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SPOTIFY: https://open.spotify.com/track/26jAlOYcieU8LOYoSEBqQV?si=tuTJY1C5TmStxyLMuuRW7A

thank you so much for listening, it honestly means a lot 💖

lyrics:
i dont know how i got to where i am
and i dont know what to say
or what to feel

but i know
the sun will rise again
and life goes on
but not for me

i look back at all the memories
and i wonder where it went wrong

and i dont believe in angels
so i need to walk alone

do you even like me?
cause i don't believe it
i dont know, yeah, i dont know

do you even like me?
cause i don't believe it
i dont know, yeah, i dont know

i thought the moonshine wouldnt cast a shade
but its just the same
you cant run away

i know that bones break so easily
but i didnt know that hearts were just the same

do you even like me?
cause i don't believe it
i dont know, yeah, i dont know

do you even like me?
cause i don't believe it
i dont know, yeah, i dont know

𝕕𝕠 𝕦 𝕖𝕧𝕖𝕟 𝕝𝕚𝕜𝕖 𝕞𝕖?

Original arrangement of Do I Wanna Know by the Arctic Monkeys. Stripped down foot-tapping music.

Full music video available on the Tube of You: https://youtu.be/K1GMUVpgGgE

JANUARY'S GHOST EP WILL BE OUT 1.30.19

Do I Wanna Know (Cover)

Only Ones Who Know (Arctic Monkeys cover)

Nikes

face wants - a concept i learned about in class that led to a lot of self reflection and synths
//
impostor syndrome strikes again
looks like everybody wants to be your friend
but when the curtains close do you even know where you will go?
feeling so alone

secretly sleepwalk in the light
you found shelter in the shadow of your mind
shapeshift to fit inside a framework that you like
feeling lost inside

what do you want me to
be i think i might lose
myself if you don't choose yeah
i've been waiting for you
a beacon in the night
some semblance of a sign
i'd give it all sometimes
to know what's waiting for you

self-made distraction traps you in
how do you know that you are meant to be just this?
you seek a sense of validation from a screen
do they know you're who you want yourself to be?
do you know you're who you want yourself to be?

what do you want me to
be i think i might lose
myself if you don't choose yeah
i've been waiting for you
a beacon in the night
some semblance of a sign
i'd give it all sometimes
to know what's waiting for you
-
"face wants" is an ode to myself about a concept i learned about in class. if i remember correctly, there are two types of face and one of them is called positive face, which refers to our desire for praise and approval from others. face wants is the idea that we want other people to fulfill our face so we can feel validated, and we do many things to protect or save face, or how we appear to others. 

when i was making “face wants” i thought a lot about how social media is an outlet where we can inflate our self-image and portray the person that we want to be. it can be very confusing to figure out who you are, especially when you’re young and bombarded with messages we find on the internet about who we should like, where we should be, what we should look like and what we should be doing. it made me reflect about my relationship with social media and how sometimes i find myself "shapeshifting to fit inside a framework" that i like, which is, a lot of the time, not the greatest thing for one’s mental health. using instagram as a mirror or a tool for approval can be damaging and is something i’m still working on.

since a lot of my music is kind of slow and mellow, i thought it would be an interesting juxtaposition to pair a modern-day concept like social media with an energetic ‘80s new wave vibe, a genre i hold dear to my heart because of my parents and their love for it.

// written, recorded + produced by bianca ocampo
http://instagram.com/bianca.jpeg/
http://www.youtube.com/user/ocampobianca
http://urbanationmusic.bandcamp.com/

don't ask me what it means...

Download

face wants

This special episode of Under The Needle features 6 tracks recorded live in front of an audience from Death Cab for Cutie frontman Ben Gibbard.  It's been 20 years since the band formed in Bellingham.

