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Banata! – The Journey of the King’s Daughter

The Story

Long ago,in a made up world, in a kingdom built from expectations, the King’s Daughter lived surrounded by golden walls — but her reflection had no color. Every day she played the part she was told to play: polite, perfect, pleasing. Her crown was heavy, not with jewels, but with the weight of others’ voices.

One night, under the rhythm of distant drums, she heard a whisper from within:

“You are not just the daughter of a king — you are the kingdom itself.”

That whisper became a heartbeat.
That heartbeat became a bassline.
And so began Banata! — The Journey of the King’s Daughter.

The Themes

1- Who is Banata ! (Banata ! Yifraho)

Banata is every woman who’s ever carried both softness and fire. She is royal not because of her bloodline, but because of her courage to be herself.
She is mystical, modern, playful — part priestess, part rebel, part dreamer. Her energy bridges the ancestral and the future: barefoot in the temple, glowing under the club lights.

She represents every person stepping into their power, whispering:

2- I Am Enough 

She steps out of the palace of judgment and looks inward — discovering her worth not through mirrors, but through vibration. The songs pulse with affirmations, layered voices repeating her new mantra: “I am enough, I am light, I am mine.”

3. Makreeem - Banata ! (the cleanse)

Banata’s purity is not about perfection — it’s about alignment. She cleanses her spirit through truth, through forgiveness, through rhythm.
When the world weighs heavy, she returns to her rituals: dancing barefoot on earth, washing her face with morning light, speaking gratitude aloud.

4. Olé Heyya ! (wanna have fun)

Banata dances without asking permission. Her fun is ritual joy — wild, sacred, and free.
She laughs until tears cleanse her cheeks, sings until her breath becomes rhythm, and moves until her body forgets shame.
Her fun is not escape.

5. “I’ll Do It My Way”

The finale is liberation — a main-stage anthem of independence. The King’s Daughter sheds her crown and becomes her own ruler. The echo of her voice fills the kingdom:

6. Exploring Feeling (My Feelings)

The middle section of the album dives into the full range of emotion — joy, rage, softness, confusion. Every feeling is welcome at her table. The music oscillates between tender ambient moments and explosive, percussive releases — mirroring her emotional growth.

7. Feeding the Soul (The Fest , Ya Salaam)

Through Afrohouse drums and mystical chants, she reconnects to nature, spirit, and rhythm. Each track is a ritual meal — a sound-feast for the heart, where nourishment comes from music, emotion, and self-care.

8. Self-Love (Love My Self)

She learns to dance alone. Every movement becomes worship, every breath a declaration. The beats are sensual and freeing — representing the act of falling in love with one’s own soul.


“Banata! — The King’s Daughter — has found herself.”


Love Myself

Bay len cao cung Nguyen Vu Vol 5

Nguyen Vũ

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Luân Ken

𝐓𝐇𝐀𝐍𝐇 𝐓𝐔𝐍𝐆 ✪

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