COVERS / REMIXES | The Best of the ’60s +

He started to show interest in computers in 1988, but only graphics-wise. He became a member of the Europe-wide Commodore 64 hacker-demo scene’s renowned Hungarian group called „Faces”. There he got to know Greg, who was a musician in the group. He was impressed by the stuff he was making, and he wondered how it is possible to make music with computers, since he didn’t have any previous musical skills.

Around 1990 he was interested in hardcore techno, and generally electronic music. Jungle music – hardly known at the time – was having great effect on his tunes. 
Between ’92 and ’94 he has spent practically all his time writing tunes, but since the result was not of decent quality, there was no talking about releases back then. 
In 1993-94 he was already writing jungle tunes. Thanks to a technical maleur – a blown hard disk – almost all of these were lost.
Then he's bought a 486DX100 PC and a Gravis Ultrasound card.

Between 1993-95 he was serving at the Hungarian army as a training officer. There he got to know Charlie, with whom they founded a group after the army, in the hardcore jungle way. Charlie was making no music, but this meant no obstacle, since he is great in performing and dancing on stage.

In February ’95, their first formation, Evilcube was born. At that time he was using the PC based Fastracker to sample sounds and write tunes. They had a demo tape with some of their songs with which they cruised Budapest party places to organize their performances. There were few places up to the kind of music at the time, still, they had considerable success in a lot of country clubs.  

At the top of this project they appeared at the Hungarian Mayday festivals, on three occassions. They then already had a manager who made his name managing some mainstream acts in Hungary, Bonanza Banzai for instance. He was trying to lauch tv-appearances and performance possibilities with them. A local cable tv aired their home made, VHS-quality video in a one-hour interview with them.

The first time that a chance for a release appeared, from a guy who was managing the publishing of compilation CD’s, totally independently, but distributed by Polygram Hungary. After some debates they managed to get some of their work released on CD. They made some tracks under some pseudonyms for this „House Summer Beats”.
Curiously the stuff had no promotion at all – except for one ad in a dance magazine, and the guy wasn’t willing to tell us about the numb, bu
After some time, they finally managed to get their real tunes out, this time on a dedicated dnb-electro CD compilation, called Eat The Beat.  
It was well-received compilation for that year and it meant they were among the first in Hungary to release drum'n'bass tracks.
After this László was making freelance drum'n'bass and jungle music.

However in late '98 - beginning of '99, they suddenly started a project called „Minuszaid Bocsá” with Greg on the bass, Charlie at the mic and the deck, and all of us writing tracks on the computer. Meanwhile, they were perfecting their mastering techniques with Greg. 

But after some time, in 2002, the formation had reduced to four people, Bende on guitar me(drum programs) , Charlie (mc) and Greg on bass under the name Ultra Homogen. The whole stuff started out as a „why-not” kind of gig at a party, where László and Charlie were dj-ing in ambient style, in a very strange place in Budapest, at the catacombs under the Buda Castle. The night before the party they came together to play and the next day they repeated it live, with some percussions in it. .

In July, 2002, after seeing Bad Company in Budapest, Hungary, Greg and László decided to stay together and work until they reach something with their music.
They gave it the name „Hotelsinus”. They think that their musical and technical knowledge and experience had reached a point where they can’t afford to let their work be lost.

Panama Cardoon is an Athens - based record producer, DJ, label head, radio host and former DJ tutor. The first time Kostas took over the decks was around 20 years ago and ever since he has been performing in festivals and venues across the World in Europe, North America, Africa and Asia, had his music featured in documentaries and his tracks supported by BBC Radio among other stations worldwide. Blending a wide variety of dance genres including World Electronic, Exotic Disco, Breaks, Hip Hop and everything in between, all in the atmosphere of a tropical warm breeze.
Kostas is currently releasing tunes on Bonfido Disques with the obscure sold out 12" vinyl records, hosting a monthly radio show on the infamous Radio Alhara in Palestine and ghost producing music under half a dozen undercover aliases.

