Tim Deacon Songwriter & Key. Arrange By Tom Roack Key. & Bass, Mark Sacco drummer & Joe Hoyer Guitarist   I Play With One Hand

01 Bell To Hell

INVITATION TO COLLAB >>> MUSICIANS, BEATMAKERS, SINGERS, RAPPERS ... Who want Can USE & REMIX those ACAPPELLAS, 
Choice parts you want, Place it, Modulate it as You Feel, MAKE A SPECIAL TRACK, with SOUNDS or FIT IT AS A FEAT in a SONG... LYRICS are Here Below.
DOWNLOAD are FREE & it's in Wave, if You Want MP3, ask me. I
f You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights
First Version of the Song > :  https://soundcloud.com/spacialcecilia/a-new-time-a-new-world  an alternative version : https://soundcloud.com/ricochet8888/new-life-bootleg-mix-cecilia-1

LYRICS : 
When this Corona Crisis will be over, When this Pandemic will be finished
Will Humanity Consider the lessons learned & keep the Positive consequences of the safety measures

Seems the Virus has slow down our World that was going mad
Earth breath again better & animals has been preserved

So much humans did die is so sad, but what will come after of the living ?

Let's Come a NEW TIME, Come a NEW LIFE, a NEW WORLD, FOR EVERYONE

Let's Come a NEW TIME, Come a NEW LIFE FOR THE EARTH & THE NATURE...

Economic crisis isn't an answer
National Banks can make more money to avoid it

Now that every nation, everybody Poor & rich has been in the same boat
& that even heads of government that was on their ivory tours
know also the struggle for survive

There shouldn't be no more inequalities, no more misery,
in reality there should be enough for all

Let's Come a NEW TIME, Come a NEW LIFE, a NEW WORLD, FOR EVERYONE

Let's Come a NEW TIME, Come a NEW LIFE, FOR THE EARTH & THE NATURE...

We hope there will be still less pollution, less waste, less stress
Hope there will still be no more wars, more solidarity & peace everywhere
Hope Humanity will stay the best way, as it should be...

Let's Come a NEW TIME, a NEW LIFE FOR EVERYONE

NEW TIME / NEW LIFE / NEW WORLD - Vocals Special Cecilia  - Freedownload for Collabs

A song about one of the biggest frauds in history with the main suspect still ON THE RUN. Where are the missing 2,000,000,000.- US Dollars?
#Wirecard #Marsalek #fintech

LYRICS:
As little boy he absorbed the stories
About violence, fear and war
Too young to understand the meaning
The excitement he adored

Approved by granddad’s friends and contacts
Not knowing that he was a scam
Fabricating firms and contracts
Politicians eagerly signed

A shabby shelter secured with cash
But one day they will sell him, when gone the stash
On the run, Always on the run
On the run, Always on the run

Knowledge was used to manipulate people
Gambling and porn the twisted tools
Shaping fintech, he became a hero
Cards and wires the rules

A shabby shelter secured with cash
But one day they will sell him, when gone the stash
On the run, Always on the run
On the run, Always on the run

The fraudulent fortress finally fainted
He vanished without a sound
Power and wealth had left him tainted
Two billion nowhere to be found

A shabby shelter secured with cash
But one day they will sell him, when gone the stash
On the run, Always on the run
On the run, Always on the run

They approved it all
Yet no one could recall (4x)

On The Run

Dedicated to Richard, who is caring for his mother, his brother while bringing incredible music to New Zealand and us lucky soundclouders thanks to his infinite knowlege in so many styles of music. Keep on shinin' and spinnin'!

Look Out

Ooh ooh

You better start looking out for yourself

Ourselves Ourselves Ourselves 

Look out 

You better look out for yourself

And they tell me

Yes they warn me

I have a hard time adjusting

To this selfish society

I have a hard time adjusting

Yeah it's sad and I wish it wasn't so

Isn't it time we change this way of being

We're happier when we care for one another

Care for one another

Oh yeah, Oh yeah 

You better look out for your friend

Oh yeah, Oh yeah



Look Out

Music, lyrics, vocal & ac. guitar : Grave

Sell buy date

Contemplation

Original song I started writing this back in 2016. It was one of those songs that I always felt like it was missing something...and years later it really came together. Sometimes it's just about the right timing. I'm thankful of the inspiration from such a beautiful soul(Cherry) Such amazing memories! From meeting at a downtown Austin music venue, flying up to Canada, to walking across a small town bridge. Thanks for listening!:)

For the Rest of your Life

You deserve to walk on diamonds
You deserve to sleep on islands
I don't care how old I get
I'll open every door
Love you more and more
Always keep you warm
And fight through every storm

You...Have me...For the rest of your life, for the rest of your life, for the rest of your life, for the rest of your life

You deserve to fly like ravens
You deserve to touch the heavens
I don't care how old I get
I'll pull out every chair 
Compliment your hair
Always share my food
And love your every mood

You...Have me...For the rest of you life, for the rest of your life, for the rest of your life, for the rest of your life

Tonight I feel so bright
Tonight I feel so bright with you 
So bright with you 
Oh!

