Fuck u kill me take my fucking soul only bitch who made my soul feel alive killed it and left me to drown in my fucking sorrow

reminds me of a certain analog horror film.

People Eater

Still Don’t Know My Name X Bad Guy X Kakegurui「full Song」

They tell me Im a god... but its the length of a full song.

𝕸𝖞 𝕳𝖊𝖆𝖉 𝕴𝖘 𝕾𝖕𝖎𝖓𝖓𝖎𝖓𝖌 𝕷𝖎𝖐𝖊 𝖆 𝕾𝖈𝖗𝖊𝖜...

Ah look at all the lonely people slowed and reverb

Served my time multiple times but apparently
 no one sees that 🥀

Served my Time

Lemon Demon - Touch Tone Telephone

Ed Sheeran Vs Melanie Martinez - Don't Have Cake (Mashup)

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



Forrest Day - Sleepwalk

“Below The Surface” - FNAF SISTER LOCATION SONG | by Griffinilla

Dark Red

Oi Oi Oi /Bakugou Remix/

IM GONNA KILL YOU

𝖇𝖑𝖆𝖈𝖐𝖇𝖊𝖆𝖗 - 𝖆𝖓𝖝𝖎𝖊𝖙𝖞 (𝖘𝖑𝖔𝖜𝖊𝖉)

kda - villain [slowed]

To The Bone (Slowed + Reverbed + 8D + Bass Boosted)

IM GONNA KILL YOU

GIRLCRUSH.

Recent comments

Blay3d

Drea <3

Norma Mejia

giulss

Related tracks