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

World Bookings: Carlos Calico
carlos@ingeniumbookings.com
Italy Bookings: Fabrizio Perdomi
fabrizio@fpws.it

FACEBOOK: www.facebook.com/thecubeguys

THE CUBE GUYS Biography:

THE CUBE GUYS is a club undertaking that was born in 2005 between two of the most prominent producers in Italy: Roberto Intrallazzi and Luca Provera. Although their backgrounds and professional training differs, their common desire to release new productions and contribute to the international club scene is equivalent. Together, they combine their previous experiences and endeavors to launch a fresh and innovative musical journey!

Roberto Intrallazzi began his musical career in the latter part of the 80’s and beginning of the 90’s as part of one of the most successful projects of the ‘made in Italy’ dance era, F.P.I. Project. Their track ‘Rich in Paradise’ received worldwide acclaim and was one of the first house music releases to come out of Italy. Over the 90’s decade, his sound evolved into more like ‘house’ of today with influences from electro of the 80’s. The combination of the strong energy and search for new rhythms typical of the 80’s along with the contemporary minimal-electronic sound further assisted with the development of Roberto’s style.

In 2000, Roberto Intrallazzi met the DJ and producer, Luca Provera who matched Roberto’s knowledge of music and technology. Luca got involved with music at a very young age by building his own recording studio and becoming familiar with the technicalities of making music. Luca utilized computers, mixers, samplers, and keyboards to launch his career as a producer and sound designer; employing both digital and analog equipment. 

Luca later went on to produce a private Italian radio show and together with the artist Intrallazzi produced the album ‘The Pleasure is All Mine’ by Kym Mazelle. His radio and recording studio know-how led him to quickly gain familiarity with both the software and hardware necessary to produce quality house music. He isn’t just a quality producer however he is also a well-known DJ who plays frequently in alternative venues in Italy and all over the world.  


DJING:

1 mixer... and 4 hands... playing Back 2 Back! 

The Cube Guys know how to make the dancefloor go wild spawning miraculous moments. Continually striving to bring an animated, floor shaking, and diversified attitude to their productions and performances, The Cube Guys draw inspiration from cutting-edge nuances in technology and the international clubbing community. 

Combining house with tech elements and Vocal contributions, The Cube guys steadily persevere to emerge and mature on an international level. Taking part in some of the most eminent and influential parties and clubs globally, The Cube Guys have managed to disassociate themselves from the masses. 


PRODUCTIONS AND REMIXES: 


The Cube Guys sound has traveled all around the globe with recognition from Mark Knight, Pete Tong, Bob Sinclar, Roger Sanchez, Chus & Ceballos, Prok & Fitch, Mike Vale, David Penn, Atfc, Ralph Falcon, Oscar G, Erick Morillo, Dj Boris, David Morales, Hector Romero, and many other big names. 

The Cube Guys' have managed to chart every single on of their releases and have been selected and licensed by the most important international record companies. Day after day they receive requests to have their special 'touch' on new productions and these requests are constantly multiplying. 

Some of the artists they have remixed include:
Anastacia, Sophie Ellis Bextor, Steve Angello, Moloko, Coolio, Luciana, Ultra Nate, Roger Sanchez, Bob Sinclar, Suzanne Palmer, India, Romathony, Shawn Christopher, 
Ralph Falcon, Fish Go Deep, Yello. 


General Infos:
info@thecubeguys.com

[W]: www.thecubeguys.com
[SC]: www.soundcloud.com/thecubeguys 
[BP]: www.beatport.com/artist/the-cube-guys/7091
[TW]: www.twitter.com/thecubeguys
[FB]: www.facebook.com/thecubeguys
[YT]: www.youtube.com/user/thecubeguystv
[RA]: www.residentadvisor.net/dj/thecubeguys

Listen to "Free Bird":
https://foundation-media.ffm.to/freebird

MGMT: Conor Ambrose 
conor@listen2thekids.com

Booking:
booking@moonlght.com

GELE FAT is following