just a lil quickie...thats what she said!!!

luniz - i got 5 on it (atomic's homegrown remix)

nintendo

Eminem Curtain Call: The Hits

50 Cent - Many Men (Official Remix) Get Rich or Die Tryin'

New Remix!!!
Share & Like with your friends.

<a href='https://theartistunion.com/tracks/b74bce'>Download for free on The Artist Union</a>

Snoop Dogg & Pharrell Williams - Drop It Like It's Hot (Da Holst Remix)

I like the way you work it. No Diggity is a track from the Blackstreet album Another Level. Released in 1996, the featured artists are Dr. Dre and Queen Pen. Fun song, fun groove.

No Diggity

Joe and Paul find out Andy is favorited by the Fireman, you can find naked women laying in the woods, the Twin Peaks sheriff station has been staking out Chad for months, Freddie has a power glove, Sarah Palmer can take her REDACTED face off and eat people and Diane is related to Janey-E.

Just another normal episode in The Return.

30. Podcast Above A Convenience Store: Talking Twin Peaks: The Return Part 14

This podcast was produced by MaryCate Most and Namrata Kalliath for the course Culture & Inequality at KU Leuven. In this podcast we analyze the way in which female artists within the genre of hip hop negotiate within the hypermasculine and hypersexualized norms of hip hop. The works cited in the podcast and used to inform our discussion are cited below:

Bibliography:
Foucault, M. (1980). Power/knowledge: Selected interviews and other writings, 1972-1977. New York, NY: Pantheon.
Gomes, Jade. 2019. “How Megan Thee Stallion Earned Her Confidence.” Rolling Stone, March 16, 2019. https://www.rollingstone.com/music/music-features/megan-thee-stallion-freestyle-808378/
Haynes, Jo (2010). In the blood: The racializing tones of music categorization. Cultural Sociology 4(1): 81-100
Hesmondhalgh, David, & Saha, A. (2013). “Race, ethnicity, and cultural production.” Popular Communication 11(3): 179-195.
Lorde, A. (1984). Sister outside: Essays and speeches. Trumansburg, NY: Crossing Press.
McNally, James. “Azealia Banks's ‘212’: Black Female Identity and the White Gaze in Contemporary Hip-Hop.” Journal of the Society for American Music 10, no. 1 (2016): 54–81. doi:10.1017/S1752196315000541
Mears, Ashley. "Girls as elite distinction: The appropriation of bodily capital." Poetics 53 (2015): 22-37.
Panuzzo, Barbara. "Covering Performers, Discovering Femininities: US Hip-Hop Journalism and Female Artists." IASPM@Journal 4.2 (2014): 43-54. Web.
Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown: Wesleyan University Press.
Schaap, Julian, & Berkers, Pauwke. 2019. “ “Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content.” Consumption Markets & Culture 1-17.
Sharpley-Whiting, T. Denean. 2007. Pimp’s up, ho’s down: Hip hop’s hold on young black women. New York: New York University Press.
White, Theresa Renee. “ "Missy "Misdemeanor" Elliott and Nicki Minaj: Fashionistin' Black Female Sexuality in Hip-Hop Culture—Girl Power or Overpowered?." Journal of Black Studies 44.6 (2013): 607-26. Web.
Wolfson, Sam. 2017. “Rap and the gender gap: Why are female MCs still not being heard?” The Guardian, September 9, 2017. https://www.theguardian.com/music/2017/sep/09/rap-gender-gap-why-are-female-mcs-still-not-being-heard
2000. “Tip Drill/ E.I.” Track #3 on Country Grammar. Fo’Reel, Derty, Universal. Nelly (Cornell Iral Haynes Jr.).
2002. “Work it.” Track #4 on Under Construction. Goldmind, Elektra. Missy Elliott.
2014. “Only.” Track #6 on The Pinkprint. Young Money, Cash Money, Republic. Nicki Minaj, Drake, Lil Wayne and Chris Brown.
2015. “Hollyweezy.” Track #9 on Sorry 4 the Wait 2. Young Money. Lil Wayne.
2018. “Big Ole Freak.” Track #7 on Tina Snow. 1501 Certified, 300 (Warner). Megan Thee Stallion.

30. Podcast Above A Convenience Store: Talking Twin Peaks: The Return Part 14

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