this track was written with Kylie Minogue, Britney Spears or any current girl band in mind.. the vocals are me just try to imagine a hot superstar singing the lyrics


bomp bomp bomp

Picknick im Wald. 
Mekkbuda: Sitar, Arrangement; Danke an Franz Kuppler für das Spiel mit der  Querflöte und den Percussions

Salome

Just Keep Grinding

Grandes Rasades D'oxygène.Hommage à Erik Satie*A tribute to Erik Satie*

Music & Lyrics: Jan Schonander

This is unapologetically inspired by the A-side to one of my favorite albums of all time. I'll let you guess which album that is - if you are older than 50 it will most likely be easier.

A lot of us spend our lives chasing a dream, and despite reaching milestone after milestone the dream is always just beyond our reach. If you're lucky all you need to do is stop and think - maybe you're already there. I was reminded about this when told a story about a popular beach boatman asked by a hedge fund manager why he doesn't invest in an additional boat. After many questions the investor tells him that after years he could become so financially successful that he could spend his afternoons with his family and friends. The boatman tells him that after his morning fishing run that is already what he does. 

The guitar is a Logic Pro X Heavy Metal Guitar. For the drums I "mixed it up" a bit by using more reverb on the snare than on the rest of the drums. Also had a hi-hat in there initially but I took it out as I thought it muddied up the sound too much. In general I debated how much reverb to use and progressively used less and less to try and warm it up. For the bass I combined an electric bass with a traditional standing base. I departed from my usual approach of trying to reproduce as natural a piano sound as possible by using equalization to mainly remove some of the high and low end - the purpose being to create a "lo-fi" sound. Finally, the synth is Nord Native and treated with some ringshift to get the moving in and out your ears effect.  

LATELY MAYBE

Too much
Not enough
Will I ever
Is it never
I can’t see
Will it ever be

Lately, I’ve been thinking too much
Lately, I’ve been dreaming too much
Maybe, I’m in heaven
Maybe, I made it yesterday

Is this the end
Or could it be the beginning
I can’t tell
It seems a bit like hell
So many moving parts
So many false starts

Lately, I’ve been thinking too much
Lately, I’ve been dreaming too much
Maybe, I’m in heaven
Maybe, I made it yesterday

Too much
Not enough
Lately
Maybe
Lately it’s been too much
Maybe it’s been too much

Lately Maybe

Spotify

L'incontournable Japon - The unavoidable Japan - 必見の日本

01.12.2023 Lullaby in C / Berceuse en Do l'enfant do. 779

Berceuse De L'avent Près de Garlaban

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Roman Perov - Не Сегодня

«Ethereal Glow» encapsulates a profound sense of global unity and interconnectedness. It’s a musical embodiment of the world’s collective spirit, transcending borders and societal divisions. The essence of the track radiates a feeling of wholeness, where every individual, every nation, contributes to a harmonious global tapestry. Its melody and rhythm gently remind us of our shared humanity and the invisible bonds that connect us all. The ethereal quality of the music symbolizes an almost mystical sense of togetherness, a beacon of hope and peace in a world often divided. It’s not just a sound but a movement towards recognizing our common destiny, a call to embrace the energy of unity and goodwill that binds us, no matter where we are on this planet.

Ethereal Glow

Dance, hooky and robotic track in EDM style. Instruments include bass, drums, electric guitar and synthesizers. Suitable for ads, apps, celebrations, commercials, dance floors, fashion shows, media, parties, podcasts, promos, radio, ringtones, themes, TV shows, video games, videos, vlogs, websites, workouts.

Landing Page Link: https://supergiant.contactin.bio

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The Dance Of Reason

Music & Lyrics: Jan Schonander

I think a lot of us of can agree that we have done a number of embarrassing, silly and downright stupid things in our lives. Somehow, when looking back, I end up laughing at the memories, and often time simply erases every trace of an event. For me, it’s the things I didn’t do and say that cause the rueful moments. Dedicating this song to my wife - I should tell her I love her more often.

From a musical perspective I reused the instrumentation from my collaborative effort “Feline Fever” with REKHA. I readily admit that this song is heavily influenced by Iggy Pop's "Beside You". I am also trying out a warmer more natural way of producing my vocal.

FORGOT TO SAY

I forgot to say I love you
To say that I’m gonna miss you
I forgot to say I love you
That I’d be lost without you

So many times my face in my hands 
The things that I’ve done
So many times I took a fall
I can’t count them all
Did I tell you I’d repeat it all
Did I tell you it all feels small

Not my mistakes
Or how I did
Not my missteps
Or how I failed

Not my mistakes
Or how I did
Not my missteps
Or how I failed

I forgot to say I love you
To say that I’d miss you
I forgot to say I love you
To say I’d be lost without you

There are times when I look back
I think of the ways that I chose
Did you know
Did you understand
Should I have told you more often
Did I hurt you
Were you lonely
Did I make you wait for too long

I forgot to say what matters
I forgot to say that I care
I forgot to tell you that I need you
I forgot to tell you how I feel

I forgot to say I love you
To say I’m lost without you
I forgot to say I love you
To say I’m lost without you

Forgot To Say

Hi, my name is Nikolaos (Nick) Papakalos, a.k.a. Supergiant. I am an artist, composer, songwriter, lyricist, music producer, sound designer and musician currently living in Athens, Greece. My interests range from music to arts in general. I am also keen on reading, writing and painting.

Coming from a musical background in which I was familiarized with ethnic music from a very early age - way before this genre became a trend - I naturally developed an understanding of its multifaceted character.

It was exactly that sense of diversity that made me become a multi-instrumentalist; an attribute that has borne fruit in many aspects of my dealing with music either as a member of a band or on my own.

My long engagement with it, gave me the opportunity to gain the necessary knowledge for writing, co-writing, arranging, composing, producing and playing as well as for any other pursuit pertinent to this type of art.

I am affiliated with and a member of the U.S. PRO (Performance Rights Organization), BMI. CAE/IPI #: 1009148486.

The Dance Of Reason

Supergiant

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