Arab World’s top rappers, songwriters and producers. 
Such versatility and vision had also translated into him co-founding two of the biggest Alternative bands in the MENA region; El Morabba3 and 47Soul. El Far3i still does occasional live collaborations with El Morabba3, and continues the journey he started with 47Soul in 2013.
Over the past decade, El Far3i has played hundreds of memorable shows and has whisked the audience away with live performances in the Arab world, and Worldwide. He continues to tour and take the stage in festivals as a Solo Artist, and with his band, 47Soul.
His media archive is rich with interviews with various Arab and International news outlets from TV, to Print to Radio. He has also been featured for his knowledge on the Arab alternative scene in documentaries and lectures. 
El Far3i has a vast loyal following from different parts of the World. His social media platforms have hundreds of thousands of followers, and his tracks on YouTube have received millions of views. At this very moment, his music is being streamed on one of the digital platforms by a listener looking for sonic solace.

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