Music of a very high standard, very beautiful here with its unobtrusive waltz rhythm.

a sweeping track but there is a creepy feeling in amongst all those beautiful notes

Magnifique, comme toujours 🙏. Et direct dans mes favs 👍

Magnifique piste 👏👏😊😉😎😍😻👍🙋

Love it...  Brilliant...  I've played it more than 6 times just to keep it in my mind...

Step into a world of cinematic sound with this playlist of tracks perfect for creating your own soundtrack. To Contact Follow me on :

-YOUTUBE
https://www.youtube.com/@LennReason
-Spotify:
https://open.spotify.com/intl-it/artist/52qJvGuRKmksJBrZmy4dcn

Soundcloud's Made For Soundtracks

Non Temperato

Rimsky's Beard

" Before every  important moment in our lives there are the emotions and tensions if waiting
 between the dreams and the expectations...
 Until the moment arrives and became a precious memory of yesterday  to tell and to preserve" Lenn.

A Beautiful Piano-orchestral Pop song.

Video on Youtube : https://www.youtube.com/watch?v=GHEox3KXn54

Before

Inspired by Jorge Morel's Danza Brasileira 
His years of countless serenades are manifested in his face as well as this fast paced Danza styling.
His six string reverberates through the streets and nearby alleyways.

Danza Brasileira

ΠΙΕΣΤΟ

Just addendum to 'Covers from my heart' (for it took me way longer than expected to find halfway suitable English rhymes after translating my German text template)

The background: I spent my childhood at a time when books were the main sources for imagination and dreams. One of favorites: The Sea-Wolf. I was mostly fascinated by the flashbacks recounting the meeting of two kids (Hump and Frisco Kid) from completely different social classes, in which each of their respective worlds exerted a special attraction on the other. 

I felt the same way. I didn't come from a wealthy family, but a middle-class home and I found everything that didn't conform to middle-class rules magical. I sought out the “wicked,” and failed miserably to be accepted there. 

Much later I realized how massively privileged my life was compared to their dreary and hopeless environment marked by poverty and violence, which has not changed to this day. Quit the opposite. And although I support an association that cares for them, I feel that I am utterly unable to make any difference at all.

This song is an attempt to imagine something impossible to imagine unless you are affected by it yourself. I interpreted my German words with the help of DeepL and used various pages to find rhymes, synonyms and idioms. The musical template was a piece I wrote 20 years ago as an instrumental that I turned into a blue grass version.

According to the literal translation of my German words, the song should be called "Scumland," but I didn't like that title at all. Ultimately, I chose “wasteland” because “waste” has so many more relevant layers of meaning in the context of the song.

©music and lyrics by Hans-Michael Albers, vocals by suno 4.5+

I wake to the sound of a bottle smashin'
Mama's on the floor
Her dreams are crashin'
The sink's full of rust
The walls are peelin'
Dad’s fists talk louder than any feelin'
Broken bikes rustin' in the neighbor's yard
Kids playin' games
But the rules hit hard
Streetlights flicker like a dying hope
This town’s a noose
I’m the end of the rope
 
On the corner
Smoke hangs like a funeral veil
Dealers whisper stories
Every word’s a jail
Shadows move fast
But the clocks stay slow
This ain't a place where dreams ever grow
Siren songs scream in the midnight sky
You run or you fight
Or you just get by
The concrete jungle got no vines to climb
Just cracks in the ground
And they swallow time
 
Dirt on my hands
Dirt in my soul
The streets take a piece
And they never let go
Violence is a language
We all understand
See you in wasteland
Where all your hopes end
Get lost in wasteland
No chance to defent
‘cause this is wasteland, yoh

My boy Jamal got a scar like a map
Says it tells the story of a knife’s trap
He dreams of cars that purr like lions
But wakes to the sound of his mama cryin'
The gangs wear flags like it’s some parade
But the floats are coffins
The streets are their stage
Every breath feels like it’s borrowed time
Every rhyme’s a bullet
So I load my mind
 
The train tracks hum
But they never stop here
Even the rails know there’s nothin’ near
Dreams don’t board
They just stay in the dark
Like ghosts of a life that never found its spark
 
Dirt on my hands
Dirt in my soul
The streets take a piece
And they never let go
Violence is a language
We all understand
See you in wasteland
Where all your hopes end
Get lost in wasteland
No chance to defent
‘cause this is wasteland, yoh


Get lost in wasteland

"Black & White give us a sense of duality like Yin and Yang, the good and the evil..
Two opposites to each other...
References and part of the search of balance in everithing...
Harmony like the keys of piano or the dance of serveral dancers...
Character like a filter of image or video...
Only Black & White? No shades!...
Unique, relevant, essential...
The starting point of everything...
A return of the essence of  forms and lines".

A modern Piano - New Age composition.

VIDEO ON YOUTUBE: 
 https://www.youtube.com/watch?v=wWcyU-M30z4

Black & White (Instrumental Version)

Red moon

The Forensic- Short Movie main theme. Now on Fetchflix

In the waning light of the 19th century, Albert was the kind of doctor you’d trust with your life—and your secrets. He stitched wounds and whispered comfort in the same breath, a gentle soul in a village that smelled of woodsmoke and horse sweat. Folks said he had healing in his hands and kindness in his bones.
But by 1920, the village had grown teeth. Brick buildings clawed at the sky, and the streets pulsed with something darker—something hungry. The city needed a forensic pathologist, not a kindly country doctor. Bodies were turning up in alleyways, drained of life and layered in mystery. And Albert, well... Albert answered the call.
That’s when the dreams began.
He’d wake with blood under his fingernails and no memory of how it got there. He started talking to himself—or rather, someone inside him started talking back. A voice that knew things Albert shouldn’t. A voice that liked the smell of formaldehyde and whispered about what lay beneath the skin.
Albert tried to resist. God knows he did. But the city was changing, and so was he. The question wasn’t whether he’d lose himself. The question was: who would he become when he did?