And you...Have me, for the rest of, for the rest of you life

You deserve to walk on diamonds
You deserve to sleep on islands
Yes you do

©Daniel Colter Valentine

For the Rest of Your Life (Original song live)

Tim Deacon Songwriter & Key, arrange By Tom Roack Key & Bass, Mark Sacco Drumer, Joe Hoyer Guitarist Great Job Thank you 

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:

 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made

We Got It Made- Jonathan Beckenstein/ Eclectic Collective

Live Reflexion#031

Hello again friends and Listeners,

It Delights me to celebrate the 8th birthday of one of my eldest 'Musical Children'.  Her name is 'Tiramisu'.  Pronounced - Tear - Ah - Mih - Su 

In foodie talk, her name alludes to what one might call a 'Pick-Me-Up'.  ;-)
I named her after the delicious Italian Dessert made of Lady Fingers, Custard, Hazelnuts, and Chocolate!  MMM mnm mm .  

May She "Live Long and Prosper" ! 

Warmest Regards,

~ Gary!

It's a Big Band orchestral Fusion piece with all kinds of delicious phrases, sounds and rhythms within it. Composed over 2 months in 2016 on Saturna Island here, it has some 24 layered tracks, and i trust you'll find it a surprising change from the simple but passionate organic improvs i've been posting lately.  :-D

Here's how composer Francesco Adornetto described it.

"A joyful burst of color and rhythm — Tiramisu is as rich and layered as its namesake. With a really eclectic, multi-genre sound, it blends nu jazz, big band, and electronic elements into a playful celebration that feels both nostalgic and fresh. You can hear the love and detail in every phrase. What a treat! "

Music Composed and Arranged by Gary Courtland-Miles
© July 15th 2016 - 2025

Re-Mastered and Re-Released April 5th 2025

All Rights Reserved

Chilled Tiramisu * w. Organic Flow

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Woodwinds and Percussion No. 2

I decided to take another stab at this song and play my guitars.
Guitars: (3 tracks): Taylor 114ce strumming and Fender Squire (strumming and picking) 
Keys: Logic Pro Session Piano  with sounds from Native instruments
Drums (two tracks): EZ Drummer 3 and PG Music (panned left and right)
Copyright 2025 Joe Stroffolino
***
Sea monkey’s are just brine shrimp
Easier to take care of than a pet chimp
You just buy a kit and that’s pretty much it
Much less work than a cat a dog or a pony
But those pictures that they put on the box are definitely phony
Sometimes it feels like we’re just a bunch of sea monkeys in a jar
Living on this great big rock orbiting a star
We pray to God for assistance but what if he’s just a little boy
And this world that we live on is just his latest toy
What if we’re living in some kid’s jar and the sun is a lightbulb
It’s not really a star
What if every time the human race takes it on the chin
There’s some kid looking down staring with a silly grin
Eight billion humans on the planet earth and we’re all trying to get by
I wonder if those sea monkeys knew the truth would they still even try
Did he sprinkle some eggs in the water and wait for the fun to begin
Did he watch he watch us fight our wars and root for the good guys to win
When the black death raged in the thirteenth century and good people started to die and he saw all that pain and and suffering did it ever make him cry
Eight billion humans on the planet earth and we’re all trying to get by
I wonder if those sea monkeys knew the truth would they still even try
Eight billion humans on the planet earth and we’re all trying to get by
I wonder if those sea monkeys knew the truth would they still even try
Sea monkey’s are just brine shrimp
Easier to take care of than a pet chimp
You just buy a kit and that’s pretty much it
You just buy a kit and that’s pretty much it

Sea Monkeys In A Jar

good morning, honey

Villain within my mind
Stirring the pot
Villain, trouble come
Spoil the fun

Blindside will knock me off
This treacherous game
When I’m gone
Real fun, it’s only begun

We can plan it out to run
Run it out
Only plan that’s sure to make it 
To fruition, distant in the mirror

Weight up there, torch I carry
All I’ve lost
Destruction left
Along the path I take

We can plan it out to run
Run it out
Only plan that’s sure to make it 
To fruition, distant in the mirror

Slipping through my hand
Million dollars blowing across the beach

We can plan it out to run
Run it out
Only plan that’s sure to make it 
To fruition, distant in the mirror

Slipping through my hand
Million dollars blowing across the beach


Alliances And Plots

House in Motion (Rehearsal)

I'm A Songwriter & A Keyboard I Play With One Hand My Dream Is My Music  Keep On Rocking

ALTERNATIVE ELECTRONIC Singer-Songwriter Musician and Producer. Welcome to MY FANTASY WORLD. Performing LIVE since May 2024
Piano is my primary instrument, some clarinette,drummer and singer in an all girl beginner level punk band, learning bass, guitar and ukelele!
My compositions and lyrics are expressions of my personality and life experiences. I love punk and electro rock, techno, trance, experimental, groovy and stuff that has no genre.  I have no boundaries in either subject matter or style. Music has consumed my soul and is my driving force in life.
**** Let the Love for Music Rule****

Look Out

Electra Volcana

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