UNSIGNED ARTISTS ON SOUNDCLOUD & TWITTER 1

The Incurables take The Captain and Tennille to a new level.

Big Stir Digital Singles

Muskrat Love

All My Toys They Come to Life

Last Synth Pop Track I did with my own voice.
Everybody can love everyone in case the person find the person to love. I think I am single for too long time :D

Spectrum (Preview)

Crucifix

(English description: please scroll down)
Das ist mein *Demo*-Track für den Fury 800 von @full-bucket.

Ich hatte schon während des Beta-Tests viele Ideen gesammelt um  zu zeigen, welche Möglichkeiten der Fury 800 klanglich eröffnet. Durch verschiedene Dinge hat sich nun ein anderer Verlauf ergeben, so dass ich die Demo erst nach dem KVR-OSC-Wettbewerb fertig machen konnte :)
Zu dem Synth und meine Meinung dazu findet Ihr alles in meinem Track Rotation 31, zu finden unter https://soundcloud.com/kraftraum/kraftraum-rotation-31-fury800, wieder.

Die Demo enthält 6 verschiedene Abschnitte, die ich auch gekennzeichnet habe:
Part 1: Tanz auf dem Flur
Part 2: Fury800 Impressionen
Part 3: Alpha 44
Part 4: Langsame Atome
Part 5: Alpha 45
Part 6: Abschluss-Tanz

Alle Presets sind von mir von Grund auf erstellt worden. Ich habe sie Björn zur exklusiven Veröffentlichung auf seiner Webpage gegeben. Wenn Björn diese bereitgestellt hat solltet Ihr diese unter folgender Adresse finden:
https://www.fullbucket.de/music/fury800.html.

Zusätzliche habe ich weitere 100 zusätzliche Presets für den Fury 800 erstellt und ebenfalls Björn exklusiv bereitgestellt, zu findne auf der gleichen Seite.

Viel Spass beim reinhören und Kommentare sind wie immer herzlich willkommen:)
Artwork: enriquelopezgarre, https://pixabay.com/de/illustrations/fantasy-futuristisch-raum-roboter-4219731/

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This is my *demo*-track for the Fury 800 from @full-bucket.

During the beta test, I had already collected a lot of ideas to show what possibilities the Fury 800 opened up in terms of sound. Due to various things, a different course has now arisen, so that I could only finish the demo after the KVR-OSC competition :)
You can find everything about the synth and my opinion on it in my track Rotation 31, which can be found at https://soundcloud.com/kraftraum/kraftraum-rotation-31-fury800.

The demo has 6 different sections that I also marked:
Part 1: Tanz auf dem Flur
Part 2: Fury800 Impressionen
Part 3: Alpha 44
Part 4: Langsame Atome
Part 5: Alpha 45
Part 6: Abschluss-Tanz

All presets have been created by me from scratch. I have you Björn on for exclusive publication
given on his webpage. If Björn take them up for public you should find it at the following address:
https://www.fullbucket.de/music/fury800.html.

I also created another 100 additional presets for the Fury 800 and also provided Björn exclusively, to be found on the same page.

Have fun listening and, as always, comments are very welcome :)

Artwork: enriquelopezgarre, https://pixabay.com/de/illustrations/fantasy-futuristisch-raum-roboter-4219731/
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Kraftraum meets full bucket Sounds

Kraftraum trifft FullBucket - Fury800

The number seven has long been associated with good luck and magical forces. But in the case of singer-songwriter Monique Barry, there's a great deal more to both that particular number and her musical output than just fortune's favour and a bit of enchantment. Her latest song, “Coyote”, is the seventh single in a series of innovative and highly individual releases that will add up to a finished album titled HAAK. And as the song climbs through its narrative peaks and varying stylistic passages it very quickly becomes apparent that “Coyote” is the result of vision and skill rather than mere luck, and the magic here can be found in Monique's creative focus and the inspiration she draws from the natural world and our interaction with it.  

Never one to resort to the expected, Monique has always been quick to discover her creative influences and thematic material in a variety of contrasting sources. Her new single began to take form when it was reported that a coyote had been seen in Toronto in her own neighborhood, leading to a set of lyrics addressing the troubling dynamic of mutual invasion: namely, the animal's encroachment on urban settings which has been brought about by man's destruction of wildlife habitats. Both confrontation and avoidance are part of the conflicting forces that Monique explores here as she depicts the response of urban humanity to the presence of the canine outsider. Rather than confront the significance of the animal's presence, the action taken by the local citizens is to record the novelty of the coyote's image on cell phones—capturing the animal, in a sense, in a secondary new and artificial environment. Further to this, “Coyote” also comments on how we confuse the meaning and impact of what's being stored on our electronic devices. In this collision between man and beast, entrapment claims both the intruder (who is forced to live in an alien surrounding not suited to it) and the human inhabitants (who can't interact with the animal and must monitor its activities from a distance within the safety of indoors). 

Driving Monique's latest single is a rich electroacoustic mix of guitarwork that artfully writhes and ripples as it floats through the song; crisp, cracking percussion; soaring keyboards; and a musical atmosphere that carries the lyrics into a very private but beckoning environment all its own. Joining Monique on “Coyote” are some of her most trusted and vibrant collaborators: Kevin Lacroix on electric guitar; Alisdair Jones on bass guitar and synth bass; Michael Wojewoda on drums and vocals; and Emma Campbell, also on vocals. As well as giving us the lead voicework, Monique also plays Native Instruments ‘Noire’ piano with particle engine.

