og french version is a strong classic in France

“Here’s a little half-cut mix I made for Bar Part Time for when you’re feeling a little tipsy. An hour of hazy pop and woozy dance music with Japanese IDM-Pop, Scottish breakbeats and even a little Paul McCartney thrown in. Could pair well with a Pet Nat?” - @jamietiller

B.P.T. Radio 014: Jamie Tiller

Feb, 2010

Mix originally for http://noncollective.com/

夕方の影「Evening Shadows」[Mix, 2010]

Live @ The Garden, Zadar [24/4/2014]

Booyakasha! Handing the keys to the '94 Ford Capri over to one of the most dedicated 12" sleuths on the the internet right now! Mirren is perhaps best known for resurrecting a trove of tantalising 90s/00s cross over jams through his own youtube channel, and for wowing local listening bar enthusiasts lucky enough to catch him in full flight. Sit back, relax and enjoy the smoothness personified. Safe to say he's left no stone or obscure white label unturned for this one! 

@mirrens

Youtube channel: https://www.youtube.com/channel/UCAcdX0mF2T8lgQHiWivSH-Q

Q. I get the sense you are a guy who finds real enjoyment in digging deep for long neglected jams and resurrecting them for fresh ears, with frequent uploads to your YouTube channel regularly blowing minds on the internet (speaking from personal experience here!). While there’s a wide range of styles uploaded to the channel, has there been a general theme developing or certain characteristics that you look for when deciding what to share?

A. Glad you've dug the channel! I mean I've been massively influenced by others (e.g. Archive Digital, Modern Art, Mike Who) who were casually dropping heat across their channel/mixes years ago that I never would have come across otherwise. So trying to find and share songs in a similar way has always been the motivation. But you’re at the mercy of what you stumble across, which is why I’m not uploading exclusively mid tempo hip house bangers like I really want haha. I think the variety keeps things interesting though, or at least is hopefully providing a broader appreciation for what’s out there - especially for us Aussie folk.

Q. What inspiration did you draw upon when putting the mix together? Is there a sound, feeling or time period in dance music history that connects all the different elements in one way or another?

A. Truthfully this mix is a collection of fun music I've found first-and-foremost, so it might say more about my searching patterns than it being an intentional narrative.. catchy 90/00s hip hop cut-throughs seem to be in no short supply! I think the wealth of music available in the genre does say something about how versatile (and enjoyable) it is and how it can be used as a vehicle for different cultures, ideas or influences. So maybe the mix is me highlighting this :`)

Q. Are there any records in the mix that are particularly close to your heart, or old favourites that you’ve been keeping up your sleeve for the right moment? If so, what’s the story behind those and how might you have stumbled across them?

A chunk of the mix is from lucky discogs pickups or random spotify dives so they’re not the most romantic stories, but finding a song in that deep internet corner definitely adds a fondness. There’s also a few dope tunes from some great channels/crews scattered throughout. But 'Njen Grad' and 'Wuck U Right' feel particularly sentimental due to how many hours I’ve clocked listening, so I’m excited to share them!

MDC.283 Mirren

Full track list and feature here: https://shrptyp.co/SharpFM009

“The feel-bad mix of the summer!”

From Tornado Wallace: 
"It contains only music used in films from 1987-2001: Chungking Express, Lost Highway, Opera, Perfect Blue, Trainspotting, Leon: The Professional, Fallen Angels, Cruel Intentions, Hackers, Johnny Mnemonic, Cool World, Strange Days, Ghost In The Shell, and more. Perhaps there's some commonality there. I wanted to conceptualise this mix in this way as movies have really been resonating with my songwriting at the moment, and I wanted to celebrate particular films that have been extra inspirational for that process.”"

Tornado Wallace aka Lewie Day is a Berlin-based producer, DJ, and musician whose genre-spanning dance sets and studio releases are loosely defined by their generous ambience and cinematic immersiveness. Appropriately, every song here is pulled from a Letterboxd lover’s delight of international films.

You'll find your memory pleasantly jogged as these songs are given new context here. Sensual trip hop lamentations and shoegazing walls of guitar find common ground, and when’s the last time you heard Faye Wong and U2 in the same mix? These songs pull from the well of cultural nostalgia and, yet, the sum of their parts feels half a step ahead of the zeitgeist.

009: Tornado Wallace

Trushmix 209 presents Tarjei Nygård! Long time producer, DJ and promoter from Stavanger, Norway. With several releases under his belt on labels as Full Pupp and ESP Institute, and a driving force in Stavanger's club scene, with his Perkapella and Maskindans parties. Inviting local and international acts and DJ's on a regular basis.

