Nice vocal inputs, and love the chugging dark guitars. Very nice!

Very cool production on this one, loving that kind of lofi blend of distortion!

Psalm 23 to you & your loved ones! Shalom!

My Easter song ✨🙌🙌🙌🧚‍♂️🧚‍♀️🙏🙏

Electric is Electra
Photo from gerdaltmannpixabay

Coming from the Cross

Coming From The Cross  (Collab Ransom and the Mood)

Having washed his soul in the River, the main character from my last song has now become a better Man, well nearly a better man. When you listen to the lyrics i think we may all agree that he might have to make a visit back to the River ..pretty soon.

Used the same guitar as the last time, added some distortion to the lead guitar to add dynamics at the chorus and introduced an acoustic guitar in the Right speaker with the bridge pick up guitar in the left speaker, sort of spreads the sound, I loosened the snare on the  snare drum to get more of a rattle and pumped up the kick a bit. Hope you like it ..All you sinners .

Written, played and produced by: The sinner Johnny Mc Farlane.

A Better Man

Kit: Hammerhead, volca fm, uKORG, Jamstik, Air (eno), Teraverse, SynthMaster One, Logic Pro X.

Acknowledgements:
Vocals - 
(1) Modified excerpts from “I Am Stretched On Your Grave” traditional 17th century Irish folk song (unknown) sung by queeniemusic (Kimberly Steele) (2009). Licensed under a Creative Commons Attribution (4.0) license (CC-BY).
(2) Field recordings from Valencia. Hotel rooftop bar guitar duo, church choir, accordion busker, people.

Cover Art - Detail from “Far from here” by Klara Kristalova, which features “Beast” (2019) and “Watching the sleeping woman [after Rousseau]” (2017).

Stretched On Your Grave (ft. queeniemusic)

24.10 Pacific - Rhythm of the Ocean

Loop Out Of Blue

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Full EP togglethemuse.bandcamp.com/album/silicon-sun

Spotify open.spotify.com/album/78Qh9lc8iA…JwQaG58XxAU5kKug

Printing Water

Summer Day of Bliss

Copyright 2020 Daniels & Durgy
Gentle Rain Records
Written, performed and produced by: Daniels & Durgy

Lyrics:
Hey, Wildflower
It’s what you call me when I'm in the deep.
Your voice drifts to my high tower.
As I’m watching for that setting sun to keep

But if you wonder how I feel about you, 
if my love is real

Well, I’m a wildflower
Unbridled like a summer storm
And in your garden I belong 
Where the Robin sings me like song 
And I’ll be basking in your sunlight
In your gentle rain I’ll feel right
Beneath it all..   a Wildflower

Instrumental

My words fail to reflect my mind,
To tell you how I feel in side.. 

‘Cause I’m your Wildflower
Unbridled like a summer storm
But in your garden I belong 
Where the Robin sings me like a song 
And I’ll be basking in your sunlight
In your gentle rain I’ll feel right
Beneath it all..  Your Wildflower 
Beneath it all..  Your Wildflower

Echo In The Dark

Wildflower

A favorite off of the incredible Joshua Tree album.  And so she woke up .  Woke up from where she was.  Lying still.  Said I, got to do something about where we're going...

Spilt Milk

Running to Stand Still U2 Cover

ALTERNATIVE ELECTRONIC Singer-Songwriter Musician and Producer. Welcome to MY FANTASY SOUNDCLOUD WORLD. Preparing to perform LIVE!
**************************************************************
LEARNING DEON PRIME GO!!
My compositions and lyrics are celebrations for my personnal victories and therapy for my hardships. After a terrible hand injury piano and clarinette playing was replaced by electronic music production . I love punk and electro rock, techno, trance, experimental, groovy and stuff that has no genre.  I have no boundaries in either subject matter or style. Taking off more than I can chew sometimes and born a scatter brain, I apologize for those collabs I never finished, remind me to find it and finish it, Music has consumed my soul and is my driving force in life
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 Drums have been the latest challenge for the last few years. I was always running to concerts, now I try to save energy for electronic events. Let the Love for Music Rule!

Coming From The Cross (Collab Ransom and the Mood)

Electra Volcana

Recent comments

Richard (JARV’s)

Magi©ian™ (Making music make a difference)

Fred-E Skywalker

++4dz++

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