HAAK

Coyote

Tom E Johnsrud : Moog-Theremini, Vocals ,Percussion, African Drum
Trym E Jenssen : Bass, Guitar, Vocals, Percussion

HealingSoulsinging

HealingSoulsinging(demo 1st take/version)

Underneath the reverb-soaked guitars and vibrating countermelodies, lies a tale of a woman that is putting the past in her review and taking her first steps to getting back on her feet. 
Submit Hub
On a Holiday is off our upcoming EP that is out everywhere January 8. If you post and/or review the song, we will share it to our social media of 2k + Twitter followers and 1+ Instagram followers

On A Holiday

i fiori del male

Anam Hermit    I Fiori Del Male

This is number 10 of a series of Ambient recordings, heavily inspired by the recent releases of Moby, playing his piano and his MiniKorg 700. Just after this number 10 I felt the urge to release a track. I will try and to combine the other recordings to a full album release very shortly.

Stay Creative & Stay Safe !! Keep the music coming!

Composed, Produced, Programmed, Mixed & Mastered by Douwe van der Boon

Recording & Mixing in Ableton Live 10 Suite
Mastering with Izotope Ozone 8 Advanced

Ambient Live 10 inspired by Moby Pink Noise Mix

Ambient Live 10 Inspired by Moby Pink Noise Mix

EMPTY SPACE.

Кто хочет использовать обращайтесь

Parting

‘The Maze’ by a Finnish progressive metal band Fireproven. 

Listen to track also on:

Spotify: https://sptfy.com/i6fL
YouTube lyric video: https://youtu.be/vsdPkGz62-s

Line-up: Sanna Solanterä (Vocals) 
Janne Väätämöinen (Guitar & backing vocals) 
Juha Väätämöinen (Bass & vocals) 
Ilari Hannula (Keyboards) 
Nuutti Hannula (Drums) 

Composer: Nuutti Hannula 
Lyrics: Nuutti Hannula, Ricardo Borges 
Arrangement: Fireproven 
Producer: Fireproven, Ricardo Borges 
Mixed at Fascination Street Studios by Ricardo Borges 
Mastered at Fascination Street Studios by Tony Lindgren 
Cover art: www.petrilampela.com

Facebook: https://www.facebook.com/fireprovenband 
Instagram: https://www.instagram.com/fireprovenband 
Vero: https://vero.co/fireproven 
Twitter: https://twitter.com/fireprovenband 

contact@fireprovenband.com

The Maze

Song Created by Rico Blade
Played by> Ivan'ś Cröśś
Rico created and plays> all rythm and lead guitar, drums, bass, synth, instruments
Eric created and plays> ending lead guitar, ambient instruments
Master mix by> Eric T.
Thank you for listening!

The Grand Illusion

DON'T JUST LIKE, LISTEN; DON'T JUST LISTEN, COMMENT; DON'T JUST COMMENT, SHARE!
Anyone can click a like button; it doesn't prove you actually listened! Anyone that doesn't show proof they are actually listening will be removed from playlists! If the only support you give is to cynically click like buttons, you are contributing to the eventual demise of #Soundcloud and other music sites; without these sites to post your music on you are basically screwed; there won't be much point to making tunes if you don't have any kind of audience!

If you don't give REAL support, the support you get will eventually come to an end; we all eventually get tired of giving and getting nothing back. In the end, not only does it ruin the chances of everyone else, it will destroy your own. It is also a big mistake to underestimate the talent of others and overestimate your own! Don't assume their music can't be as good as yours; burying your head in the sand might protect your ego, but it doesn't do much for your reputation!

If you can't show respect, you don't deserve respect, so don't just click the like button, listen, and leave feedback to prove you listened. If you don't get into the habit of doing this, #Soundcloud won't be around much longer!

CREATING TUNES THAT MEAN SOMETHING....IT'S ABOUT BEING TRUE TO OURSELVES!

Seems #Soundcloud are now under new management, and will be staying in business, but for how long is dependent on how much activity we, the musicians, create and sustain!

Primary songwriters Trevor Meyer and Thomas Heun played in competing bands in high school. After college, they combined their talents and began writing together. Joined by bassist, Marc Barone and drummer, Jon Schlote; The Jobs musical space is primarily occupied in alternative rock with tinges of surf, punk, and emo. Melodies are deliberate and songs are  rooted in pop sensibility often masked underneath the gaze of guitar fuzz. Influences have greatly expanded over the years drawing from travel, world topography, landscapes, the sea, storytelling, loss and isolation, recuperation, and perseverance through physical and mental challenges. Packaging in tonal influence that is governed by a love for british rock, vintage rock and emo, The Jobs maintain their process-driven approach focused on flow rather than force.   As the band’s musical cadence matures, the commitment to integral songwriting and love for innovation balance the challenges of sailing upon  the ever changing 2020 musical landscape and beyond.

On A Holiday

The Jobs

Recent comments

The Jobs

D r o m o

Pier WILL

Shirly Ochoa

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