piano

Prokofiev - Romeo And Juliet, No 13 Dance Of The Knights (Valery Gergiev, LSO)

An arrangement of Prokofiev's Dance of the Knights in EWQLSO

Prokofiev - Dance of the Knights EWQL Orchestration

#1 Billboard Classical
#1 iTunes Classical Album (US)
#1 Amazon Classical

License this piece at - 
https://www.musicbed.com/songs/nocturneinfminore28093op552cno128variation29/12742

Steinway artist, Chad Lawson, decided Chopin needed a new introduction.  Along with violinist Judy Kang (Lady Gaga, Ryuichi Sakamoto) and cellist Rubin Kodheli (Kanye West, Norah Jones), Lawson has arranged ten Chopin works into a minimalist landscape.

It's a risk editing the "poet of the piano" but one that Chopin would be proud of.  

Taking 10 Chopin works, Lawson decided to scale the works down to a minimalist setting.  "I knew even if bare-bones, Chopin's works could still be as spellbinding as the original compositions we are so familiar with." says the pianist.  

Produced by Chad Lawson & Alejandro Clavijo. Mixed by Stephen Lee Price.  Mastered by Michael Graves of Osiris Studios (Atlanta, GA).

Chopin Nocturne in F Minor-Op. 55, No 1 (Variation) Piano, Violin, Cello - Chad Lawson

Christopher Ferreira - The Dancer

Beautiful reconstruction of this great but(not-too-famous)classical piece from  Camille Saint-Saéns. The virtual orhcestra is Kirk Hunter as usual.

Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed.
(Based upon an old french superstition by Henri Cazalis)


Camille Saint-Saéns - Danse Macabre

Tchaikovsky – The Swan Lake, Op.20 - Act II, No.14 Scene: Moderato

Pas de Deux
Intrada (Sugar Plum Fairy and Her Cavalier)

Pas de deux
La Fée-Dragée et le Prince Orgeat

Па-де-дё
Танец принца Оршада и Феи Драже

Tchaikovsky - The Nutcracker, Op.71 - Act II, No.14 Pas De Deux: Sugar Plum Fairy and her Cavalier

SAINT-SAËNS: Dance Macabre (Waltz)

Album Release: January 2016
iTunes: https://itunes.apple.com/album/id1068254386
Extracts taken from « Shostakovich: The Complete String Quartets » – Out on 2016-01-08
Extraits issus de « Shostakovich: The Complete String Quartets » – Sortie le 2016-01-08

Production: Alpha

***
Plus d'infos sur Alpha / More info on Alpha: http://www.outhere-music.com/en/labels/alpha

S'abonner à la chaîne / Subscribe to channel http://www.youtube.com/channel/UC08J_1uNL7Q5UGxKwVzif8Q/

SHOSTAKOVICH: String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto - Quatuor Danel

Chopin Nocturne Op. 37, No. 1 In G Minor (rento)

Masquerade Waltz - Aram Khachaturian

I recently installed some new software at my studio and wanted to put it through its paces a bit.  It's December, so this just seemed fitting.  Enjoy. 

Dance Of The Sugar Plum Fairy (Tchaikovsky)

MOVEMENTS:
00:00 - No. 01 - Waltz
03:56  - No. 02 - Nocturne
07:27  - No. 03 - Mazurka
10:05  - No. 04 - Romance
13:12    - No. 05 - Galop (Polka)

Aram Khachaturian - Masquerade Suite

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Frederic Chopin: Ballade No. 1, Op. 23

Prokofiev: Romeo and Juliet, No 13 Dance of the Knights

Sergei Sergeyevich Prokofiev (Russian: Серге́й Серге́евич Проко́фьев, tr. Sergej Sergeevič Prokof'ev) (27 April [O.S. 15 April] 1891 -- 5 March 1953) He was a Russian composer, pianist, and conductor who mastered numerous musical genres and is generally regarded as one of the major composers of the 20th century.

Credits:
Intro (Live from Wembley Stadium) Muse HAARP (Standard CD/DVD)
Christopher Wolstenholme, Dominic Howard, Matthew Bellamy
WMG (on behalf of Warner Music UK); LatinAutor - Warner Chappell, ASCAP, LatinAutor, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Muserk Rights Management, PEDL, Warner Chappell, and 14 Music Rights Societies

Masquerade Waltz - Aram Khachaturian

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