Matthew Halsall - The End Of Dukkha

Egoplanet 002 - Constantijn Lange - Visibles EP
Stream ☞ smarturl.it/Visibles

"Visibles" will take you to a journey where house gets cosmic and deep. Organic sounds and live instruments got infused into rhythmic structures that lies in a space between softened club-music and late after-party grooves. 

So here's your second ticket to Egoplanet ! 

Vinyls will be out late September.

Supports already from : 
El-Txef-A, Madmotormiquel, The Very Polish Cut Outs, 200 Records, Jules Etienne, Filburt, Baikal and many more.

Constantijn Lange - Breathe In

Portico Quartet - Line

Writing Inspiration

Memory Booster

Some smooth, ambient hip hop inspired jazz notes to take the edge off a busy period at work. You'll find this and more instrumental under my new Theorem Blue Soundcloud alias. Made for the love of it. Pure and simple. Enjoy.

Nocturnal Theorem (feat. Theorem Blue)

Avishai Cohen  -  Caravan

Matthew Halsall - Colour Yes

Taken from Lund Quartet's Self titled album which is a beautiful and evocative exploration of Jazz with with experimental and Hip Hop undertones. OUT 19/12/11

Lund Quartet - Sequoia

Available on vinyl / CD / digital: https://bbemusic.lnk.to/SoulFuelled
Ernesto Chahoud’s ‘Taitu’ is a collection of soul-fuelled stompers straight from the dancefloors of 1970s Addis Ababa. A breathless journey through the unique Ethio sound that bands were forging at the time, the 24-track compilation is the result of the Lebanese DJ and crate digger’s decadelong love affair with the ‘golden age’ of Ethiopian music.

Among the musical gems featured are 7”s by some of the heavyweights of the scene including the godfather of Ethio jazz Mulatu Astatke and Alemayehu Eshete, the vocalist dubbed the ‘Ethiopian Elvis’, alongside tracks by more obscure artists such as Merawi Yohannis and Birkineh Wurga.

For ‘Taitu’, Chahoud has selected 24 of his essential Ethio-Soul 7”s, that never leave his DJ box, and together they capture this opportune moment in Ethiopian music history that saw bands experiment with an armful of influences: gliding through R&B, rock & roll, jazz, funk, soul and boogaloo. What came out was a distinctly Ethiopian interpretation: pentatonic scales, horn-driven melodies and soul-shattering vocals sung in Amharic.
The songs are difficult to box in to one genre but they share a simplicity and rawness, added to by their lo-fi quality – with many recordings made in rudimentary studios with only a couple of mics for the entire band.
From the R&B stomper ‘Honey Baby’ by Alemayehu Eshete to Astatke’s swaggering ethnic-jazz instrumental ‘Emnete’ and the bluesy melancholic vocals of Hirut Bekele on ‘Ewnetegna Feker’, ‘Taitu’ is a window in on the exciting records being made in Ethiopia in the 1970s.

Matthew Halsall - Colour Yes

jazzmaisjazz

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