Emmanuel Santarromana & Orfeo - Opera (origamitracks.blogspot.com)

The Big Dream (Moby Reversion Featuring Mindy Jones) 
Taken from The Big Dream Remix EP 12" on clear red vinyl. Out 19th April 2014 exclusively for Record Store Day. Limited to just 1000 copies worldwide.

Also features remixes from Hot Since 82, Bastille and Bjorn Yttling's, of Peter Bjorn and John, Jazz Remix.

Double a-side (45 rpm) track listing:

A I. Wishin' Well (Hot Since 82 Remix)
A II. Are You Sure (Bastille Remix)
AA I. The Big Dream (Moby Reversion Featuring Mindy Jones)
AA II. We Rolled Together (Yttling Jazz Remix)

The Big Dream Digital Deluxe Double Album and The Big Dream Super Deluxe Boxset are out now

http://davidlynch.com

Buy The Big Dream Super Deluxe
At Sunday Best http://www.smarturl.it/BigDreamSuperD...
Buy The Big Dream Digital Deluxe
At iTunes http://www.smarturl.it/DigitalDeluxe


David Lynch - The Big Dream (Moby reversion featuring Mindy Jones)

Polar - ( Aukai Rework ) - Thylacine, Aukai

Buy Infinity Pools EP: http://smarturl.it/buyipools

Debuted on Stereogum here: http://bit.ly/1DAC8ZQ

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound. 

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks. 

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes. 

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion. 

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.” 

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (http://kaelsmithmusic.com) 
Kelly O'Brien backing vocals on "Infinity Pools."  
Mastering by Taylor Deupree at 12k Mastering 
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron 

Original artwork by Gregory Euclide (http://gregoryeuclide.com) 
Copyright 2015 Lost Tribe Sound (http://losttribesound.com) 
Published by Settled Scores 2015 (ASCAP)

Buy EP

Mute Forest - Infinity Pools (from Infinity Pools EP)

skin pulled taught somethings enough 
can i still bluff after the healing from a goddess
i feel numb take me home
heal me 
oh would u just heal me again
for some reason i really thought you and your healings enough
nobody else really though what you done what you done
was enough was not enough
somebody's pulling me taught
i really ran out of talk for you again

somethings not right in this mind of mine
someone come give me hope i wish for the day that i see you again
come and put me out my misery
im feeling gross and weak i wish for the day that i see you again

i guess its game over i tried from the start 
im a weak and worthless endless turf-less
stupid peice of fuck
wandering gaze with long black hair 
stupid me im such a recipe for disaster

heather

WatchfulGaze

teapot

Taken From The Album "Far Islands And Near Places" By Quentin Sirjacq
Karaoke Kalk 93 (CD/LP)

Far Islands And Near Places

Bandcamp

Quentin Sirjacq - Aquarius

From the album: Panoptique Electrical - Disappearing Music For Face

Physical copies and digital downloads available here:
https://soundinsilencerecords.bandcamp.com

Sound In Silence is happy to announce the return of Jason Sweeney and his Panoptique Electrical project, presenting his new album Disappearing Music For Face.

This is his second release on the label after last year’s, already sold out, debut album of Great Panoptique Winter, his collaboration project with Richard Adams of Hood and The Declining Winter.

Panoptique Electrical is both an experimental studio project by Jason Sweeney, based in Adelaide, Australia, and instrumentalist collaboration with electronic and classical musicians Zoë Barry, Jed Palmer, Tristan Louth-Robins, Cailan Burns, Noah Symons and Richard Adams and visual artist Steve Phillips.
While in the last decade Jason Sweeney has made Panoptique Electrical his central focus, for about twenty years he has been composing and recording either solo, under the alias of Other People’s Children and Simpático, or with friends in various musical projects like Pretty Boy Crossover, Sweet William, School of Two, Luxury Gap, Par Avion, Madeline’s Wreath, God Burning System, Great Panoptique Winter and Mist & Sea. For almost a decade he has also been composing sound and music scores for live theatre, dance, film/video and installation projects.

Disappearing Music For Face is another outstanding release from Panoptique Electrical that generates many emotional reactions. It’s a collection of eleven brilliant compositions of gentle piano with small touches of minimalist electronic beats, echoing keys and soft swells of heavily reverbed drones. The beauty of this album will truly captivate the audience of both ambient pioneers like Brian Eno and Harold Budd and artists like A Winged Victory For The Sullen, Labradford and mid period Hood recordings.

This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts with the tracklist and the credits printed on a 190 gsm reddish-brown cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

Panoptique Electrical - In A Forest Forlorn

Kiko
Dead can dance:
if we bury them alive

Kiko (Dead Can Dance)

ObeliscO

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