Géranomachie (2021)
pour grand ensemble et électronique
Commande de l'Ensemble Intercontemporain et de l'Ircam-Centre Pompidou

3 December 2021, Cité de la Musique-Philharmonie de Paris 

Direction: Léo Margue
Rim: Carlo Laurenzi

Géranomachie (2021)

Capitalism And Schizophrenia (part 1)

“Deep in my dream the great bird whispered queerly
Of the black cone amid the polar waste…” 
H.P. Lovecraft, The Fungi from Yuggoth

Created using multiple instances of Fluss, the new granular audio mangler app from Hainbach and Bram Bos for the ipad

On Arcturus I Listened To The Ice Sing

Trondheim

Original Score inspired by the Adrian Tchaikovsky novel Dogs of War

Morrow Incorporated

Video of this track...https://youtu.be/yRFws-HSwKc

Disquiet Junto Project 0579: Memory Serves
The Assignment: Rerecord a piece of music.

Step 1: The goal of this project is to simply perform and record again something you’ve performed and recorded previously. Think about something you’d like to revisit.

Step 2: Now rerecord the piece of music you decided upon in Step 1.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0579” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0579” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0579-memory-serves/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: Deadline: This project’s deadline is the end of the day Monday, February 6, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 2, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 579th weekly Disquiet Junto project, Memory Serves (The Assignment: Rerecord a piece of music), at: Disquiet Junto Project 0579: Memory Serves – Disquiet

More on the Disquiet Junto at: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements here: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0579-memory-serves/

Night so bright (Disappearing Donkey Version) - disquiet0579

Studies for portraits in surroundings (with J.L.G. & P.B.)

The Oboe-Solo is put into a setting of everyday-live-sounds, documentary sounds that function as the surrounding of the Oboe. The Oboe itself is a study of the potential of transformations of sensations that we all humans share. These sensations are transferred into sound-characteristics, sound-tactilities, gestures of idiomatic Oboe-sounds. 
As we are influenced by our environment and by living, we are influencing our environment the two instruments are in a fluent interaction. The Oboe is inscribing it’s sound-spectra into the documentary-sounds of the keyboard, the keyboard itself filtering these sounds according to the Oboe and expanding these qualities, and the result of this inscribes itself into the Oboe spectrum. This is done by a live electronic set-up that builds this ongoing interactive process. And the chamber music aspect is then increased by the development of a polyphonic interaction between Oboe-lines and surrounding structures, that are increasingly living a polyphonic live, that transforms necessarily the electronic part again. 
The framing of the material is at the same time a homage to two important art-works (even if one is a sociological/philosophical book I admire it as a work of art), the one from Jean-Luc Godard (masculine – feminine) and the other from Pierre Bourdieu (Manet).

Studies for portraits in surroundings (with J.L.G. & P.B.)

Stuck Inside of Mobile with the Memphis Blues Again

Stuck Inside of Mobile with the Memphis Blues Again (Bob Dylan cover)

Voice Sample :
https://soundcloud.com/notlayzi/summer-17-mastv3

SenSen - Herejía

More on this 627th weekly Disquiet Junto project, Just Ice Society — The Assignment: Record the sound of ice in a glass and make something with it — at: https://disquiet.com/0627/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0627-just-ice-society/

Slicing The Ice (disquiet0627)

2 Grid(s) : Albion V Tundra + LCOT Textures Grid Chrome Surfer

Studies for portraits in surroundings (with J.L.G. & P.B.)

Clemens Gadenstätter

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Dror Elimelech

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