Name: (+)earth w/ Gabrielle Rose by (+)earth
Duration: 59 min 57 s
Description: Thanks to https://soundcloud.com/gabrieller0se

@gabrieller0se can you pls tell this track title ?

wow, what's this one, not a single track missing gosh

this is nuts, does anyone know what this is

"some days felt like home"

"wanting less" out 27th of september
mu-tate.bandcamp.com/album/wanting-less

Produced and mixed by mu tate
Mastered by Adam Badí Donoval

Cover photo by panddr
Center labels by Art Crime
Design by mu tate

wanting less

some days felt like home

bandcamp

chaser

#don't_be_afraid take w/ bswalk

Thanks to https://soundcloud.com/gabrieller0se

(+)earth w/ Gabrielle Rose

The first track on South Korean-born, Netherlands-based artist Jiyoung Wi's (@jiyoungwi) 4'44" - a 'sound fiction' in the format part book and part CD. During her Sonology course in The Hague, Wi's recent work considers the relationship between the two mediums to alter the possibilities of narratives.

Structured as a series of letters opening with a one-sided transcript of a conversation, 4'44"'s accompanying audio tracks combine sounds collected through field recording and a reading of the transcript by seven speakers - in Korean, Japanese, Chinese, Bengali, English, Lithuanian, and Turkish. The use of multiple languages disrupts a single, cohesive cultural or geographical context for the text, further obscuring the identities of those engaged in the conversation. Such translation of text to sound acts as a prelude, drawing the readers into the disjointed world of 4'44". Intimate and surreal, the story follows a first-person narrator who relies on her fractured psyche for survival, chronicling the various stages of her mysterious illness.

he title reflects the layered conceptual and formal explorations of the work, appropriating John Cage's 4'33", lasting 273 seconds, often interpreted as referencing -273°C, or absolute zero, where all molecular motion stops. By adding 11 seconds, Wi creates an interval to reflect on "the other," mirroring the act of letter-writing, which involves both a sender (self) and a recipient (other). The resulting manipulation of time also draws on cultural symbolism, as the number four is often associated with death in many Asian cultures. Combining the suspended ambience of 4 minutes and 33 seconds with a brief yet charged speculative moment, the letters of 4'44" invite meditation on what lies beyond the self, at the edge of death.

https://doyenne-books.bandcamp.com/merch/d-08-jiyoung-wi-44-book-cd-set

Me in her flat in N*rth Korea Pt.1 - Jiyoung Wi [D-08]

Robbery

Red Rabbit (DJ Paradise Remix)

XENIA REAPER returns to INDEX:Records with ‘Gambling’ – a requiem to noughties trance-euphoria, with a contemporary ambient twist. A collection of nine deep, emotionally-explosive tracks that wrench your heart, as much as your gut.

Exclusive to this edition is a made-to-order transparent 12” LP lathe, cut by Disc Archive in Berlin – super limited though, so get your pre-order in ASAP if you’d like a piece.

Written & Produced by XENIA REAPER
Mastered by Ike Zwanikken
Artwork by Lucas Dupuy

Gambling

XENIA REAPER – You Really [INDEX:019]

Accept,

Quédate

Erstes mal was in die Richtung
Ich bin selbst noch nicht ganz zu 100 % zufrieden. Trotzdem wollte ich den Track teilen und freue mich über jedes Feedback.
Viel Spaß beim Hören!

BÆNX - DEVIL IN ME

Podcast founded with a comprehensive approach towards genres, noises and persons.

(+)earth w/ Gabrielle Rose

(+)earth

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