grief

Now available on 
Spotify: https://open.spotify.com/track/6wEGu8eYVGW5WJig24lrT5?si=ee938433a81043f4 
Youtube: https://www.youtube.com/watch?v=WGK-vw479k0
Apple Music: https://music.apple.com/us/album/jewish-nigun-meditation-medley-how-can-i-mah-tovu-washougal/1618998865?uo=4
Amazon Music: https://www.amazon.com/dp/B09Y8WC274

This is an arrangement of three separate nigunim with added accompaniment. The individual tracks are:

Batya Levine - How Can I: https://soundcloud.com/batyalevine/how-can-i
Sol Yael Weiss - Mah Tovu: https://soundcloud.com/sol-yael/mah-tovu
Ary Solomon - Washougal Nigun: https://soundcloud.com/ary-solomon/washougal-nigun

Please check out and support these artists! In addition to SoundCloud:

- Batya Levine has a website here: www.batyalevine.com, a Bandcamp here: batyalevine.bandcamp.com/album/karov, and is on streaming services such as Spotify
- Sol Yael Weiss has a website here: www.solyaelweiss.com

Jewish Meditation Nigun Medley with Batya Levine, Sol Yael Weiss, and Ary Solomon (now on Spotify!)

Breathe breathe breathe in 
Breathe breathe out

Let it go, let it go, let it go

Trust in what's coming
Trust in your knowing
It's deeper and wider and holy


special thanks to Jess & Dan Pelberg Berlin for lighting the spark to find this song in me

Breathe

Original Art by Vizyonik on Pixabay:
https://pixabay.com/users/vizyonik-28469480/

"butterflies are blue around me
your eyes yellow like the dawn
my heart is broken
but nothing can make it whole
between us, unspoken 
songs without words
no one left to haunt
don't let it get away, get away
between the moon and 
dreams that keep me 
like a ghost
there is no one left to haunt
all alone"

All music and lyrics by Wildsilences

No One Left to Haunt

I wrote this song in the wake of the Nepal earthquake in 2015. I spent time travelling and teaching English in Nepal in 2011 and felt a personal connection to the people and land there.

Words & melodies by Osprey. Guitar by Rich Glauber. Produced by Geoffrey Mays at SoaringHeart Studio in Eugene, OR.

© 2015 Osprey Huffsmith

03 Grief & Praise

by Aly Halpert

chorus and bridge from an Arundhati Roy quote.

recorded by Aly Halpert (voice & guitar) & Margot Seigle (backup vocie)
November 9th, 2016

lyrics:
the policemen have thrown away their guns
they kiss their sons and their daughters and their souls are at peace
no more black boys black girls trans women dying
no more reasons that could ever justify their loss 
and mothers send their teens out at night 
to breathe the sweet summer air and exhale on the ground
the earth was made for them
the earth is made for them
she is on her way
and no one can be silent anymore
every death is a death that my family mourns 
we've traded in our numbness and all of our fear
to fight for the lives we now hold dear
and everyone has come to greet the reckoning
the place where our hearts got smaller and smaller 
now grows to hold the pain
the brokenness that leads to pain
she is on her way
another world's not only possible
on a quiet day I can hear her breathing
and when the world we're dreaming is ours
we'll be tall inside
there will be no more question
as we pray and sing
that we have each other and what that means
we'll finally get to be together
stare with our hearts at what has been
and find some place of home
she is on her way"

She is On Her Way

This recording was made in community with the Stop Shopping Gospel Choir NYC

Healing Is Possible by Orion Johnstone

03 Body Mine

how can I ...

be a little more soft today
feel a little more connected today
get a little more grounded today
be a little more free today 
___ a little more ____ today

A part of the melody inspired by and based on "Faith's Hymn" by Beautiful Chorus

How Can I

recorded by Aly Halpert, Sol Weiss & Margot Seigle

I believed in solid ground until I saw the earth in motion,
in the winds of steady change and in the ever-rolling ocean.

All moves on in perfect, perfect motion.
All is change and ever-rolling ocean.

from Annie: 
Blessed Motion is a 4-part acknowledgement of the nature of Life as an unpredictable, ever-changing movement toward itself. The melody came squatting on a rock next to a fast moving fork in the Trinity River, where salmon were in their first week of journeying to their spawning sites in northern California. Martin Prechtel said after surviving the Guatemala earthquake of 1976, during which he witnessed the ground beneath him rising up and swallowing people and villages whole, that solid ground is a myth believed by people who live on the earth rather than in it. This idea has stayed with me through the years and provided partial inspiration for this song. This is a big song! It travels through two dimensions, the first, a three or four part set of repeating lines, the second, a layered riff topped with a solo section.

Blessed Motion - Annie Zylstra

A song from the depths of grieving

www.madelynilana.com

https://madelynilana.bandcamp.com/album/awake-dreaming

May We All Receive The Healing We Need

Melody derived from the Ashkenazi trop (cantillation) for Eicha (the text we read on Tisha b'Av, a Jewish day of mourning)

Hebrew text from opening phrase of Eicha (sung in Ashkenazi trop, with Ashkenazi pronunciation)
אֵיכָה יָשְׁבָה בָדָד, הָעִיר רַבָּתִי עָם--הָיְתָה, כְּאַלְמָנָה
Eicha yashva vadad, ha'ir rabasi am haysa k'almanah
[Translation: How is she sitting alone, the city who was once full of her people, how she is like a widow]

Oh weary one, lay your head down and rest your aching bones on the ground
Oh fearful one, lay your head down and let your body breathe on the ground
Oh hopeless one, lay your head down and rest your heavy heart on the ground
Oh yearning one, lay your head down and sing your song into the ground
Oh rageful one, lay your head down and let your tears flow into the ground
Oh weary one, lay your head down and rest your aching bones on the ground
Oh ANCIENT ONE, as we lay our heads down, please lay with us on the ground

Artwork from 14 Century German Book of Eicha

Yashva Vadad // Oh Weary One (a mourning lullabye for the weary)

Channeled as a human baby, so-called "baby bird" in the womb, began her journey from inside to outside.

Sung joyously at Rena Branson's "Queer Nigun Circle" in a living room in Philadelphia, PA, Winter 2020 before we all couldn't sing together anymore. Recorded with no edits, some silence, giggles, and tweets.

Music by Aly Halpert

Baby Bird Nigun

Origin:
Melody by Nava Tehila
Sung by Batya Levine
Art by Naomi Weintraub & Etai Rogers-Fett

Tishrei Nigun - Nava Tehila

sung with sol yael weiss & ash berman

keep me, in the arms
of my beloved, oh g!d

planted where i stand
grounded by the land
carry me back to the sea
from dust to the dust again

perfect as i am
grounded by the land
carry me back to the sea
from dust to dust again

no matter where i go,
always keep me close
no matter where i go,
always keep me close

<3

keep me

JEWISH COMMUNAL SINGING FOR HEALING AND LIBERATION
Let My People Sing! is a cultural project expanding the ancient and transformative practice of Jewish communal singing. We gather in multi-racial, multicultural and genderful Jewish community, uplifting songs and leaders historically and ongoingly pushed to the margins. Together, we transmit and reclaim diasporic Jewish singing traditions, celebrate original music emerging from our communities, and create heart-centered gatherings where we can all be leaders and learners of song.

Blessed Motion - Annie Zylstra

Let My People Sing!

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