بسیار دلچسب و‌آرامش بخش

Chill

Composition by Dario Marianelli
Solo piano by C. Dominic Caltagirone, 2011, San Diego CA

Pride and Prejudice - Dawn

THE MOODY FLOW 
aired on Dublab April 23rd by Thomas Fehlmann

1. karnickel - boeser herbst 	
2. freund der familie - OHM - fehlmann’s flowing crimson mix 
	a new remix for the ‘freund der familie’ label in leipzig
3. phoenix 
	commisioned by the botanical gardens in phoenix, AZ 
	will be released on the ‘advanced public listening’ comp in japan in a few months.
9. chapter M (light) - 1929
4. offline - minimal detroit audio 001
	this is on the first EP of terrence dixons new label ‘minimal detroit audio’
5. mister drone 
	score for raymoned pettibon documentary ‘a collection of lines’ by spencer leigh
8. auf die spitze - boeser herbst
6. expedition 
	commissioned by the natural history museum in essen. all sounds are processed from stones
7. untitled sketch - collab with daniel meteo (guitar)
10. chapter D (swing) - 1929      
11. vulkan - boeser herbst

The Moody Flow by Thomas Fehlmann | Dublab

MAHLER, Gustav
Symphony #5 in C sharp minor - 4. Adagietto, sehr langsam

Gustav Mahler - Symphony #5 in C sharp minor - 4. Adagietto, sehr langsam

Due to everyone being so pleased with me putting up a recording of me performing Beethoven's 'Moonlight Sonata', I felt like it would be a nice idea to put up for free download other lovely pieces of music that have been in my performance repertoire over the years.  The Chopin Nocturnes I always particularly loved and are very beautiful.  Enjoy!!

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Chopin Nocturne Opus 9 No 1

Free Download

Chopin - Nocturne Opus 9 No1 (Glenn Morrison playing on a Steinway D Grand)

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Debussy - Deux Arabesques

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Classical Music - The Essential Collection

ᯤ Spotify

Erik Satie - Gymnopédie No.1

Für Elise (bagatelle No. 25 in A minor), composed by Beethoven in 1810.

Live video: http://youtu.be/PaTLEn8UjRU

The girl is actually not Elise, but Therese; he proposed, she said no.

The instrument is a Nord Stage 2 using a sampled Bösendorfer grand piano.

Can you spot where I mistakenly added 2 extra notes to the melody?

Video

Beethoven - Für Elise [piano]

Happiness Is In The Middle

Pride And Prejudice - Full Soundtrack

Classical Music For Studying And Concentration - Relaxing Piano Music

Gardens & Villa

Chemtrails

Erik Satie - 2 HOURS Classical Music for Studying Concentration Piano Playlist

Concert étude No. 3: Un sospiro, for piano in D flat major (Franz Liszt)

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Nicolás Jaar - Cenizas

Broadcast on WNYU 89.1FM in New York City on October 27th, 2020.
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Classical Music For Studying And Concentration - Relaxing Piano Music

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