Youhanon - The song of you.

The song uses a natural scale with just intonation. A system in use for thousands of years befor the invention of the equal temperament. To be more specific it is an ancient Egyptian double heptatonic scale . (1)
The song text is a result of a communication of the composer with the Holy Spirit. Originally just a spiritual exercise. (2) 
Giving the precise spiritual content of an ancient religious text, the Yuhanon gospel. Then translated by the composer into Aramaic language, which like most ancient languages holds a certain spiritual power.

Natural scales are better in sync with the human consciousness, resonating with the overtones, the chakras, the planets, the Elohim, even with the Siddha yoga and Babylonian/Egyptian hora system, which was derived from this musically through the tetrachords, and is the origin of our timing system with 7 days and 24 hours. (3)

"Equal Temperament has very little (almost none) actual harmony, in both the maths and sound wave relationship between the notes. When we explore scales with harmonic tunings we can expect
mathematical relationships that result in pure and beautiful sound geometry which is both heard and felt with our ears and body." (4)

Listening instruction:
Put the song on a loop for some minutes. At the moment you start smiling, you are hooked to your true self.
But !!!
Don´t forget to read the rest.

"The good news is that there is a natural state of happiness which is our birthright. This is the gospel of absolute freedom. It is not a set of rules which we must follow to become 'good'. It is about discovering our own essential nature, which is good already, so that we can live spontaneously." The Gospel of Gnosis

Instrumentation:

The standard pitch frequency used for the song is the sound of our time, which is connected to the natural overtone series.

The instruments used, like the Ney flute, are in existence since thousands of years in Egypt, Mesopotamia, etc., and so are most suitable for the purpose. All instruments used in virtual electronic form.
Some of the virtual instruments were built by the composer from the very rare original sound recordings of original over 3500 years old ancient instruments, some from recordings of physical replicas, which both is a world premier.
Most prominent the trumpet found in the tomb of Tutankhamun, and recorded in a public worldwide BBC radio appearance of the Cairo Egypt Museum in 1939. Tutankhaten, that was the original name, son of Akhenaten, was to some extent involved in the below historical events. So possibly even Moses may have touched this trumpet personally.

Then there is a bronze Ney flute, the lead instrument in the song. It was found in the sound healing "hospital" of the pyramid at Saqqara, original sound recordings of the Cairo Egypt Museum and the Paris Musée du Louvre around 1990.

In the healing temples of Saqqara
"Healing with sound, color, light and music was integral to the ancient process of re-harmonizing the body back to a state of total health. This process aided in resetting the person’s own unique frequency signature (much like doing a computer restore point). Health was equated with being in tune with one’s true soul path."
The higher level of this was "the ability to transmute matter into spiritual light energy" and "resurrection of one’s physical body into pure light." (5)

A classic reed Ney flute, ancient Egyptian style replica, 
sound source for the virtual instrument: Ahfad el-Fara'ana, Helwan University, Cairo, ca. 2002.

A Rabab, a historical string instrument of the Near East, sound source for the virtual instrument: Smithsonian Institute, New York.

Traditional percussion instruments of the Near East like the Darbuka.

The voice track is bedouinized by sound effects.

For further in depth text, please follow the link on the song cover image above right (dove/sun/sky).

Tuumm Khva