Though no longer based in Sydney’s Inner West, jobfit’s music continues to hold space for those who traverse its parks, pubs and parties.

For their third release on Pure Space, jobfit share their new EP ‘time to make Daddy some money’.

Full of swirling synths, deep bass and acidic tastes, this EP continues jobfit’s splicing together of poetry and dance music. Where crisp percussion arrests tension, immersive pads hold you in - releasing only to rebuild again and again.

This release/rebuild is the perfect support for the vocals. Written between Sydney’s two lockdowns, the EP is a woozy state of inertia. There are sneaks of escape - outta Sydney, on the street, in the studio. But there’s also a state of being trapped - in the kitchen, in the Poet, in the interior. Both inSide and inSelf. The vocalist always uneasy, knowing what could come. And then it does: ‘Collar Mourning’ rounds us out for another stretch between “four walls and 34 square metres / captures and holds”.

Yet there are always moments of respite, a settling into place, making peace, the “alla norma”. It’s dance music for those stuck at home! For driving! For traversing space and time, beer belly wriggling into jeans, lurching up Newtown’s drunken pipeline, reminiscing on times connecting, over there, or there, or there… “smiling, and knowing and turning still.”

@jobfit

Tracklist:
01. Sydney Re-Entry
02. BroomWasp
03. Pan Mug Break In
04. Collar Mourning

Format: Digital

Written and produced by jobfit on unceded Gadigal land
Mastered by Wayne Sutherland

Art by @pd_sky

10% of profits from all Pure Space releases is donated to Aboriginal Legal Service, Australia's first Aboriginal Legal Service est 1970 - if you have the means we encourage you to also donate directly alsnswact.org.au

jobfit - Pan Mug Break In

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2024

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A1. Alavir

Batikh EP (for Palestine)

Prayer – from Batikh EP (for Palestine)

A re-recorded and edited track I played Live at Woodburnia2024 with Solsa.

Imp Of The Peverse

The word alisma is said to be a word of Celtic origin meaning « water », the habitat in which Alisma plantago-aquatica (a perennial flowering aquatic plant) grows. This album was composed thinking of all creatures living underwater, the ones that live above the surface and the others who live below in the depths of water. Each track is an ecosystem where those creatures live, communicate and dance together.

Thanks to Yannis, Gordi, Spyros and Cobra9!

Composed and mixed by: Clarice Calvo-Pinsolle (August - September 2023, Brussels)
With the voices of Luna on “Saliendo de la sombra” and Nadia on “Rêve contagieux”
Mastered by: Spyros Emmanouilidis
Cover by: Bend.gr

OUT ON: orilarecords.bandcamp.com

Saliendo De La Sombra

Ana invites Odrugud, delivering a leftfield fever dream… ☁️ 🌀

no title

Ana Radonja invites Odrugud 10/08/24

What happens when dubby drum & bass meets Dischord’s post-punk colossus Black Eyes? “Break” is the new EP from NY’s Relaxer, the long running alias of Daniel Martin-McCormick (Black Eyes, Ital and co-founder of Dripping), and it signals a decisive shift in his music.

Prompted by friends to write a drum & bass live set just as Black Eyes was reuniting, the results didn’t quite fit the d&b genre. But it felt right. Quick, nimble, with room for the ferocity of his favorite post punk and some of the spaciousness of dub. Evergreen vibes, really, but seen from a fresh perspective.

Honed over a period of two years, the five tracks on “Break” fuse Relaxer’s careening, technoid sounds with free jazz-tinted drum programming, snarling sound design and spacious echo trails. It’s a perfect fit for 29 Speedway’s future-facing, exploratory anti-genre approach to electronics. The tape features two remixes by the singular DJ Marcelle and mastering by Dubplates & Mastering. Daniel tells his side of the story below:

“Two years ago my friends who run the drum ‘n’ bass party Headznite asked me to write a live set for a Ukraine fundraiser they were putting on. Right at the same time, my punk band Black Eyes was having our first practices in 20 years, which meant I was re-training my body to scream at top volume and high registers and to lay into my guitar at full force. In those same months, Dripping was forming and ideas were flying for crazy, boundary-pushing lineups. I had just finished writing the meditative composition suite “In Softening Air” and was feeling the call; it was time to let it rip.

Everything poured into that live set for Headznite, and a new style was born. Relaxer had begun as a decisively techno project, but pushing the BPMs and working in drum breaks tweaked the formula enough to cut any lingering ties with that ethos.

Over the next two years I kept on it, writing more, recording, pushing the technique and exploring the sound. “Break” is the first time any of this work has been made public. Sometimes a detour can hack your brain. My first dance 12” as Ital was supposed to be a one-off side project to my punk band and it ended up taking over my life. Now punk music is calling asking for the debt to be repaid. Fuck it.”

Written & recorded by Daniel Martin-McCormick, 2022-2024.
Mixed by Daniel Martin-McCormick & Sol León, with assistance from Sphente Shepherd.
Mastered at Dubplates & Mastering.
Art & design by Brian Mark.
Thanks to Headznite for the prompt.

Chasing Your Own Tail (DJ Marcelle's Even Stronger Tale Remix)

A Remix of the Song "Der Mückenschwarm" from Oliver Koletzki.

165 BPM

SWARM

Mesmerising!!°°

24th august 2025 (@797manky)

βяɛαcнɛƨ -    - ιитɛяƨтιcɛƨ αи∂ ɛмρтʏ ƨραcɛƨ.

When the labels no longer define, when the limits and the erected laws are unseated, the void calls for creation.

𝕸𝖀𝕾𝕴𝕼𝖀𝕰𝕾 𝕱𝕷𝖀𝕴𝕯𝕰𝕾 on @lyl_radio

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