NINA

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@evigtmorker
https://instagram.com/evigt_morker

Fragments from a beautiful evening recently at our much beloved Globus/Tresor.

Many thanks to all the Tresor personell and everyone in attendance for making this gathering so special.

Evigt Mörker at Globus (Tresor) May 10th 2024

Track from Lundin Oil – Exploit Divisions LP
Out on 12" and digital August 9th

Distributed worldwide by www.spacecadets.world

Mastered by Giuseppe Tillieci at EnissLab, Rome

Anthony Linell's Lundin Oil project suggests a politic and an aesthetic in one swift movement. We may make certain deductions about each, but we must work backwards from where they meet.
 
Through the brutalising industrial mechanisms to which titles cryptically allude, we are given an exponentially urgent image of devastation. This is projected, pitch-perfectly, into a rapacious and erosive aural demonstration that barely meet metrical demands.
 
Exploit Divisions, the first Lundin Oil release since 2016, redoubles this threatening realisation. The album pivots between seismic static waves and jagged rhythmic noise, seeking a wider vantage with melodic drone ensembles. A ferocious departure from his primary work, Exploit Divisions is a purposeful reminder of the savagery of brevity.

Exploit Divisions

Lundin Oil – Schengen Burning

Track from NE102 Elin Piel – Vaka  

Out on Cassette and digital August 23rd. 

Pre-sale starts August 8th at northernelectronics.bandcamp.com  

Elin Piel, an architect of electronic sound and modular virtuous conjures hypnotic landscapes through the art of improvisation. The highly personal album ’Vaka’ opens up to realms where rhythmic echoes entwine with dreamlike passages, guiding through intricate patterns and shimmering vistas. 

At times, her compositions linger in radiant sonics, basking in ethereal light, only to ascend and drift into shadowed skies, where dark, pulsating clouds of unease await. Each moment is a delicate dance between serenity and tension, where the boundaries of sound and emotion dissolve.

  Tracklist:  

A1 Siren siren
A2 Gården
A3 Torsplan
A4 Vaka

B1 Ånger
B2 39.99
B3 X2000 
B4 Presidentvägen  

Artwork by AL 
Mastered by Giuseppe Tillieci at EnissLab, Rome

Elin Piel – X2000

Lavender in Snow

below the links is a long write up about this song. thanks for listening<3 i hope you'll check out more of my music like this song.
this song + all my ambient tracks on my playlist here
soundcloud: soundcloud.com/tidecruz/sets/my-head-is-ambient
spotify version: open.spotify.com/playlist/4IB4U1ieSUcEor3LQkOAIy
about this song: i’ve felt that ambient has been very stale for a long time now. i never wanted to start making ambient music, but it felt like the only chance to get out there. my heart will always be in my “nothing is real” albums, and i can’t thank enough those of you that have begun to listen to them. i’m glad that sort of, simplifying my music - to ambient - ended up being how i came to know you all with “i was only temporary”, and was able to meet you all, but i think it’s time to expand this genre for myself, for my sanity! when i make simple ambient songs for me it feels like im shackling myself to a bunch of rules and restrictions. while i understand that simple music is often best for a lot of people, and i very much appreciate the way these simple calm songs can help others and myself, ive been trying to think of a way to bring just some of the complexities or experimental nature of “nothing is real” over. ambient used to just be sort of a small component of nothing is real, like a base layer, and often at the end of a 5 or 7, or sometimes even 9 minute long nothing is real song, i would try to sort of attach an extra ambient piece of music to the end of the song. not always ambient, just whatever felt right. 
i really liked doing acoustic versions of a song built right in to the song itself, so i think its time to bring this NIR idea to my ambient. i dont see the point in releasing 2 separate songs. to me just like many many times through the 21 “nothing is real” albums, i say.. “we’re already here listening to the song, just put the acoustic version in this song too!!l i’m excited to explore this concept in my ambient now too, and not just the NIR series, and i hope you guys will find it as refreshing as it is for me. it sort of helps me feel better about making simple music that a lot of you enjoy, when personally my heart will always be with making those really complex nir songs !! anyways if you read this far, thanks so much. and if you have listened to any of the NIR albums, i wish i could shake your hand and tell you how much it means to me.

playlist

i (don't) deserve forgiveness

busy signal II

Pre-order now available: https://handstitched.bandcamp.com/album/vikande-bl-nuages

Handstitched* is thrilled to announce the next split-artist EP in the series by two always consistent artists in their own rights; Old Amica and Aiko Takahashi have both released music which has been well-received on well-respected labels, such as IIKKI and Dronarivm, their contrasts in sound compliment each other with a calmness running throughout both the artists' work.

"Vikande blå” & "Nuages" is issued on dual-format, limited edition tape and mini double CD featuring individually hand-bound and hand-cut collage CD wallets made from vintage materials, washi tape and papers, a special print edition of four unique designs for the [tape] O-cards to house the c45 cassettes. Each CD copy is hand-numbered and packed inside glassine bags, tape copies are packed inside a clear eco bag.

Vikande blå / Nuages - S4mpl3r [HS57]

Bass composition with Bassclarinet double bass and cello

test

Dukuza

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