Encouraged by our success during lockdown, we worked remotely towards releasing our first debut single. ’Spectres, ‘ a contemporary record about longing to be free, incorporates elements of Pop, folk, psychedelic rock and country. Its harmonies and free flowing flute melodies draws comparisons to a curious combination of Fleetwood Mac and Jethro Tull meets Monsters and Men.

Spectres Master

Soon to be officially released, 'Jealousy' is the second single from new Nottingham band 'The Days of Tomorrow.'
Inspired by the grooves of Jamiroquai, the electronic sound waves of 'jungle' and the playfulness of Scissor Sisters;' the ambience and the pulse of 'Jealousy' certainly gets the toes tapping.
Vocals -Erika wood, Gareth Peel, Chloe Phillips 
Guitar - keys - Gareth Peel
Bass - Matthew Williams 
Flute and sax - Chloe Phillips

Jealousy

After singer/songwriter Gareth Peel came out of hospital at the back end of summer, 2021, he was unable to even pick up his instrument, let alone contemplate releasing new music. After just over 5 months, and with constant support - Gareth began taken steps towards performing again.
As part of his recovery (bassist)Mathew Williams set a challenge to write and record the band's first ever Christmas song, 'Christmas Snow; in time for its released one week before Christmas 2021. 
Thankfully the song was already a loose concept and therefore was recorded and produced quickly at Gareth's home studio in Nottingham. 
Christmas Snow touches on the darker sides of Christmas, which can be felt by many as a bitter sweet time of the year. Scenes of being reacquainted with unreciprocated love and the melancholy of former memories are explored but are concluded with a message of positivity and hope. This emerging from introspective mantra that Christmas, although tough, should be at least attempted to be enjoyed while you still can.

Christmas Snow

Our darkest and heaviest offering so far: 'Anywhere' confronts the life and death realities of global tragedy & personal loss This post-truth epic builds from a pulsing, haunting bassline into a bewildering array of entrancing triphop, incendiary guitars and searing vocal vulnerability at its brutally-honest best.
Rock meets 'Massive Attack' in a poignant polemic of the pandemic - and the price we've all paid for it.

Anywhere Mastered - 06:11:2022, 16.16

it magically appeared! As if clutched from sky, the Steely Dan consonance the Hendrix-esque riff and the poetic lyrics appeared instantaneously. Recorded at Metronome studios, using Radiohead's analogue equipment, which was previously used on okay computer, this song has always been a firm favourite wherever we have performed.

The Days of Tomorrow

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