and on this outstanding soul jazz number plz! @billspencer

Bill Spencer shares weekend recordings from his living room studio in Detroit, Michigan, from where he brings a range of soulful jazz rock, and ambient sounds, spanning to electronica and psychedelic dub.
 
https://www.nts.live/shows/bill-spencer/episodes/bill-spencer-29th-october-2023

A Month of Sundays w/ Bill Spencer 291023

The debut cassette from Bar Part Time. Available for sale in limited qtys at barparttime.com Tuesday 2/27

"Following up on our first shared endeavor, “Magic Jive” (2020), we are thrilled to continue this journey and introduce you to our first cassette mix, “Matamoros”.

We strived to seamlessly transition from where our previous mix left off, with the former ending “Late Summer Night” echoing at the very beginning of the recording. You will find here a collection of songs that have serenaded our lives over the past three years, mostly re-edited to make them coexist flawlessly.

On Side A “Onda”, you will listen to a light contemplative sailing soundtrack whilst Side B “Costa” depicts what would be our dream setting for a night at a resort park discotheque."

- Linda & Norm

Matamoros Side 2 Clip 2

Premiere disco dreamer Loud-e spreading some loudefication over my SC! Enjoy!
https://soundcloud.com/djloud-e

Loud-e´s '24 - 365 MIX

This month Joe lo:fi is in control for the full two hours going through twists of turns of forgotten classics, and fresh cuts. Tracks from the likes of Gleams, Three Body, Nu Garçon, Dave Valentin, Thru Colours and Roy Ayres.  


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Joe Lo:fi - March 2024

1. Hear & Now – Larus
2. LOVA – Venezia 26 02
3. Sara Loreni – Neve A Maggio (Mushrooms Project Feat. Leo Almunia Balearic Version)
4. Shitân – Disco Shitân (Long Version)
5. Mina – Senza Fiato
6. Feel Fly – Esperanto (Marcoradi Remix)
7. Il Quadro Di Troisi – Real
8. Franco Battiato – Segunda Feira
9. Miguel Bosé – Miraggi (Dub Version - Manu Archeo Slow Edit)
10. Maria Monti – L'Uomo
11. CCCP Fedeli Alla Linea – Annarella
12. Hear & Now – Abisso

Hedonic Italic – Manu Archeo 01.04.24

Moods and Grooves

http://www.instagram.com/sarahpalin

Brandon Danciu @ The Lot Radio 04-01-2024

www.1btn.fm
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Andy Bainbridge - 22.03.24

I Have No Intention Of Being Unkind -Demo

1_Karma

thanks for all the support over the years, big thanks to everyone who made these all happen, and for everyone who kept listening.

STONER LONERS 7

Mix 17 is a summery trip of over 2 hours that comes from Grizzly Bear member Christopher Bear, who released his first solo album as Fools with us last month. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Chris, welcome to the series. How have you been lately, LA too must have felt and looked different the past couple weeks? Did the recent events influence your view of music, culture and society in some way?

CB: Heya! Happy to be a part of it. I’m doing pretty well, all things considered... Yeah, absolutely. It’s being felt around the world, as it should be. Obviously, a serious excavation of the systemic racism that pervades our country is long overdue and perhaps the more pronounced collective consciousness from pandemic conditions in tandem with all of the police brutality, pushed things over the edge enough to get a real movement happening. There is much sadness, grief, and anger wrapped up in it, but the bit of progress that has been made so far feels very positive and I hope that the momentum continues and more change will come. All of the motion towards defunding the police is very exciting as it is such a corrupt and broken system.

MFM: So, congratulations with your very solo album. Were the choices to limit yourself in time and to record during summer made intentionally?

CB: Thanks! It kind of just developed out of the circumstances of life at that moment. I had finished up some scoring work a couple months prior and was feeling a bit unfocused and confused with what to do around the beginning of June, but also had a family trip to the east coast planned for the middle of July. So rather than let those weeks fizzle into more meandering, I set the intention to finish something long enough that I could throw on a tape and listen to on my trip. I didn’t have a clear idea at all what that would be, but that was the fun of it. There were some textures and sounds that I had been messing around with that I figured would shape some of the aesthetic, but really just following whatever ideas started coming thru day to day.

MFM: Most of the songs have this very serene and calm vibe to it, rather meditating or even spiritual. Can you describe the surroundings of the place where you did the recordings?

CB: That’s good to hear. I would treat each morning getting started in the studio a bit like a meditation. I’d bring down my coffee and just start playing Wurlitzer or whatever synth was calling for about an hour and see what happened, often fairly drone-y or raga-esque. The studio itself has a good energy, it’s not huge, but certainly enough room for me as long as I don’t find anymore synths ; ) It’s got a window, so the natural light is a real bonus and I keep some plants in there, which gives it some nice life as well.

MFM: In Grizzly Bear you do vocals as well. How come are there no vocals on this record?

CB: Alongside removing the parameter of traditional song form for this collection, I told myself not to worry about vocals. It’s often the part I’d get stuck on in past recordings, so in the spirit of trying to finish something, that freedom helped keep things moving. Also my listening often gravitates towards instrumental music, so it definitely felt like more of my wheelhouse. At some point, I’d love to figure out a way to incorporate voice into my own music, but it will just take some time.

MFM: Thanks for contributing to the mix series. What was your approach to making it?

CB: I used to DJ more frequently years ago and it’s something I really enjoy doing. I’ve always had a passion for digging, collecting, and connecting the dots between different music. This mix has a handful of tunes that I’ve been listening to more over the past year as well as some things I’ve held close to my heart for a long time. A lot of it feels somehow related to the palette or energy of Fools’ Harp and some of it is maybe a place I’d like to head with whatever I do next.

A Month of Sundays w/ Bill Spencer 291023

NTS 2023

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