I haven 't finished the track for six months and... this one almost became one of them. But for some reason I did it... as always, a little rough (maybe not a little), problems with volume and figs knows what kind of music, everything is for your pleasure or suffering!

So, here are 20 instances of WhispAir.
Windows 7 64bit, Cakewalk.
Effects: DX Reverb Light, Airwindows Purest Echo, Verberate Basic 2, Freeverb 3 Reverb, Bass Professor MkII, ReaEQ, OTT, Nova-67P, FALSE:FI, Wider, JB Barricade, it seems everything...

All presets from Init (including my own Init, hihi), except for two hats that I borrowed from J.Ruegg (huge thanks!) and changed it for my music. In my patches, I used the included wavetables, as well as several external (not real instruments), mainly Brown Noise WT from Matt Tytel.

P.S. That there are places, prizes, pfft... I fulfilled my local dream - I made a Rock'n Roll track in OSC, with guitars... Viva la Musica! It's still not what you expect, but I'm happy!

IV - Stones rollin' on my head

This music is about the fact that even in a noisy company and in the family circle, everyone should find a few minutes of privacy and silence to think about what he really wants to make a wish on the border of years, and why he wants it... because the most intimate desires can come true in the most incomprehensible way - this is the law of nature!

24 Triple Cheese, 20 presets, 7 of them borrowed and changed.
Cakewalk, Win7/64bit.

FX: Bionic Delay, Blindfold EQ, Broadcast, Classic Compressor, DC1A, DD Delay, Density MkIII, Dimension+, EveryTrim, Giant Verb, GMonoBass, Harqules, LCF, Luftikus, Satellite, SSQ, Supermassive, Verberate Basic 2, Wider.

IV - Prenew Fuss And Feelings

This is my track for OSC#159, made in Cakewalk by Bandlab using 20 instances of Surge XT (10/10 of my/factory presets) and the next effects: OTT, Verberate Basic 2, Flux Mini, SeeSaw, M/Ster Balance, Wider, Oril River, Satellite. And GMonoBass and Broadcast on the Master.

This synthesis of synthwave and musical arthouse was written as a long hypnotic jam, I played these variations over and over again and didn't notice how it got so long. But now, as they say, "You can't throw no one word out of the song!", so I'm ready for any comments on this and other reasons, anything that will help make the next track even better!)

IV - The Way I Imagine

Well, if you add up the length of my last two tracks and divide in half, you get two regular six-minute tracks, so the balance is saved. You don't have to listen for a long time when voting, it's great, isn't it? Here, I'm taking care of you! :D
In fact, the point is the lack of further inspiration and a ton of technical problems that are when recording this little FMonster. I (and anyone who likes this little track) have to say a huge thanks to Silverpants, who with one comment gave me the strength to finish and post it!
This is also my new record - two tracks/months in a row, only 80 times less than DoctorBob! :-p

OPNMIDI: 5 Instances.
FX: 2xNova-67P, 2xWider, 1xSPATIO Light. Master is clean.

Enjoy the chaos!

IV - OPeN MInD!

IV - 1 Off The Best

IV - Clockwork Heart

IV - Chaika

I recorded this music in one of Cathedral Halls on the Ottakota's Planet, was passing through there. On Ottakota, music for each Hall Organ is written by its Organist, who hold this post for half of his life, during this entire period preparing a successor for himself. After the performance, I approached the Organist and said what it was a strange requiem. He said it was a Prelude and told me the following legend:

- A long time ago, a very diligent Organist lived and worked in this Cathedral Hall. He wrote sincere music, was respected by people and had a very talented disciple. One day a man came to the Organist and say he wanted to order a requiem for his father, who was old and very ill. Organist tried to convince the man that this is not possible - no one dares to write a requiem for a still living person! But the man said that he dreamed for a truly grandiose requiem for his father, and Organist, yielding to persuasion, set to work. He worked on the Requiem for six hours a day for several weeks, putting his soul into this piece! On the day when Organist finished, a messenger came and said that the Organist's father had died today. In desperation cursing himself, Organist burned all his notes and locked himself in the room! His talented disciple (who in just eighteen years would become the greatest Organist on Ottakota) began to reconstruct from memory Prelude to the Requiem, which his mentor played to him several times, because he considered it the greatest creation of the Organist, worthy to be preserved for the next generations. Three weeks later, a learner in the role of new Hall Organist, played this Prelude at the funeral of his teacher...

Cakewalk and 1 instance of Wavetable synth.
FX: Analog Obsession Harqules and Oril River.

IV - Prelude to His Requiem

Made by IV for OSC 181.
11 instances of Surge XT in Cakewalk DAW.
FX: Bass Professor mkII, Harqules, Kotelnikov, Oril River, Transient, Verberate Basic 2, Wider 2.


IV - Night Dream Thoughts

Track for OSC #184 with 10 instances of ToneZ 2. Made in Cakewalk with next FX: kHs Dual Delay, Nepenthe, OTT, PanCake 2, Room Verb Hall Binaural, sTilt 2, Verberate Basic 2, Wider.

IV - Plastic Passion

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

A dynamic and cheerful composition about everyday rootine with characteristic original-synthesized sounds at 200 bpm tempo.

25 instances of ExtraBold in Cakewalk.

FX: Cakewalk channel strip EQ, DReverb, kHs 3-Band EQ, kHs Delay, LCF, lkjb SeeSaw, Transpanner.

Roots

IV - Roots

...but this synthesizer still found a little place in my heart, even for one short but bright moment!

One instance of Six-Traq in Cakewalk. FX: DReverb Light, Proximity.

IV - That's All... *sad sigh

I tried to finish something, even if it wasn't a completed track. My experience with Zebralette became inspiring at the very last moment.

7 Instances of Zebralette 2 in Cakewalk.
FX: Ducking Space, Ethereal Verb, LoudMax, M/Ster Balance, OTT, kHs Transient, Triple EQ, Wider.

IV - Zebralet[s]trip

Last Intact String... Of Soul

Here's my best request for the last place in this test!) Organ "Электроника ЭМ-14 Venta" from the USSR, my first experience of recording an analog instrument, a lot of technical problems, little time. Several keys were partially burned out during the play, so I had to go to an unfamiliar Gm tonality, but it was interesting! I hope this doesn't sound too terrible to your professional ears, ladies and gentlemen, but I've done everything that I can for today, and now I'm giving this short piece of work to your judgment. I left the sound and atmosphere of this ancient analog monster almost intact, including all the characteristic flaws ;-)

12 Venta organs (would take to play this track live. Perhaps less if you learn to reconfigure presets very quickly)

DAW: Cakewalk

FX: ReaFir (as a noise gate), Sanford Delay, Verberate Basic 2, Analog Obsession Harqules, RoughRider 2 and 3, ITD Panner, Polyverse Wider.

IV

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