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Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

'Full of melancholy-frosted electronics and emotive swells of classical piano, the new single from Nordic duo Ólafur Arnalds﻿ and Janus Rasmussen is a delicate, icy slowburn' – NME

Pre-order the CD/2LP/DL: www.erasedtapes.com/store/index/ERATP062
Pre-order the DL via iTunes and receive the album version of 'Thrown' instantly: snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING:

1. Lit 2. Held 3. Looped 4. Swayed 5. Thrown 6. Dragged 7. Bent 8. Burnt

LIVE DATES:

29.11.2014 London (UK) – Village Underground
05.12.2014 Berlin (DE) – Watergate
06.12.2014 Istanbul (TR) – Salon
15.01.2015 Groningen (NL) – Eurosonic

OFFICIAL WEBSITES: facebook.com/kiasmos · erasedtapes.com

Kiasmos

Bent

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Kiasmos - Bent

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@capshun | Capshun
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surreal abstract sounds embodying the ancient single-edged Japanese Samurai Sword ‘Katana’. @Capshun reigning from Dallas, Texas is no newbie to the world of producing taking sound innovation to a whole new horizon with sui generic soundscapes and bass modulations. ‘Katana'

Free DL. | Spotify & iTunes  | ➤➤ https://fanlink.to/capshun_katana

Artwork by Abi Scorpio
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Rival Consoles has shared a second single, 'Vibrations on a String', taken from his forthcoming new album 'Articulation', released on 31 July. 

"Vibrations on a String was one of the earliest pieces I made for the record. The title is a direct reference to the behaviour of the main synth: I was trying to mimic playing a guitar string both softly and aggressively. I think a part of me is often trying to mimic the physical world with synths. There is something mindful about observing things and making sense of them, and once you try to recreate something in a different medium it feels like there are new opportunities to explore." — Ryan Lee West

'Articulation', which follows 2018’s 'Persona', was conceived with a very visual way of thinking, unusual for the London musician and producer. During the writing process Ryan drew structures, shapes and patterns by hand to try and find new ways of thinking about music, giving himself a way to problem-solve away from the computer. The album title references a piece by the avant-garde contemporary composer Györgi Ligeti, though not for its music, but for the non-traditional graphic score that accompanied it.

Since the release of 2018's 'Persona', Ryan contributed an exclusive track 'Them Is Us' to Adult Swim’s coveted Singles series and shared the beautifully textured solo piano piece 'Winter’s Lament' on this year’s Piano Day. He has also been in high demand as a composer, scoring Charlie Brooker’s much talked about Black Mirror episode Striking Vipers, composing original music for Secret Cinema presents Stranger Things as well as renowned choreographer Alexander’s Whitley’s groundbreaking new work 'Overflow', which was set to premiere at London’s Sadler’s Wells Theatre this spring.

Articulation

Vibrations on a String

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Rival Consoles - Vibrations on a String

Taken from Rival Consoles' forthcoming new album 'Articulation', released on 31 July. 

"This is a song I created late at night, I wanted to make something full of momentum and mood.

The bird song that appears at the beginning of the piece was actually a very late idea in the creating process. My studio is surrounded by a lot of trees and there is always bird song, which I love but normally don’t consider wanting to use in my music. However one day when I was working on the piece, I kept noticing that the birds, were singing perfectly in tune with the song, so much so that it sounded like one of the little melodies that appears at the end of the song. I quickly recorded it on my phone and it just felt right in the music. I think it grounds the song and also plays with the idea that at the beginning of the piece is bird song, and at the end of the piece is a kind of electronic bird song. 

The end is something I have been longing to make for a long time, which is the closest I have gotten to synths coming in and out of picture like choreography, the synths are having a conversation, and it’s very fluid. The mood of the piece to me, is a kind of bittersweet blend of hope and nostalgia." — Ryan Lee West

Articulation (which follows 2018’s Persona) was conceived with a very visual way of thinking, unusual for the London musician and producer. During the writing process Ryan drew structures, shapes and patterns by hand to try and find new ways of thinking about music, giving himself a way to problem-solve away from the computer. The album title references a piece by the avant-garde contemporary composer Györgi Ligeti, though not for its music, but for the non-traditional graphic score that accompanied it. You can see some of these drawings here: http://www.rivalconsoles.net/diagram

Pre-order 'Articulation' on LP · DL: https://IDOL.lnk.to/articulation

Rival Consoles - Sudden Awareness of Now

Variations

Entropi Chop

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