Nostalgia Techno

Failure Familiar

Calm Me Down

Tides - Demo

Deep Blue

Young Man Alive

Needs To Be Love

Needs To Be Love (Salski Remix)

TOM.TUBE

PEEKABOO

Ohmu is a collaboration between Lithuanian (Vilnius) artist Rushkeys and Souvnear from Lyon, France. The track blends chopped samples, layered synths, background field recordings, and a tight rhythmic pulse to create a rich, groove-driven sound. Named after the calm but powerful creatures in Nausicaä of the Valley of the Wind, the track captures a sense of steady movement and hidden force — organic, textured, and always in motion.

https://bit.ly/Ohmu-1

Stream

Rushkeys & Souvnear - Ohmu

Serve Cold, Grigoré and Jaguar Jaguar return to Defected with ‘LOW’, following the success of breakout label debut ‘Dancing’ in June 2025. Frequent collaborators Serve Cold and Grigoré first made music in 2024, inspired by the electronic soundscapes and neo-soul of artists like Jungle and Khruangbin. Together with Belgian band Jaguar Jaguar they debuted their fresh house record ‘Dancing’ on Defected Records in June 2025. The track was a breakout success, earning two million streams and two-thousand radio spins in under two months thanks to early support from the likes of Keinemusik, RÜFÜS DU SOL and Tripolism - the track also topped the Beatport Afro House chart for nearly two weeks after release. Now they build on their dreamlike dance sound with ‘LOW’, an acronym of “Love is the Only Way”. Drawing on their shared inspirations spanning world music and underground electronic, ‘LOW’ proves the staying power of Grigoré, Serve Cold and Jaguar Jaguar as good friends and musical collaborators with bubbling textures and dancefloor euphoria.

Stream / buy

Serve Cold & Grigoré x Jaguar Jaguar - LOW

produced Kill Ebola
mastered Frdm.wav 

Ebola andy eddie stain
Im a devil off a pill or bottle all the same
Or a God inside a game and saw it all in hate
To get to what today i never could explain 
Dealt the blood felt the stun, i cant feel their laughter 
Loneliness got me spun, never felt this happier 
In a World thats never real, whats the matter dear? 
Cant taste the meal just the fear of seeker gather gear 

Vintage pose reflected off a traffic cone 
Barb wire med kit you cant grab and go 
Red paint on its hand like it tagged the groped
Light in know Soul scrambled see it in my eye windows
Out my bitterness and weathering to hang with weirdos? 
Yall just relishing in telling shit i keep my ears closed 
Just whore around spoke metaphors aloud wrote over fear notes 
Imma turn you down and shut you off just how sears goes 
Umbilical chord
Spreading its spore
In an Agonized bore 
In endless corridor 
Inner oculus floor 
Torturing squeal from the pork turned to smear odor 
Stuck on the wheel with nothing left to tear over 
Electrified eel at the heel said its near over
Cant hear closure 

Guess im writing down what
Create timing now something 
Watch em swing but its bunt its light 
Throwing fits its your time of month and i see a clown show getting fucked repeat
Everyone around me annoying dumb pesticides to breed 
rather run on by just to die and be 
by the side of tide right as nukes will free
Us all from memories of trades we made 
Turning everything to an ace of spades
Double barrel breakfast buck is ate 
Bone marrow head fast duck and wait
Gut is late, Fuck it make 
Blood is taste, Shut its face
Just a waste, Such a state

Vessel / Death Source

Video  https://www.youtube.com/watch?v=xprb8_0-Q6I

Crazy man

I Swear Its True - Máni Orrason

Spruce

Kalif Onya II

Proportions

Apart

Doodling on guitars whilst never losing focus of the actual song. That is the common ground on which Still Trees and Still Trees’ Simon Graupner aka Shelter Boy base their music. Under his new alias Simon has built a shelter for his own songs, which shine in a quite different light than the pompous Still Trees indie-rock. On his first release under this name Simon presents a sound like Saturday afternoon sunlight that blissfully shines through the four songs on the first EP. A sound that invites you to laze about. It’s worthwhile listening closely though. The clear vocals follow a simple melody and are entangled in a web of very sophisticated guitar patterns. There is no distortion in Shelter Boy’s home, it is clean but not sterile. Everything sounds like it’s where it belongs. The guitar is clearly in the foreground but leaves enough space for the rhythm section to groove along. Everything is arranged casually without any part of it being arbitrary.

Mac Demarco is quite an obvious influence but so are the British bands that have previously had an impact on the choruses of Shelter Boy’s main band Still Trees. The influence is clearly audible without the direction being predefined or anything being copied. Additionally Shelter Boy’s Music is emotionally flexible: it is just as good on a rainy day when you don’t feel like going out as it is on a sunny day in the park. When forced to describe his own sound Simon would say it is dreampop. If you need a label, that would be fitting. The the fizzy guitar lines sparkle in one moment only to ascend to a chorus that bid to sing along but don’t necessarily provoke it. A sound to raise your glass to with friends of well thought out pop music, only to carry on doing so all night. When you wake up slightly hungover the next morning Shelter Boy will still be the right soundtrack for your day.

Calm Me Down

Shelter Boy

Related tracks