a deep space filled with vibrant movement

Cephalopods

Chant Tibetan Art

will we meet again? - instrumental

Recorded live at Home Studio.

Gear used: Roland Juno-106, Yamaha DX7, ЛМ 1229, DL-301A, Alesis Midiverb 2, Mackie CR-1604, Tascam Portastudio 424 MK3.

Open for release proposals. More records on request.

August 2019.

Abiocoen — Inhale

cut of a live improv session installation:
WIEKANNEMANNUR at Artlake Festival 2019

recorded 08.08.-10.08.19 at Bergheider See, Finsterwalde

WIEKANNEMANNUR is an audiovisual collaboration with Bennos Dias

Es gibt da diesen UN-Report in welchem geschrieben steht, dass nur 20% der jährlich weltweit anfallenden Menge von ca. 50 Millionen Tonnen Elektronikschrott geordnet wiederverwertet werden.
'Ja wie kann er denn eigentlich nur, dieser Mensch?' haben sich zwei von eben jenen - namentlich Wiemann und Kannemann - gefragt und setzen sich folglich in künstlerischer Zunftzusammenkunft mit der analogen Nutzbarmachung von Elektronikschrott auseinander (um die Wiederverwertungsquote nach oben zu treiben). Bei dieser audiovisuellen Installation bietet sich dem Besucher die Möglichkeit manipulativ mit Projektion und Geräusch zu interagieren. Frei nach der Wechselwirkung 'Mensch moduliert Geräusch moduliert Projektion moduliert Mensch moduliert Projektion moduliert Mensch' soll (zumindest temporär) ausnahmsweise ein geschlossener Kreislauf in Bewegung geraten und dann eventuell zum Nachdenken anregen. WIEKANNEMANNUR?

WIEKANNEMANNUR will screen again at

- Galerie Pfund & Dollar, Stockmeyerstr. 43, Hamburg
- Reeperbahnfestival 2019

Cover Artwork by Bennos Dias
(-> www.instagram.com/bennos_dias/?hl=de)

|sssns| wiemann

eniac

Disconnection

A Light Divides (Naviarhaiku 337)

An Integration

Jana Irmert - lumiere XVII

GOD 61
Peter Ablinger
Orchesterstücke, 
excerpts
www.godrec.com

GOD 61 - Peter Ablinger - Orchesterstücke, excerpts

Find more info about this junto assignment here: https://disquiet.com/2020/12/17/disquiet-junto-project-0468-mirror-rorrim/

Sammie Ray Vaughan is probably the most unknown blues guitar player out there, really doesn't like to boast and show off, never plays a solo, keeps to himself. A model of modesty really. So little is known about him except for the occasional leaked recording...

So when he approached  me to perform a duet, I was a bit hesitant, you know, I'm like an ambient wanker and used to long form, erm, formless stuff. In this outfit I'm called The Exponential Trouble, and it's what I do, I add shit up until it messes the whole thing. 

Not sure we're ever gonna play together again, he's so elusive, Nevertheless, it was a fun session and here's a testament to it.

Credits: 
Sammie Ray Vaughan: Acoustic Guitar, Electric Bass. Sponsored with a worn out af set of D'Addarios.
The Exponential Trouble: Distorted guitar, Synthesizer, Ambience and overall slowdown and lowering the bar on the whole thing.

Sammie Ray Vaughan & The Exponential Trouble - Lazy Sunday Blues (It's A Minor Thing)[disquiet0468]

A photographic  installation made of 29 reproductions of the same image, each showing alterations and damages on purpose . 
Silver gelatin  prints on a photographic paper called LUMIERE.
Each image has been replaced by a line to form a graphic score.
14 musicians provided an audio interpretation of the score.

www.29xlumiere.com

Olan Mill 
Michael A. Muller 
Boduf Songs 
Pak Yan Lau   
Midori Hirano
Oliver Doerell
Melodium 
Sofie Birch
Illuminine
Christina Vantzou
Ben Bertrand  
Kira Kira 
Secret Pyramid 
Leo Svirsky

Jana Irmert - lumiere XVII

29X lumière

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