💙This is a amazing beautiful sound 👏👏👏

1. Discurso (Angela D.)

After an interior dive, contemplation of a sunset to the sound of imaginary ship whistles. The recording of a tuba solo (performed by Thiago Bernardes) transformed into a maritime duo with archetypal resonances. Final excerpt of the piece M.A.R. (2019). Field recordings: Juquehy Beach, São Paulo, Jan. 2019 and Art Gallery of the Arts Institut of UNESP – São Paulo State University, Brazil, Jun. 2019.

Após um mergulho interior, a contemplação de um pôr-do-sol ao som de apitos de navios imaginários. O registro de um solo de tuba (improvisado por Thiago Bernardes) transformado, por meio de processamentos eletrônicos, em um duo marítimo de ressonâncias arquetípicas. Trecho final da peça M.A.R. Gravações de campo: Praia de Juquehy, São Paulo, jan. 2019 e Galeria do Instituto de Arte das UNESP – São Paulo, Brasil, jun. 2019.

False tones at sunset (2020 - IA Unesp)

Vincent's words:
'This work is a revision of a collaboration between Italian poet & sound artist https://soundcloud.com/ilaria_boffa and Italian-American Composer https://soundcloud.com/vincent-eoppolo/. Morirà Il Sole? (When Will the Sun Die) is a poem from Ilaria Boffa's 2016 collection of of poems The Bliss of Hush and Wires. www.samueleeditore.it/periferie-the-…laria-boffa-2/ ©2016

Will the Sun Die?
When will it die? This sun,
oblique.
It’s temperate in the neighbourhood, and not for long.
Immaterial the future of the insurgents
the ones who calm winter.
We don’t sleep, the collapse is near.
So virtual any step toward and outward the centre.
Neglected in the static village
dogs move unsettled, they smell the reversal.
Mowing grass in the fields will be pointless soon
as the aseptic film packs on the leaf and the brick.
Give us green clay to cover our skins, our hair.
Give us one more tomorrow.

Morirà il Sole?
Quando morirà? Questo sole
obliquo.
È mite il tempo nel quartiere e non per molto.
Immateriale il futuro di chi insorge
di coloro che calmano l’inverno.
Non dormiamo, il crollo è vicino.
Così virtuale ogni passo da e per il centro.
Dimenticati nel paese statico
i cani si muovono irrequieti, annusano l’inversione.
Falciare l’erba dei prati sarà presto inutile
come porre una pellicola asettica sulla foglia e il mattone.
Dateci argilla verde per coprire pelli, capelli.
Dateci ancora un domani. Ilaria Boffa © 2016
@ilaria_boffa

Morirà Il Sole/Will the Sun die? Eoppolo-Boffa (alternate version)

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CHAT GPT:  "Descubra um universo sônico inovador nesta nova faixa do Gamma Stage. Com influências de breakbeat e drum 'n' bass, esta música apresenta uma abordagem discreta da música eletrônica. A capa, criada pela poderosa inteligência artificial DALLE, cativa com sua estética abstrata. Deixe-se envolver por essa experiência sonora e mergulhe na energia pulsante desta criação musical."

Gamma Stage - Analog Perfume (FREE DOWNLOAD)

Scènes aux sons d'emeraude for piano and harp 2023

Headphones recommended

Scènes aux sons d'emeraude

Improvisation - brass quintet, 2023

Bernhard Plagg - trumpet 1
Stephan Stadtfeld - trumpet 2
Lionel Speciale - horn
Vladimir Vereś - trombone
Fabian Neckermann - tuba

Sound recording in the studio of the Landesmusikakademie Berlin, July 2023
Sound engineer: Benjamin Ostarek

Pastorale - brass quintet

Phonopoetics

Flute lament

Nostrágico é um Podcast que busca investigar e refletir como a indústria do entretenimento, em especial a hollywoodiana, bebe no poço da nostalgia e se mostra menos criativa ao copiar fórmulas que já fizeram sucesso repetidamente em suas produções, e considerando que esta estratégia obtém êxito entre o consumidor, já que este se sente motivado a consumir e tornam-se adeptos de manter ligações com o passado recente ora resgatado da memória do público.

Nostrágico: Nas Quebradas Da Saudade - Ep. Piloto

Las aguas abismales 
(The abysmal waters)

This piece is based on the Toba theogony.   The voice of the sorceress tells the origins of the world. From the musical point of view is a sort of acquainted recitative. The composition of the piece serves itself of the recognition and the loss of recognition of the voice, as two opposed parameters. The public may recognize a good number of traditional instruments (some flutes, quenas, bombos, cañas, etc.) transformed afterwards by classical studio procedures (filters, shuffling, changes of velocity, etc.) The piece is a sort of suite, whose last episode remembers the magic fluid of water. There, at the bottom of the abysmal water, the wizard’s apprentice fights against terrible demons and defeat them.
The piece was created in the Studio du Nord of the University of Lille 3 in France in 2008 and obtained the first prize at the 2009 Bourges International Competition of Electroacoustic Music.

Las Aguas Abismales - 2008

"Ivi Mara He'y"  was created in the Studio of Electroacoustic Music of the University of Lille 3 , France in 2011
This piece received the Honorary Mention of the International Festival of Sound Art of Monterrey - Méjico in 2012

False tones at sunset (2020 - IA Unesp)

Roberto D'Ugo Jr.

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