Plasma Sources is proud to present nosync’s Soundsystem Music, an EP which provides a fresh perspective on the high-fidelity and sci-fi influenced electronic music the imprint is known for.  

nosync’s (https://soundcloud.com/user-775234683) work sits in a truly unique space in the sound system/club music-o-sphere. This in large part is due to his heavy deployment of progressive metal instrumentation, from chugging walls of overdriven guitars to relentless double-time kick patterns. On paper, utilising this palette in a club-music context may seem like an impossible task. However, where others might see a chasm of disparity, nosync has deftly identified the bridge connecting these two genres, seeing in these two landscapes the same desired emotional state - despite the different methodologies used to achieve this.  

“This record attempts to make the case that the essence of what makes these sounds so obsessively loved are one and the same. Gripping dramatism and intensity are the overlapping themes that I have attempted to bring out here, through the record’s sound design and film-like structure.” 

Indeed Soundsystem Music as a whole feels wildly cinematic and is as much an exercise in atmosphere creation as music for sound systems, with nosync citing the video game Dead Space and its sequel as key influences for this body of work. From the claustrophobic, elasticated wind chamber of ‘Traced’ to the broken choir voices and FiS-esque ambient abyss of ‘Dead Land’, nosync has expertly matched the pace and atmosphere of these hugely iconic and utterly terrifying video games and channeled them into a purely sonic experience.  

The metal influences nosync brings to the table slice through the entire corpus of Soundsystem Music, although the linkage is perhaps at its most clear on ‘Airlock’, which features a full-on death-metal guitar chugging through the first half. In perhaps the most surprising switch-up of the entire EP, things suddenly twist into a guttural underwater club track a third of the way through.  

nosync’s love for the vast ecosystem of club/soundsystem music also comes through loud and clear on this release, from the grime-inflected leads and hyper-detailed polyrhythmic noise workouts of ‘Unregistered Hypercam’ to the reverberated metal clangs of ‘Kauket’s Arena’ which feels like witch-house on steroids - the soundtrack to some final boss battle with some type of nightmare-demon-entity.  

nosync has achieved something unique with Soundsystem Music. By drawing together a hugely disparate corpus of influences and pummelling them into a noise-fuelled apocalyptic aberration, he has created a sound which feels consistent, fully his own, and in many places, utterly dread-inducing. 
credits
releases February 13, 2024 

Written, Produced & Mixed by Nikolas Babić 
Mastered by Hypna 
Artwork by Joh000 // Jose Hernández 


© & ℗ 2023 Plasma Sources.

Soundsystem Music

unearth - Aberrations

We are very excited to welcome Klahrk to the fold on ACEN059. The London-based artist & founder of Ware Collective follows up releases with the likes of Activia Benz, Genot Centre and SFX. On the Z2 EP, he delivers four atmospheric slow-fast club cuts, exploring the lowest depths of the frequency spectrum.

Klahrk - On The Circuit (ft. Kattie) [ACEN059]

Tip Top Diop V84

https://lilatirandoavioleta.bandcamp.com/album/accelarated   

"All Day I Hear The Noise of Waters" a signature high tempo hot-blooded, percussion-heavy but slick touch, switching between rhythms and upping the energy on each switch.

@verraco - @sinmaldita - @lilatirandoavioleta

Hyperdub Records 2024

ACCELARATED

All Day I Hear The Noise Of Waters - Lila & SIn Maldita (Verraco Remix)

After a quiet period, ZEAN returns with his fourth solo EP, "No Roots" on Gully Riddim. These tracks were produced during the pandemic and are distinctly different from his earlier work. He uses a sombre atmosphere and fragmented, unpredictable rhythms, combined with various distorted and overloaded sound samples of both humans and animals, attempting to diversify his sound and break free from his own stereotypical and fixed creative approach. This is also a form of self-criticism against this culturally barren land. The EP includes five of ZEAN's tracks, along with two remixes, one by Argentinian producer Jaiiu and another by South African producer Jumping Back Slash. Both remixes reduce the experimental sounds of the originals, simplifying the song's rhythm and structural changes, and making them more friendly for the dance floor.

ZEAN在一段时间的沉寂后，在Gully Riddim带来他的第四张个人EP ”No Roots“。这些制作于疫情期间的声音明显的不同于他早期的作品，他用暗沉的氛围感与破碎的不固定节拍，结合各种添加了失真和过载效果的人与动物的声音采样，试着使其更加多样化，以此打破自身刻板和固定的创作思路，也是向这片文化贫瘠的土地表达自我的批判。此EP包含5首ZEAN的个人曲目以及两首Remix，分别来自阿根廷制作人Jaiiu，南非的Jumping Back Slash。两首Remix都减少了原曲的实验性声音，简化了歌曲的律动和结构变动，使其更加适合舞池。

Artist: Zean @zeanmusic
Remixes: @jumpingbackslash @jaijiu
Title: No Roots
Label: GR Recordings
Cat No: GR012
Cover: StoRmAB
Mastering: Zean
Release Date: 28th, July 2024
Format: Digital

Released by:
GR Recordings

3. Unknown Outcome Is Always Better

This two-track EP creatively reimagines the same core hook across two distinct genres. The first track is a hard-hitting, trap-infused anthem, layering thumping 808s with sharp hi-hats and aggressive rhythms, delivering a raw, bass-heavy vibe. The second track flips the script, taking a more experimental approach with intricate breaks, glitchy textures, and warped basslines, pushing the boundaries of sound design. Both versions showcase the versatility of the hook, bridging the worlds of hip hop and experimental bass music in an engaging, innovative way.

It Kinda Cool (Cracked Version)



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WULFFLUW XCIV - Index_0, 2025
Buy: https://wulffluwxciv.bandcamp.com/album/index-0

@wulffluw94


[Première] WULFFLUW XCIV - Shrift

Hört euch diesen fetten neuen Track an😏😏😏

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Mystic

taken from the too oh won nein comp of edits and booties available at the above link as pay what you like

out to kryptic minds on the original

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