May 26  2020

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Music & Lyrics: Eddy Mango

MOONLIGHT MAMBO

We are walking on the sand, you and me hand in hand...
They are playing the tunes,,, it´s mambo in the moonlight...
Romantic feelings, an old evergreen, it´s mambo...

Moonlight Mambo, now the sun going down,
only moon up above, yes I love you...
Moonlight Mambo, you and me endlessly,
going home, hold me tight in the moonlight.

Hear my dear, in the air,
a melody so calm and clear,
will save us,
have no fear,
it´s the moonlight mambo.

Eddy Mango 3

Moonlight mambo. ( 1999 ) Eddy Mango-Margareta Theorin ( Eddy )

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Electric Peacock

Musicoin

KHULA MZUKULU

<a href='https://theartistunion.com/tracks/75821b'>Download for free on The Artist Union</a>
Available online music stores
1)https://music.apple.com/us/album/khula-mzukulu/1489348879?i=1489348881
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KHULA MZUKULU

Texte français et Google traduction

QUI SERAS-TU MON ENFANT ?

Je caresse ton ventre, comme on caresse la vie.
Déjà son attente me semble infinie.
Tu te marques d’une rondeur
Qui serait indécente,
Si tu n’étais une jolie fleur
Ou une bien belle plante.

Je caresse l’espoir, comme on caresse la nuit,
La vigueur d’un soir chassée de l’ennui.
Tu me donnes la fièvre
De celle qu’on supporte.
Quand ce sont des beaux rêves
Qui frappent à la porte.

Qui seras-tu mon enfant ?
Un coquelicot des champs
Où une rose des vents ?
Viens nous vite on t’attend.
On manque d’impatience,
Ta vie est une chance.
Encore un petit mois
Et on te serre dans nos bras.

Je caresse ta lumière, comme on caresse le feu
Closes mes paupières, je te vois bien mieux.
Il me donne des coups
Et de pieds et de bras,
Dans ton ventre, il se joue
Et s’amuse déjà.

Je caresse mon désir, comme on caresse le jeu.
Des instants de plaisir qu’on ne fait qu’à deux.
Le temps paraît bien long
Comme une éternité,
Pour perdre un ventre rond
Dans une maternité.

Qui seras-tu mon enfant ?
Un coquelicot des champs
Où une rose des vents ?
Viens nous vite on t’attend.
On manque d’impatience,
Ta vie est une chance.
Encore un petit mois
Et on te serre dans nos bras.

CHORUS

Dernier refrain.

WHO WILL YOU BE MY CHILD?

I caress your belly, as you caress life.
Already his expectation seems infinite to me.
You show a roundness
Who would be indecent,
If you weren't a pretty flower
Or a very beautiful plant.

I caress hope, as we caress at night,
The vigor of an evening driven from boredom.
You give me fever
From the one we support.
When these are sweet dreams
Who knock on the door.

Who will you be my child?
A field poppy
Where a wind rose?
Come quickly, we are waiting for you.
We are impatient,
Your life is a chance.
Another little month
And we hug you.

I caress your light, like we caress the fire
Close my eyelids, I can see you much better.
He hits me
And feet and arms,
In your belly, it is played
And already having fun.

I caress my desire, as we caress the game.
Moments of pleasure that we only make for two.
Time seems very long
Like forever,
To lose a round stomach
In a maternity.

Who will you be my child?
A field poppy
Where a wind rose?
Come quickly, we are waiting for you.
We are impatient,
Your life is a chance.
Another little month
And we hug you.

CHORUS

Last refrain.

QUI SERAS - TU MON ENFANT (L'attente d'un être cher)

....This is a remake of a track I did about 6 years ago...Enjoy fam!!!

Cut it up Lou --Cut it up
Cut it up Lou --Cut it up
Cut it up Lou --Cut it up
Cut it up Lou --Cut it uppppppppppp
History in the making just another undertaking
Consider this your personal invitation
At Level one up there is no limitations
we all know that it will be devastating
You know the name and find it fascinating
This is how we do it here at level one up 
IPG1 let the beats droppppppppp
Verse
Excuse me for a minute as I go against grain 
I'll do my best not to sound the same
that's a fact not an empty claim
I keep it Unconventional nothings is the same
Haunted by rhythms rhythms in my head
Lyrics and rhymes that need to be said
Beats that will follow me until I'm dead
For the hip-hop ----junkies that need to be feed

Jamming After Dark

Heroes On The Sun 

Written and performed by Kym Turnbull AKA Bluebird

Produced by Richard Brown

Lyrics:

I don't need no mountain to climb
to know how I feel
and I don't need no river to find
my way through these fields

I keep holding on, holding off
in a moment of fear
I keep holding on, holding off
til the moment appears

Take me back to the place of silence 
where there is no violence
and no more fighting                                   x2

If I walk on into the night
straight through those fields
will you be that shimmering light
that knows how I feel

I keep holding on...