Under The Needle, The KEXP Ses

Under The Needle, Episode 176 - Ben Gibbard

my kind of woman - mac demarco (cover)

Stream / Download / Pre-Order : http://smarturl.it/wyldest-alive

On tour this March - tickets here : https://bit.ly/2CxKGpY

"Alive" is the second single from Wyldest's debut album Dream Chaos due 1st March via Hand In Hive. 

Facebook: https://www.facebook.com/WyldestMusic
Twitter: https://twitter.com/wyldest
Instagram: https://www.instagram.com/wyldest/

Recorded by Wyldest
Mixed by Greg Hughes
Mastered by Shawn Joseph
Artwork by Mariin Kallikorm
© Hand In Hive 2019

Alive

spoti.fi/2RnSttT
http://fffffanclub.bandcamp.com
www.instagram.com/fffffanclub

All the Same EP

Fanclub - Swear

Written, performed, recorded & produced by Thijs Havens
Mixed by Shai Solan
Mastered by Robin Schmidt @ 24-96 Mastering
℗ & © 2019 Havens

Lyrics / text:

I had a dream the other day; that I was in some kind of old, huge shipyard, at night or almost night.

And I was all alone in there except for, all the way on the other side of this yard there was a lonely trumpet player, playing this slow, cool jazz, all by himself.

He was lit by this beam of white light, but there was a lot of blue light as well. Behind him I saw the sunset, it was beautiful.

He couldn't see mee, but it didn't feel like he would ever stop playing which was good because I didn't want him to.

Someplace

// 3/4 from the 27.12.2018 Come Take a Trip session.//

And just like that 
We reach the sky
But Mother Earth
Won't let me die
Maybe I
Will sell my pain
And just like that 
It will all go away

Space gets lonely
When you're the only
Stupid guy
Floating around
You breathe in
The White wine
As the sun
Smiles back

Go now
Leave me
Take my 
Time too

And just to prove
That you might die
You jump in front
Of a blue car
Who drives away
But you don't care
I've never felt
More alive

With you
Goes my
Only 
Joy here
Go now
Leave me
Take my
Time too
Suddenly
My sun
Turns and
I'm fine
Suddenly
My sun
Turns and
I'm fine

Suddenly My Sun

Suddenly My Sun -demo

'Bed Bug' by Heavy Heart. Released 23rd January 2019.

I live in my head when you're not around
Pull the dirty sheets over me
I live for the night when you're by my side
Even after all this time

Time after time it feels the same to me
Why the change of heart?
It's good enough for tonight
Say you might

Take off all my things, watch me shed my skin
Burn me with your eyes love
I just smile, it's cool, taste the blood on you
Even after all this time

Time after time it feels the same to me
Why the change of heart?
It's good enough for tonight
Say you might

Now the creatures come alive
I feel them itch, I feel them bite
You say it's only in my mind
But you were never on my side

----------------

Music & Lyrics © 2019 Heavy Heart
Produced by Patrick Fitzroy
Mixing and Additional Production by Gabe Wax
Mastered by Andy 'Hippy' Baldwin at Metropolis Studios
Additional Synths and Programming by Andrea Spiteri
Artwork by Anna Vincent

Bed Bug

Energetic Indie Rock is an energetic, upbeat, indie rock track with a stomps, claps, acoustic drums, electric guitar, indie style vocal 

it sounds catchy, agressive, upbeat, inspiraional, powerful, modern. 

This music track will be great as a background in action movies, trailers, motivational, inspirational, extreme and sport videos, youtube, tv advertisements, TV-shows, driving, travel videos, vlog, videoblog, active lifestyle, games, corporate projects, gopro videos, presentations, films, commercials and visuals, podcasts and radio etc..

Energetic Indie Rock (preview)

Listen up: https://jansenrecords.com/s/world

Chain Wallet is the sound of dreamy mythologies presented in widescreen, while simultaneously nodding back to an era where everything was in four-by-three. Picking up where the hazy, melancholic and undeniably catchy debut left off, the band now returns with a lusher – and at the same time, more eerie – sound.

