Erika

Never Comes Around

Nothing More

LP3 out now: https://scabmusic.bandcamp.com/album/somebody-in-new-york-loves-you

How Long Has It Been?

"Austin" is a collaboration between Hause Plants and their Canadian pals Ducks Ltd..

Music by Guilherme Machado Correia, Hugo Luzio, João Simões, Tom McGreevy and Evan Lewis
Lyrics by Guilherme Machado Correia

Recorded, produced and performed by Hause Plants and Ducks Ltd.
Drums recorded by Francisco Dias Pereira

Mixed by Miguel Vilhena
Mastered by Pieter De Wagter

Lyrics:
I’d love to go and meet you all downtown
I used to live in a city that’s so small
and I don’t know if I’ll come back
being around you is all that I know now

so I’m gonna (yeah I’m gonna)
do what I do best 

and I wanna (yeah I wanna)
love the modern world

until the sun is set (set in stone)
well I don’t know (I’ll go out)

it’s a sin (it’s ironic)
we love to talk about

you think you know me and maybe that is true
you’ll pay the next round, I’ll pay the other two
cause I can’t bare the thought of leaving
if this is a game i’ll just win to make it last

Austin

Austin (feat. Ducks Ltd.)

"Thai Angel" is off GUMDROP's self-titled debut LP.
All links: https://fanlink.tv/thai-angel

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GUMDROP’s sound sits at the intersection of beauty and chaos; equal parts angst filled melodic darkwave and glitchy hyperpop can be found on their debut self-titled release.

The first single “Thai Angel” showcases the more nihilistic side of the duo’s sound, whereas “EYE CANDY” is pure 80’s New Wave nostalgia; both are equally dark and dreamy. Buttons’ vocals oscillate between rage driven screaming and distorted bubblegum pop vocals, an interesting juxtaposition against Shmu’s more RnB inflected vocal style, as well as unorthodox psychedelic and kaleidoscopic production. GUMDROP’s debut is no exception to Shmu’s unusual blending of styles to add new palettes and textures to an ever expanding musical universe.

Lyrical content found within spans from emotional heartache and entanglement to social unrest and the effects of late stage capitalism warping our sense of self identity. Swimming between the shallow and the deep, GUMDROP ‘s/t’ intentionally confounds and subverts musical norms with verve, aggression and a candy-like wonder. Sticky. Sweet. Aggressive.

Thai Angel

"EYE CANDY" is off GUMDROP's self-titled debut LP (out 12/25/25).
All DSPs: https://fanlink.tv/eye-candy

---

GUMDROP’s sound sits at the intersection of beauty and chaos; equal parts angst filled melodic darkwave and glitchy hyperpop can be found on their debut self-titled release.

The first single “Thai Angel” showcases the more nihilistic side of the duo’s sound, whereas “EYE CANDY” is pure 80’s New Wave nostalgia; both are equally dark and dreamy. Buttons’ vocals oscillate between rage driven screaming and distorted bubblegum pop vocals, an interesting juxtaposition against Shmu’s more RnB inflected vocal style, as well as unorthodox psychedelic and kaleidoscopic production. GUMDROP’s debut is no exception to Shmu’s unusual blending of styles to add new palettes and textures to an ever expanding musical universe.

Lyrical content found within spans from emotional heartache and entanglement to social unrest and the effects of late stage capitalism warping our sense of self identity. Swimming between the shallow and the deep, GUMDROP ‘s/t’ intentionally confounds and subverts musical norms with verve, aggression and a candy-like wonder. Sticky. Sweet. Aggressive.

Patterns

S.C.A.B.

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