Take me back to the place of silence 
where there is no violence
and no more fighting                                   x2

Heroes on the sun...

Heroes on the Sun

Tush Instrumental Cover
Cover "ZZ TOP" Tush
Musik and Production Paploviante 2020

Tush - ZZ Top Cover - Paploviante

Somewhere South

Now available in all digital stores:
iTunes:
https://music.apple.com/us/album/flying-in-the-dream/1509262899
Free listening on Spotify and YT Music (removed from SC)
Spotify:
https://open.spotify.com/album/4QCtoxkxVtBDYJSoJi4bSj
YT Music:
https://m.youtube.com/playlist?list=OLAK5uy_mF15v_U9hJoVv07vk6sfIo72ljSwDQzbg
Amazon music:
https://music.amazon.com/albums/B087D75T6F
Amazon store:
https://www.amazon.com/gp/product/B087D75T6F

The album track list:
1. Don't Say Goodbye
2. Returning
3. Illusion
4. Out of This World
5. Flying in the Dream
6. River of Life
7. Another Memory
8. Circle of Loneliness
9. To Be Young Forever
10. The Whole Life
11. Rise Again
12. Carol of the Bells - Winter Lullaby
13. A Letter from the Past
14. Mama
15. Eternal Love

Special thanks to Houman (https://soundcloud.com/houmans) for remastering each of the tracks!

Flying In The Dream - Preview (The new album 2020 is now available)

Please come in

[[ Hard Day ]] - https://youtu.be/FMP72iyXrQc

I've  got a hard day, everything I catch falls out of my hands,
I've  got a hard day, I'll confuse what I can,
I've  got a hard day, everything I catch ends in the trash,
hard day, hard night, so darling hold me tight
Hú-u-u Hú-u-u Jé , Hú-u-u Hú-u-u Jé


I've  got a hard day, I have no idea where my head is now,
I've  got a hard day, everywhere chaos, stress,
I've  got a hard day, I don't even know what awaits me yet
hard day, hard night, help me I need more light
Hú-u-u Hú-u-u Jé. Hú-u-u Hú-u-u Jé
Hard day, ha-a-a-rd night,

Guitar solo
I've  got a  got a hard day, everything I catch falls out of my hands,
hard day, hard night, help me I need more light,
Hú-u-u Hú-u-u Jé. 
Hú-u-u Hú-u-u Jé


Ťažký deň
1. Dnes mám ťažký de-eň, všetko čo chytím, všetko z rúk mi padá
Dnes mám ťažký de-eň, čo začnem, pokazím.
Dnes mám ťažký de-eň, všetko čo chytím, všetko v koši skončí
Dnes mám ťažký de-eň, a nič s tým nespravím.
 
[Refrain:] Hú-ú -jééé. Hú-ú -jééé. 
2. Dnes ma-ám ťažký de-eň, a vôbec neviem, čo ma ešte čaká,
Dnes mám ťažký de-eň, tak čo s ním urobí.
Dnes ma-ám ťažký de-eň, a vôbec neviem, čo ma ešte čaká,
Dnes mám ťažký de-eň, tak čo s ním urobí.
[Refrain:] Hú-ú -jééé. Hú-ú -jééé. 
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň.
3. Sólo 
Dnes mám ťažký de-eň, všetko čo chytím, všetko z rúk mi padá.
Dnes mám ťaž-kú no-oc, tak volám o pomoc
 
[Refrain:] Hú-ú -jééé. Hú-ú -jééé. 
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň.
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň.
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň. (Má-ám. Má-ám.
Má-ám. Má-ám.) 
Má-ám mám ťaž-ký deň. Má-ám mám ťaž-ký deň. (Má-ám. Má-ám.
Má-ám. Má-ám.) 
 Má-ám. Má-ám. Má-ám. Má-ám. 
 
text: Stefan Svetsky

A Hard Day - often downloaded

An extended musical journey towards a 12-bar. A little experimental moving between BPMs and with some electronica mixed up with the piano. A phased return....

Updated this track on 5/18 cleaning up the drums and bass a bit, added and deleted notes here and there to improve the flow.
Updated again on 5/20 to make a couple of transitions better.

