love the depth and the beat...  I really like this one

love the guitar in the background here and the changes in vocals

this is really creative and unique..you jump so easily from one rock tempo/rhythm to another and still the piece holds together..each transition is good on its own as well

gets really ominous around 11 and then the tone shifts ..bam

M back/great mixN/unique track/gotta love it/pops & rocks

Recording sessions from 11/11/2023 - 13/11/2023.
3 tracks *** MOOG Modular V3 & V2 (vst Arturia),
1 track Spark (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

I am so excited about collaborating with soprano Maribel Villarroel and arranger and pianist René Calderón. The lyrics are from the Pablo Neruda poem "Para Que Tú Me Oigas"" in the book "Twenty Love Poems and a Song of Despair". Translated by W.S Merwin. Permission has been granted by Fundación Pablo Neruda.

Para Que Tú Me Oigas (Letras de Pablo Neruda)

Para que tú me oigas mis palabras
se adelgazan a veces
como las huellas de las gaviotas en las playas.
                                                                                                                                  Y las miro lejanas mis palabras.
Más que mías son tuyas.
Van trepando en mi viejo dolor como las yedras..                                                                                                               
                                                                                                                            Ahora quiero que digan lo que quiero decirte                                                                                              para que tú me oigas cómo quiero que me oigas. 

Llanto de viejas bocas, sangre de viejas súplicas.                                                                              Ámame compañera. No me abandones. Sígueme.                                                                           Sígueme, compañera, en esa ola de angustia. 

Pero se van tiñendo con tu amor mis palabras.                                                                                       Todo lo ocupas tú, todo lo ocupas. 

So that You will hear Me (Lyrics by Pablo Neruda)                                                                                          

So that you will hear me
my words
Sometimes grow thin
As the tracks of the gulls on the beaches. 
And I watch my words from a long way off.                                                                                           They are more yours than mine.                                                                         They climb on my old suffering like ivy. 
Now I want them to say what I want to say to you                                                                                      to make you hear as I want you to hear me.

Lament of old mouths, blood of old supplications.                                                                                             Love me, companion. Don’t forsake me. Follow me.                                                                                      Follow me, companion, on this wave of anguish. 

But my words become stained with your love.                                                                                                     You occupy everything, you occupy everything. 
 
 Canciones para Pablo Neruda" is a book of musical scores for songs based on lyrics by Pablo Neruda as well as artwork from some of Chile's greatest artists: 
https://www.amazon.com/Canciones-Para-Pablo-Neruda-Spanish/dp/9564163218/ref=sr_1_1?dib=eyJ2IjoiMSJ9.JV3fZn25wlYcYE3CfKo_ue-fx5JdUXB60a-hWwk205kXDQG20j2a39ntzMqHEkx3viRYPO82bPSZDVFqrJB0Ktv2SFa70Mpx30Y-oeBwc1BQrmYTopCWzqNa1jFZPzoYDn_DvSM1le70QritFcGLlAlKEe5jlzrHxk6CEpjSbXLV52LciGsetvGRc5-X0wUWjkJn4KDpoJZ8yoSdygz8U8t6STGLP0jtrLy0XHI81qU.hUSdYX9jFdVq5TBnQWaNA-H2v_m_nFe0A6ADmg40qBg&dib_tag=se&keywords=CANCIONES+Para+Pablo+Neruda&qid=1710717676&sr=8-1

Para Que Tú Me Oigas

François TAMBY: guitars, drums, bass, arrangements and production
Aline TAMBY : all voices

   A song that rocked my late teens; I've always loved the lyrics, the "Kenloachian" video, Jimmy Somerville's voice and the melody, but much less the synthetic arrangements and 80s production. It's a world far removed from our own, so we've freely reinterpreted the song in our own way...

 Une chanson qui a bercé ma fin d'adolescence ; j'ai toujours aimé les paroles, le clip "Kenloachien", la voix de Jimmy Somerville et la mélodie, mais beaucoup moins les arrangements synthétiques et la production des années 80. C'est un monde très éloigné du nôtre,  nous avons donc librement réinterprété la chanson à notre façon...

CIACCO-Cover-Smalltown Boy-Bronski Beat

version1:
https://soundcloud.com/fuwatt/supercell-is-approaching-version1

Supercell Is Approaching (version2)

How long have I 
been out for…..
Down the creekside manor
Stared at its door
Moss overgrown
bats and peepers soar…
I woke up in the back yard
All I saw was the joker card
Missed the dance and the super bowls
Cruelty kindness or the growing toll
The wait got weighted down
Barely heard the sound
shoveled on the mound
The wait weighted down
The wait got weighted down
How long have I 
been out for…..
Down the Creekside manor
Moss overgrown
bats and peepers soar…

The Wait Got Weighted Down

Cosmic Dreams

UnBoxed April 2024

[ d o w n l o a d a b l e ]

Masked Blonde #2

Oregon

Recording sessions from 06/04/2024 - 13/04/2024.

*** MOOG - Microfreak - Guitare - Spark

What humans of our century are sorely lacking is the mental capacity for reflection, which has become very rare!
Think before you act, because afterwards, it will be too late once the dice are thrown... victory as well as defeat, with tears and gnashing of teeth...
“It is better to think before acting than to regret after having acted” Democritus

Ce qui manque cruellement aux humains de notre siècle, c'est la capacité mentale de la réflexion qui est devenue très rare !
Réfléchir avant d'agir, car après, il sera trop tard une fois les dès lancés... la victoire comme la défaite, avec des pleurs et des grincements de dents...
"Mieux vaut réfléchir avant d'agir que regretter après avoir agi" Démocrite
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Cover Art - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

Reflection

My first DAW song!
I enjoyed very much doing this song?
Can you also enjoy it?

Under Pressure
In this world of expectations where success is a decree
All the pressure from everywhere can easily break you and me
Schooling us with numbers and facts, who care is’s breaking our backs
All the promises I must keep still hunt me in my sleep
In this circle of demands the pressure still expands

Education should be the key, but if the pressure breaks me?
What if I cannot break free?

You think when I smile I’m shinning so bright, but deep within there is a fear I can’t fight
All the pressure closing on me, expectations, how to be free?
How can I handle the wight before it is too late?
The obligations are so strong, where do I belong?

Success is what we strive for, but I wonder if there’s more
Expectations are everywhere,  all the pressure I have to bear

Under Pressure

38 Sessions

Gargyzaa is a one-man band located in Finland. I play all the instruments (guitars, keys, bass, didgeridoo, toy moog, found objects etc.) no proper DAWs used (only Zoom R24). I  also "sing" all the vocals plus recite all the eccentric poetry and deliver those odd pseudo theatrical dialogues etc. (all the lyrics are written by me: some in Finnish and some in English, but in patois French, nonstandard Italian, "invented" Dada jive talk and in glossolaliac gibberish as well). The rhythm tracks are made from simple loops, all the rest is manually played.
Never been a proper musician (self taught "savant" i am) and have never played in any band . 
The cover art/design is just basically a few collages I made and a couple of random photos I took.
Totally a non-profit project, a delightful way to expand my own mind and learn more. Hopefully this music will make people laugh, perplex, stimulate them or cause the listeners to freak out in a positive way or to experience odd synchronicities and even see a few distorted visions here and there.
To fully experience the bizarre soundscapes of my music it is advisable to use the headphones with rather loud volume.

38 Sessions

gargyzaa

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