“World I Used to Call Mine” is the penultimate track on No Ritual. According to the band, the song is about somebody on a quest for a cosmic plan. It is supposed to portray the final phase of a rite of passage, the incorporation ceremony into the new world, but something goes horribly wrong.

While Chain Wallet’s first album was dreamed up in their rainy hometown of Bergen, the sophomore effort No Ritual found them emerging to a small cabin on a remote beach in the southwest of Norway. Here, among surfers – and while walking the beaches – they found out what kind of album they were going to make. 

While you still can catch a glimpse of Mary Chain here or Johnny Marr there, Chain Wallet are really establishing their own musical identity with No Ritual. Playing an important part in expanding the band’s sound on this record is Chiara Cavallari of the psychedelic shoegaze band FOAMMM. The guys say: “We had been wanting to collaborate with Chiara for a long time, and her ethereal presence is fortunately scattered all over the album.”

Both of Chain Wallet’s albums have followed loose and murky storylines about a conflicted protagonist. Where the first album revolved around themes like unresolved ambition and attempts of letting go of the past, No Ritual finds our anti-hero in state of spiritual limbo, while reaching out and trying to establish new symbolic meanings. The album is a post-apocalyptic dive into the mythical life of the millennial mind.

Chain Wallet - World I Used to Call Mine

Desember - Efek Rumah Kaca (cover)

East hastings -Godspeed You Black Emperor

dont need to worry you know I’m broken
won’t need to call me to see if i’m ok
you’ll be alright babe cuz you’re outspoken
just take all my words as a token

cuz i’m crazier
crazier around you

made your life crazier
crazy when I found you

but you told me you wouldn’t cry when I’m gone
you told me you wouldn’t die all alone
im so sorry
i’m not long term baby

and you said you’d tell me when you were stressed
and you couldn’t bear those thoughts in your head
i ain’t your mommy
leave while you can and forget me

pack up your shit get up and go home
i know it’s hard you’re always alone
i did my job though i see how you’ve grown
should keep your distance before you explode

but i’m crazier
crazier around you  

made your life crazier
crazy when I found you

but you told me you wouldn’t cry when I’m gone
you told me you wouldn’t die all alone
im so sorry
i’m not long term baby

and you said you’d tell me when you were stressed
and you couldn’t bear those thoughts in your head
i ain’t your mommy
leave while you can and forget me

i told you what to do just leave right now i’ll get to you
my mind is outer space few black holes here it’s a dim place
i told you not to stay don’t be that way please get away
see i told you what to to do just leave right now i’ll get to you

but you told me you wouldn’t cry when i’m gone
you told me you wouldn’t die all alone
i’m so sorry
i’m not long term baby

and you said you’d tell me when you were stressed
and you couldn’t bear those thoughts in your head
i ain’t your mommy
leave while you can and forget me

short term (prod. JonathanMassey)

“Of all the bands exploring shoegaze in Seattle, Guest Directors are perhaps the best at getting the balance of mood and power right.” 
-Nada Mucho

Guest Directors’ spooky and soulful music evokes images of evergreen silhouettes, dreamy breezes, and the power of seemingly perpetual precipitation. Their third EP, “Dream the Currents,” is the next step in what has amounted to an annual progression of EPs demonstrating harmonic, rhythmic, and stylistic explorations that hover around a familiar sonic center.

These five songs span from Teenage Fanclub-like jangle, the reverb-drenched pop of The Cure, to some unexpected turns in the spirit of bands like Autolux. More shoegaze-adjacent than stalwart standard- bearers of the genre, Guest Directors' confident chemistry and ambitious spirit eschew typical routes in favor of new paths.

Their kaleidoscopic instrumentation is comprised of delightfully tangled Jazzmasters and moody vocals, as well as volatile drumming and propulsive bass work. The group has mastered its musical surveillance, recognizing each bit of sonic space as an opportunity for attention, examination, and artful refinement. Collaborative songwriting unveils surprises, especially on key tracks "Parachute On" and "Minor Mendings”.

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