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental. And for those who did not get it, Fetchflix TV is also fictitious.”

Music: Syrel
Photography: Meta AI

Musical notes: I was inspired by the fabulous music of Theodore Shapiro.

The Forensic

'be we shall let'
https://www.instagram.com/reel/DNO5y_Hu_v3/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Note: this began as a shitty live recording that I overdubbed some extra (louder) vocals and two separate djembe tracks. It's what it is. I assure you some sexier things are in the works. If you care.

I sit on my porch watching the cars roll by
thinkin' about you, and the last time that we said goodbye.
When will I see you again?
I want to discover if this is real or pretend.
Either way, my darling, I feel like I've been blessed
for our stars to align amidst all of the mess
that we've made of our lives. Perhaps, now, for the best.
Not only satisfied, you make me strive to be my best.
So, let's give this a try. 
And, let me be honest...
The first time we locked eyes, my darlin', my feet were swept.
Be we shall let.

be we shall let

Landscape before the storm.

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- VST flute, percussion, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This one began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the thrilling flute solo (complete with a hidden 'Star Trek' theme tribute), and the percussion pattern that comes in after the solo to the end. Tez came in shortly after, adding some atmospheric guitar at the beginning and end of the song. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strummed triads. At this stage, Mark did some arrangement editing, to open up more room for the instruments and make space for the vocals, yet to arrive. 
  Now that the song was musically complete, our newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first foray into the Afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

(*Flute solo contains an excerpt from the theme music from the original Star Trek tv series, composed by Alexander Courage)

Original lyrics by The Beautiful Dark:

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

A sequel to King's Daughter. Will she be able to free herself from her father's shackles?

King's Daughter - Freed from Bondage

The worst is not certain but it happens sometimes.
Le pire n'est pas certain mais il arrive parfois.

Minimalist piece of music for Quartet and Choir. Created with Session Strings 2 and Sonara (Komplete Suite).
Pièce de musique minimaliste pour Quatuor et Chœur. Réalisé avec Session Strings 2 et Sonara (Komplete suite)

Inclus dans la série  REPETITION
https://on.soundcloud.com/Xg40rCInFLg7JwsBMz

Glow of War

The music for this song was written years ago for a different band I was in.  The original title was "Where's Tomorrow Go?" and had different lyrics, and was sung by another singer.  Unfortunately, that band is no longer active, and I always liked the instrumental I'd made for this tune, so I finally decided to redo it with my own lyrics and vocals.  I figure a more serious song is in order after my last upload.  I hope you enjoy!

Lyrics:

Another wasted day has come to pass
Another page left blank in my book
Even if I try to scribble something down
Who the hell would ever want to take a look
I just can’t think of where to start it all
But I think I know how it will end
The second act is dragging on for too long
As I figure out the message it will send

Always find myself needing to be the villain
Could never see myself being the lead
A good protagonist needs to be stimulating
Something to relate to that I don’t have, but I need
I suppose I’m just looking for an excuse
To justify my existential dread
The prologue doesn’t lead up to any intro
Will I have the nerve to write any words before I’m dead 

Sometimes I wonder if it’s my vocabulary
Or if it’s lack of motivation
That prevents me from articulating the words
That would paint the mental illustration
A picturesque account of something more than life
To be remembered for the ages to come
Can I be the hero, or the mischief maker?
Can I find the courage to do what must be done?

In a hundred years will there be anything
Left to prove that I existed at all
What would it take for people to remember me?
A legendary rise to fame, then perhaps a great fall
Good deeds are so often forgotten about
Yet evil doings are immortalized
Who remembers the benevolent Roman Leaders
When the evil ones intrigue us more

The Book Of Life

My sister Cindy wanted me to write music for her. It is becoming increasingly hard to play and that makes me sad.  I have lay so far back in my powerchair that I can't see the controls. I can't tolerate sitting up, it's too hard to breathe. Some days I can't even get out of bed.

My son attached a projector to my computer so my screen is now 6'x4', and I have a small keyboard I hold in my hand. So I try to keep up, but it takes much longer to do anything. ALS is not easy to deal with. It's important to stay positive and make good use of the time I have left.

Something To Remember Me

Keyboards, synthesizers, piano are the brushes to paint my musical vision. I don't limit myself to a genre: my ideas are shaped in multiple sound universes, creating each time something unique and authentic based on the idea I have in mind, contaminating but also sometimes experimenting. This is me.

No permission is granted to use in any way the audio and/or video content of Lenn Reason for training (or other purposes) of any Artificial Intelligence.
Music Copyrights: ℗ Lenn Reason.

SYREL : C’est un algorithme de fiabilité symbolique basé sur la méthode des Cutset utilisées en ingénierie.

Mais sérieusement, Sy...rel était photographe publicitaire à Montréal dans une vie antérieure avant d'être ingénieur et maintenant compositeur et producteur de musique orchestrale, de bande sonore, de jazz et d'électro tout en profitant de sa retraite. 

SYREL: A Symbolic Reliability Algorithm Based on Path and Cutset Methods used in engineering.

But really, Sy...rel was an advertising photographer in a previous life before being an engineer and is now an orchestral, soundtrack, jazz and electro music composer and producer while enjoying retirement. 

https://soundcloud.com/user-461764443

The Forensic

Syrel

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