🇵🇦🪢👔

Clocks Ticking

you know why that little red hair girl never notices me

i dont really know where to start.

the person who has been traumatized wants nothing more then love

and i realized im a total loser

do you ever wanna just disappear

every character has an arc

all credits go to tonilk, Kay Gwaupo, and flawed mangos respectively #tonilk #real #tiktok #tiktokaudio

(tonilk audio) "I love the game, I love the hustle" Flawed Mangos Killswitch Riff #22 x Kay Gwaupo

you are so damaged x numb

bojack horseman x the beginning

are you doing somethings that might make others dislike you?

love bombing

hi peter, its me

detached? here are 7 signs to confirm.
Instagram / @main_character_thabang
credit/removal:dm


emotionally detached.mp3

Off da map

🎵 صوت الرمال (Ṣawt al-Rimāl) – The Voice of the Sands

[Intro – 0:00–0:50]
[soft desert wind, distant low hum like earth breathing; faint chime echoing from far away]  
[a single oud note sustained with deep reverb; silence between sounds feels infinite]  

[Verse 1 – Arabic, male whisper – deep and slow]
يا صَوتَ الرِّمالِ، يا نَفَسَ الأرض،  
في صَمتِكِ تُولَدُ الحِكايات،  
تَهمِسُ للأبدِ عن كُلِّ خُطوةٍ،  
وعن كُلِّ رُوحٍ عَبَرَت.  

[Bridge – 0:55–1:20]
[female breath-like voice echoes words “الرّوح... الرّمال... السّلام...” in stereo whisper]  

[Verse 2 – Arabic, female vocal – warm and fragile tone]
تَتَكلَّمُ الرِّياحُ بلُغَةِ النُّور،  
ويُجيبُ الصَّمتُ بنَغَمٍ خفيّ،  
يا رِمالَ الزَّمانِ، يا صَدى الحَياة،  
كُلُّ حَبَّةٍ مِنكِ قَصيدة.  

[Main Groove – 1:30–2:45]
[Minimal ambient deep groove (108 BPM): sub bass heartbeat, soft kick blended with desert wind,  
sparse tribal percussion — daf strokes fading in and out, ethereal synth pad like glowing sand.]

[Instrumental / Ney Solo – 2:50–3:30]
[slow ney improvisation drifting through wide reverb field; faint background choir “Ah...”]

[Verse 3 – Arabic, male/female duet – ethereal delivery]
يا صَوتَ الرِّمالِ، يا أُغنِيَةَ الفَجر،  
فيكِ تَنتهي الطُّرُقُ وتَبدأُ الرُّؤى،  
وفي نَسيمِكِ يَغسِلُ الزَّمانُ جَرحَه،  
ويَعودُ النُّورُ إلى الصَّدرِ.  

[Final Chant / Mantra – 3:40–4:40]
[grouped soft chanting, layered male and female voices repeating:]  
"رُوحٌ في الرِّمال... نُورٌ في السَّماء..."  
("Soul in the sands... light in the sky...")  
[wind intensifies, synths shimmer softly; no percussion — just pure breath and echo.]

[Outro – 4:40–5:15]
[wind fades slowly; single ney note remains; final whisper:]  
"النُّورُ يَبقى... والرِّمالُ تَتَكلَّمُ..."  
(“The light remains... and the sands still speak.”)

�  صوت الرمال (Ṣawt al-Rimāl)

the person who has been traumatized wants nothing more then love

t

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