The Return

Levels
Music bed by https://soundcloud.com/sterilesin 
Vocals, Lyrics, B3 organ, Harmonica, solo guitar Mix/Master by conover

Levels can go up and then come down
The levels can get louder
Levels can be changed by artificial means.

serotonin, from emotion primes your motor skill
Sunshine comes in and changes everything

© 2020 Conover/Sterile Sin

(Levels)  Conover & Sterile Sin

Tree | RosesAreBlue

Hi folks, have a look at Shane Pillars video
https://www.youtube.com/watch?v=tRn-750fWl8
Lemon

The little girl asked her father
what is the colour of my skin
It is the colour beautiful, he replied
No she said - is it black, is it brown,
is it dark, is it tan
Her father frowned - You should never worry about that
There are a lot of things that are - in her mind
is beautiful a colour
and maybe lemons can help her skin- that is a thought
they remove all the spots, all the marks and all the dirt

The children play with each other
no matter of their skin
They seldom bother anyhow - they just have fun
They have never thought that lemons change their skin
but they will check how it is
and if lemons may do so, what is the meaning to worry about that
there are a lot of things that are - not explained
for example how she was made
that is a delicate question said her father
now open Your books - it is time to learn

Lemon - from the video by Shane Pillay

Who you talk when you're down

HOW LONG WE’VE BEEN HERE 
MOSTLY HANGING AROUND 
THE ANSWER’S IN THE GROUND 
FAR IN THE CAMBRIAN OR THE PRECAMBRIAN

OH HOW I ENVY YOU HOW GRATEFUL EMILY
I FEEL FOR WHAT YOU DO SPENDING YOUR MINUTES IN THE MILLENIUMS

WHEN FOG IS ALL AROUND ONE LEFT DIRECTION 
DEEP DOWN INTO THE GROUND

LUCKY YOU EMILY
THE WAY YOU MADE YOUR POINT 
AWAY FROM ALL THE FUSS 
WITH YOUR FRACTOFUSUS 
THERE AT MISTAKEN POINT

WHEN FOG IS ALL AROUND 
ONE LEFT DIRECTION 
DEEP DOWN INTO THE GROUND

WISH I HAD MET 
MY OWN MISTAKEN POINT 
WISH I COULD GO BACK THERE BACK THEN
TO THE EDIACARAN
OR THE PRECAMBRIAN
IF ONLY THE CAMBRIAN
MISTAKEN POINT

MISTAKEN POINT (Lyrics) Song for Emily

Texte Français et Google traduction

LA POUDRE BLANCHE...

Il se jouait à la russe
Bravant sa roulette
Se cherchant des plus
En laissant les miettes.
Il écœurait de sentiments
Surtout pas de haine
Aux injustices seulement
En vivant dans la peine.

Il se prenait des interdits
Qui grilleraient son temps
Sans se trouver maudit
Pour rêver en plus grand.
Il traînait son ombre
La suivant par derrière
Les regards de ce monde
Pas bien fait pour lui plaire.

La poudre blanche, retrousser la manche
Et quand bien même, ceux qui en prennent
Il n’y aura plus, depuis le début
Aux artifices, que la fin de triste

Il mettait ses oeillères
Pour aller tout droit
En courant vers l’enfer
Qu’il espérait moins froid.
Ce n’est la peur au ventre
Qui le ferait partir
Aux ténèbres impatientes
Mais pourquoi vouloir en finir?

Il se riait des sorts
Dans tous leurs tirages
Taquinant la mort
Qu’elle vienne avant l’âge.
Dans les méandres des rues
Malfamées de racailles
Il s’était tout juste perdu
Mais fallait-il qu’il s’en aille?

La poudre blanche, retrousser la manche
Et quand bien même, ceux qui en prennent
Il n’y aura plus, depuis le début
Aux artifices, que la fin de triste,
Que la fin de triste.

Salut bien bas, adieu à toi.

WHITE POWDER

He was playing Russian
Braving his roulette
Looking for each other
By leaving the crumbs.
He was disgusted with feelings
Don’t you hate me
To injustices only
By living in pain.

He was taking prohibitions
That would blow his time
Without being cursed
To dream bigger.
He dragged his shadow
The next one from behind
The eyes of this world
Not good for her.

White powder, roll up the handle
And still, those who take it
There will be no more, from the beginning
To the artifices, that the end of sad

He wore his blinders
To go straight
Running to hell
That he hoped less cold.
It’s not fear in the belly
That would make him go
To the impatient darkness
But why do you want to end it?

He laughed at the spells
In all their prints
Teasing the death
Let her come before age.
In the meanders of the streets
Thugs of the street
He just got lost
But did he have to go?

White powder, roll up the handle
And still, those who take it
There will be no more, from the beginning
To the artifices, that the end of sad,
Only the end of sad.

Hello down, goodbye to you.

May 26 2020

Margareta & Eddy