Shits dope bro G𝟘0𝟘gle➜bgMusicpla

TvCmRgt/\/¨^

flakebelly // yawnmower

Tired of dull conversations? Always getting cornered by the biggest bore at the party? Perhaps you're too polite to say? Then YOU need a YAWNMOWER! Guaranteed to eradicate all nags, botherers and pains-in-the-neck. Clean up any snooze-fest in seconds!

(P) 2021 flakebelly - all rights reserved
(C) 2021 flakebelly - all rights reserved

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Yawnmower

Eagle 22

Alles wie immer
und es macht einfach keinen Spaß
Ich stehe neben mir
bin freudlos, krumm und blaß
Alles zwingt mich
es gibt nur diesen einen Weg
Die Umstände sind so
etwas zu ändern hat keinen Zweck

Ich bleib nicht stehen
Ich bleibe nicht mehr stehen

Nichts ist für immer und
dieses Leben gehört  ganz alleine mir
Also stehe ich auf
Bevor ich noch mehr Zeit  verlier
Nichts ist zu wenig
und es gibt keine Kompromisse mehr
denn jetzt bin ich dran
es ist schon viel zu lange her

Ich mach was neues
Ich mache was ganz neues

Ein großes ABER
wächst laut in meinem Kopf
Ich will es anders
und pack die Gelegenheit beim Schopf

Ich mach was neues
Ich mache was ganz neues

Bestimmt wird es schwer
denn Routine ist ein starkes Gift
Ich bin entschlossen
denn zurück zum Anfang will ich nicht
Bestimmt wird es dauern
so ein Wandel braucht seine Zeit
ich bin auf dem Weg
denn ich fühl mich jetzt schon ganz befreit

Ich geb nicht auf
Ich gebe niemals auf

Was Neues

Wig-Wam Bam" is a song by British glam rock band The Sweet, written by songwriters Nicky Chinn and Mike Chapman, released as a single in September 1972. It was the first Sweet single on which the band members actually played their instruments, as previous singles featured producer Phil Wainman on drums, and session musicians John Roberts and Pip Williams (later producer of Status Quo albums) on bass and guitars respectively.

Wig Wam Bam ( The sweet Ukulele cover )

Ar Quente

Just experimenting with different instruments.

Happy Mallets

The resonant symbolism of the number three runs through Celtic tradition from earliest times. The Celts, like other Europeans, attached significance to nearly all frequently used numbers but gave the greatest to three. Triune and tripartite figures appear from the earliest times, while in Wales and Ireland traditional learning was formulated into the Triad. No gloss in a Celtic language explains why this should be so, but commentators apply interpretations that have arisen in other European contexts. Pythagoras cites three as the perfect number, signalling beginning, middle, and end; a tripod or three-legged stool (as at Delphi) is stable and will not rock. Three can represent life: male, female, and progeny; time: past, present, and future; the visible world: sky, earth, and underground; space: before, behind, and right here. Some commentators, especially the influential Georges Dumézil (1898–1986), have suggested analogy with the tripartite division of early European society: farmers, warriors, and clergy. As Joseph Vendryes pointed out (1952) triune figures often have a single dominant personality and two ciphers; perhaps there is really only one person referred to, as can be seen in early Irish dynastic records that cite triplets all with the same name. A prime example in mythic literature is the three sons of Uisnech: Noíse, the lover of Deirdre, has a developed personality but his two brothers, Ardan and Ainnle, are distinguished only by the tones of their voices. At the same time, the reverse of Vendryes's thesis is also true; the three figures of the Mórrígna, Badb, Macha, and the Mórrígan, have much in common and are also easy to distinguish. Further, there are also three Machas.

A full account of Celtic instances of triplism would fill many pages, coming from all periods of Celtic culture, and a few citations must suffice here. Among the earliest are triple-faced heads, the best-known of which was found at Corleck, Co. Cavan. Gaulish Mercury was both triple-faced and triple-phallused. Elsewhere in ancient sculpture, the mysterious hooded figure Genius Cucullatus appears singly among Continental survivals but forms a disciplined trio, Genii Cucullati, in Britain. The Roman poet Lucan (1st cent. ad) proposed that the Gaulish gods Esus, Taranis, and Teutates were mentioned so often together as to form a triad. In early Ireland examples include the three Fothads, the three sons of the Dagda, and Finn Emna or the Three Finns of Emain Macha. There are three female personifications of Ireland, Ériu, Banba, and Fódla, and three gods of craft, Credne, Goibniu, and Luchta. Tlachtga is raped by the three sons of Simon Magus and gives birth to triplets. Ingcél Cáech has three pupils in one terrible black eye. Branwen of the Mabinogi is one of three matriarchs. In Wales there are Three Exalted Prisoners and Three Generous Men of the Isle of Britain. The symbol of the Isle of Man is the three-legged triskelion.

Tri Wyneb Y Dduwies (Three Faces Of The Goddess)

It is said that destiny is a foregone conclusion from the beginning of life! And yet each of our actions and decisions change and condition our lives. Our destiny is what we decide it to be, in large part.
> 16/01/2022

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!____

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

This is your Road, Days after Days

This Is Your Road, Days After Days

Dark Presences

BMoth Original.  Inspired by an Eminor original fameuse (sp? gender?)

Digue Deux Point Zero

Indie, Acoustic & Psychedelic music from The Outer Hebrides. 
"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music
"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

All socials: @flakebelly //

The Outer Hebrides' elusive songsmith, flakebelly, defies genre norms, fusing indie rock and acoustic folk-jazz. From jazzy pianos, bluesy guitar riffs and ambient textures, his music experiments with diverse sounds. Recently played on BBC 6 Music, flakebelly's distinctive songwriting is beginning to build ripples from an avalanche of pebbles. Learning guitar in the early 2000's, his musical journey led to an indie-folk EP in 2022, 'Behaviours,' and an upcoming album, 'Apprentice Green,' in 2024. Harkening back to 2003 demos, he embraces his psychedelic roots. Flakebelly records, mixes and masters alone, crafting music in his home studio, embodying a creative evolution that inspires others and is always transitory.

Yawnmower

flakebelly

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