felt flute might delete later

Title: LSBSXL
MASTERED BY: SHIVANI DESAI
WRITTEN & PRODUCED BY: PHILTH HAUS

DESCRIPTION: LSBSXL SINGLE in ASSOCIATION WITH ALBUM REPSXL BY PHILTH HAUS. RELEASED BY AQNB. PERFORMING AT KW INSTITUTE, BERLIN MARCH 03.

LESBIANISM IS AN ATTRACTION TO THE GENDERS OUTSIDE CISGENDER MALES AS A SELF WHO IS NOT A CIS MAN.

See here for more info: bit.ly/PHILTHHAUS

PHILTH HAUS, "LSBSXL" (2023). Courtesy AQNB, London.

Title: BISXL
MASTERED BY: SHIVANI DESAI
WRITTEN & PRODUCED BY: PHILTH HAUS

DESCRIPTION: BISXL SINGLE in ASSOCIATION WITH ALBUM REPSXL BY PHILTH HAUS. RELEASED BY AQNB. PERFORMING AT KW INSTITUTE, BERLIN MARCH 03.

BISEXUALITY IS AN ATTRACTION TO MORE THAN ONE GENDER.

See here for more info: bit.ly/PHILTHHAUS

PHILTH HAUS, "BISXL" (2023). Courtesy AQNB, London.

Title: HMOSXL
MASTERED BY: SHIVANI DESAI
WRITTEN & PRODUCED BY: PHILTH HAUS

DESCRIPTION: HMOSXL SINGLE in ASSOCIATION WITH ALBUM REPSXL BY PHILTH HAUS. RELEASED BY AQNB. PERFORMING AT KW INSTITUTE, BERLIN MARCH 03.

HOMOSEXUALITY IS AN ATTRACTION TO THE SAME GENDER OF THE SELF.

See here for more info: bit.ly/PHILTHHAUS

PHILTH HAUS, "HMOSXL" (2023). Courtesy AQNB, London.

After 4 years of expanding our community we have reached our 100th Valley Radio episode, a core aspect of the Valley undertaking so far. We are truly in awe of the sheer volume of amazing people that have participated in creating what Valley is today. A big thank you to all artists that have performed or contributed online and of course a thank you to all the lovely people who listen to our output and come support us live. We are truly here for and by you. 

With this 100th episode we present a ‘Valley’s picks’ mix, concluding our series that started out as live sessions at Red Light Radio, adapted to an online send-in with a weekly release and transformed to a bi-weekly series that has introduced so many people to wonderful artists. But don’t be sad! We will be back when the dust has settled. Sooner than you think... 

Lots of love, 

People of Valley. 

Tracklist:
Galen Tipton - Mithril 
Battle-Ax - Earther
Andy Stott - When It Hits
Thomas Ripley - Arclight
7777 の天使 - Desire, The Angels
TALPAH - NOT FUNNY 
Torus - Chroniko VIP
Burial - Loner
KLAHRK - Ready 
J.G. Biberkopf - Age of Aquarius 
Blood of Aza / S280F - ???
Hydropsyche - Horizon Zero 
Exploited Body - Syrtis 
Rapala700 - BELIEVEINME
Pan Daijing - Practice of Hygiene 
Nadia Tehran - Nazi Killer (KABLAM Nackskott Remix)
Max Dahlhaus x WRACK - No Hiraeth 
Bride - Ochre
Bendik Giske - Ass Drone 
Arca - Pérdida - Torero 
Angelo Harmsworth - Aporia (feat. Felisha Ledesma) 
Tomaga - Memory in Vivo Exposure, Pt. 1 & 2
Victor Espasandín - Podalyriifolia  
Réelle - Tra (edit) 
MM- WW5
Objekt - Lost and Found (Lost Mix)
EXILEE - ???
CLUBKELLY - SHITRAVE
Tessela - Hackney Parrot (Disaffected Bootleg) 
Doss - Jumpin’ 
Onleash x 7038634357 - Creatine of the Sun (snufkin blend) 

Cover by Oliva Rawlings

Valley Radio 100

🏷️ Bungalovv takeover show live from Refuge Worldwide in Berlin. 
11th of March 2023 10-11 pm🔥🔥🔥.

Verlag Verlag @Refuge Worldwide with Bungalovv

2 NUDO CULPA HENRY R REMIX

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

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It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

felt flute might delete later

diejay varni

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