Toccata for vibraphone solo
作曲：姫野七弦

演奏者：
Vibraphone: 宮垣輝希

無窮動とも言い換えられるような音づかいで、一定の緊張感・律動を保ちながらも与える印象はさまざまに変容する音楽を描いてみたいと思い作曲しました。
Toccataは大抵の場合オルガンやピアノなど指で奏する鍵盤楽器に用いられることばです。それをVibraphoneに対して用いるにあたって、マレットで奏するこの楽器ならではの表現を探究しました。
以前Marimbaで練習したとあるエチュードから着想を得た楽想と、それと同じパルスが刻まれ続けながらdolcissimoの指定がある楽想の２つによってできています。


【第1回作品展】
2022年11月11日(金)19時開演(18時30分開場、21時終演予定)
トーキョーコンサーツ・ラボにて
一般3000円・学生2000円(当日現金支払のみ)

曲目(全曲初演)：
響戟(きょうげき)―アルトサクソフォンとヴィブラフォンのための―｜後藤元信
Toccata for vibraphone solo｜姫野七弦
Le Grand... I for flute and vibraphone｜姫野七弦
Abuku-Abruption for vibraphone｜中村陽太
Heterogenesis for clarinet and vibraphone｜中村陽太
うねりの集積I / Stratum for 4 instruments and vibraphone｜中村陽太
攣(Spasm)―ヴィブラフォン独奏のための―｜湯地晃太郎
彩(いろ)めく影―2本のフルート、クラリネット、ヴィブラフォンのための―｜湯地晃太郎
Colorful Parasol for two flutes, clarinet and vibraphone｜湯地晃太郎

演奏者：
Vibraphone｜飯田耀太
Vibraphone｜菊池幸太郎
Vibraphone｜宮垣輝希
Vibraphone｜村瀬芽生
Flute｜中村淳
Flute｜太田怜花
Clarinet｜石田理雄
Saxophone｜栗山弥奈美

姫野七弦：Toccata for vibraphone solo

Please, use headphones or good loudspeakers.

echo from afar (ii)(2022), for six musicians and electronics
commissioned by hand werk 

Live Recording, hand werk, 29 November 2022, Köln

echo from afar (ii)(2022), for six musicians and electronics

12 clarinets (4 basses, 2 basset horns, 6 Bflat clarinets)

performed by Jérôme Voisin and his students

13/05/23, Boulogne-Billancourt (FR)

photo ©BChampeaux

Byword (2023) | 12 clarinets

Commission: Südwestrundfunk for the Donaueschingen Musiktage 2022

Live recording of the world première, Musica Nova Helsinki, 3 March 2023.

Performers:
Mattie Barbier, trombone
Weston Olencki, trombone
Helsinki Philharmonic Orchestra
Janne Nisonen, conductor

Photo: Helsinki Philharmonic Orchestra

where the dark earth bends (2022, rev. 2023), for RAGE Thormbones, orchestra, and electronics

Dancing QUEER (2022)
Comp. Wataru MUKAI

26.08.23
New Japan Philharmonic
Seitaro Ishikawa (cond.)
Ito Shiozawa (English speaker)

Prize: 
33th Akutagawa Yasushi Suntory Prize

Dancing Queer (2022) Wataru Mukai

Intolerant Complexity for recorder and ensemble (2023)

Commission and premiere by Makoto Hondo
Live recording in his recital "Baritonism" 6/11/2018 at the Phoenix Hall in Osaka

•View and buy the score
https://shop.naokisakata.net/products/liquid-life

« Liquid life » for baritone saxophone solo (2017 - 2018)

Into the Blue (1996), R. Saunders

Aileen Razey, clarinet
Tomoki Park, piano
Vladimir Antoshin, bassoon
Kiyoe Wellington, double bass
Anna Grenzner, cello
Jessica Tsang, percussion
Musashi Baba, conductor
International Ensemble Modern Academy - Klangspuren Schwaz 2018

Into The Blue, R. Saunders

Helsinki "Musiikkitalo", am 5.11.2012 

Violoncello : Eeva Rysä 
(Solocellistin des finnischen RSO)

Edition Peters Frankfurt/M.
www.edition-peters.de/cms/deutsch/general/komponist.html?composer_id=3425


E für Violoncello

Commissioned by the Lithuanian National Philharmonic for the concert series “Viva Musica Via Baltica” (Vilnius - European Capital of Culture) and composed for Sinfonietta Rīga

The structure of the two-layered score of “Elongation of Nights” reminds of the elongation of night while the day is getting shorter: one layer is setting down and getting quieter which makes way for the second layer that becomes louder and pulsates with elongating sounds. Every player has its own part (21 in total) similar to the echoes of a canon, thus such a monochromatic orchestra sounds like a utopian 84 string instrument. The harmony of the piece is based entirely on fifths, derived from the natural tuning of strings. Morton Feldman would have probably called such piece as “Fifths in my Life”.

Dedicated to autumning Vilnius.

Duration
8'30''

Recording
Released by the Lithuanian Music Information and Publishing Centre in 2010 in "Zoom in 8: new music from Lithuania".

Performers
Sinfonietta Rīga | cond. Normunds Šnē
Lithuanian Chamber Orchestra | cond. Risto Joost or Robertas Šervenikas
BBC National Orchestra of Wales | cond. Garry Walker
National Chamber Orchestra of Moldova | cond. Robertas Šervenikas
Polish Chamber Philharmonic Orchestra | cond. Rodrigo Tomillo                         
Leopoldinum Chamber Orchestra Wroclaw | cond. Ernst Kovacic                                                                           Philharmonie Brno | cond. Maciej Tworek                                                                  String Orchestra of Brooklyn | cond. Eli Spindel   

"In the music of Justė Janulytė the sound unfolds as an autonomous event, with incredible lightness, as a confluence of energies, which transform it into increasingly dilated harmonies. No beat, no apparent rhythm, just the ‘deaf’ pulsation perhaps, a downtempo, as some kinds of the electronic music are qualified; the swelling of intensities, the saturation of space, and then eventual return to the state of calm, which is already different, marked and disturbed. The importance of material that found reflection in the titles of her works: Textile (for orchestra, 2006), Aquarelle (for choir, 2007), Silence of the Falling Snow (for two pianos, 2006), Endings (for 4 saxophones, 2005)... But the most important is metamorphosis, a very personal one and therefore instantly recognisable. This is not the telluric forces in Xenakis, or the atomic process in Ligeti, but rather an irradiant form. Elongation of Nights, the second score for string orchestra after the White Music, with which the composer made her public debut in 2004, gives a good example of such radiation. Some kind of timeless, floating metamorphosis. A strikingly innovative dramaturgy of sound..." Antoine Gindt | MUSICA festival brochure, 2011 

http://www.janulyte.info/en/works/elongation-of-nights/        

Intolerant Complexity for recorder and ensemble (2023)

Satori Hironiwa

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