For Trushmix he has made a one hour and forty min mix. A joyfully compiled mix of 80-disco, street soul, fun edits, space disco and house in various forms! A mix to enjoy in these warm summer days and nights! 

Music from the top! Roll it!

Enjoy!

Trushmix.com

Trushmix 209  - Tarjei Nygård

From Oakland with love comes the 50th submission in the mix series comes by the hand of prolific producer and deejay Space Ghost (@space-ghost-1). Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hey Sudi. How's life in California, what's been keeping you busy?

SG: Hey, not much! Just trying to enjoy the summer with friends and get in the studio when I can.

MFM: Looking at your discography it seems that you favor the LP over the EP format, having released well over a dozen albums. How come?

SG: I can’t say that I favor one over the other, just seems that as a musician you strive to write full length LPs. I enjoy LPs for home listening and it feels good to create a nice body of work that flows through a journey. Writing dance singles and eps are trickier for me. It feels harder to write 1-4 really good stand alone songs.

MFM: With such a prolific output, does writing music come easily to you? Can you tell us a bit about how you go about writing and recording, is there a certain flow or method?

SG: Hmm I wouldn’t necessarily say it comes comes easy but I’ve definitely gotten a lot better at getting ideas in my head out into my recordings. It’s still a process of getting into the studio and spending time on it. Sometimes I can spend a whole day or two just spinning my wheels and not being able to get my ideas out. But once I get that perfect dose of creativity and I’m in the right mood, then things can definitely start flowing out. When writing music I often need to start with a very specific idea based on a song I’m listening to at the time. It’s helpful for me to start out with that initial inspiration, whether some chords, style of drums, bassline or a tempo or something. Once I get a few elements working around that idea the song can start to morph and move in any direction, but I really need that specific direction to start. I find that I can often make a rudimentary idea fairly quickly this way and then if it’s inspiring me, I’ll start to try a little bit harder and flush out more of the idea.

MFM: How do you cope with not being inspired or motivated when in the studio?

SG: Honestly it can be a bummer to be in the studio and the ideas aren’t flowing. I’ll just have to step away and do something totally unrelated for a few days.

MFM: Your sound overall has a very soft and melodic touch. The mellow part may be from living close to the Pacific and nature, but where does the melodic part come from? Did you ever learn how to read and play notes?

SG: You know I’m really not sure if I can pinpoint my melodies and where they came from but ya I grew up taking music lessons of all sorts. Piano, drums, guitar, band class, all that stuff. I wasn’t the best at reading music, I learned basic stuff but eventually didn’t progress much farther. Now everything I do is by feel.

MFM: Is there some kind of masterplan for Space Ghost? Like, do you have certain goals to achieve or dreams to chase?

SG: I think my master plan would involve me getting to focus on writing music full time. Honestly I’m not really sure how to get there specifically, seems like everyone gets there on their own path so hopefully mine will end up there as well.

MFM: Tell us about the mix. How did you go about selecting and recording it? Does it have a certain theme or idea to it?

SG: I’ve been wanting to put out a nice lil ambient sort of electronic mix for awhile. Really soft deep introspective vibes. I’ve been holding on to a lot of these tunes for awhile and just listening to my playlist of ambient tunes while traveling or relaxing with friends. After coming back from my NZ/Australian tour, I was ready to play some non dance music for a sec and listen to some other stuff. This mix is just a nice break from DJing a party. I also really want to make an ambient album soon if I have the time, so there are a lot inspirations in this mix.

MFM Mix 050: Space Ghost

Meanwhile touring Asia, Telephones return with yet another "Ambient Asia"-mix! A melange of far east ambient textures, spiritual new age, leftfield and zen-excursions. Dial in, zone out - telephone off the hook.

Asia-dates, September 2023:
08.09 - MAGO, Nagoya 🇯🇵
09.09 - MITSUKI, Tokyo 🇯🇵
15.09 - TRANSPORT, Bangkok 🇹🇭
16.09 - GREY AREA, Taipei 🇹🇼
22.09 - NYAPI, Seoul 🇰🇷
23.09 - SAVAGE, Hanoi 🇻🇳
29.09 - SADO MASO DISCO, Manila 🇵🇭
30.09 - THE OBSERVATORY, Saigon 🇻🇳

Telephones' New Massage 031 [Refuge Worldwide]

For Trushmix 213 DJ Patrick outta San Francisco is on the decks.
A mix recorded live at DJ Patrick's local residence, fine wine bar and excellent music venue Bar Part Time. Here a 4 hour and 22  minutes mix where fine tunes are selected for a good night to enjoy! Spanning between the sounds of reggae, soul, balearic, disco, street soul, house, 80's and a good bunch of 90's vibes.
Great music for a good night!

Enjoy music from the top!

Trushmix - DJ Patrick

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-19th-september-2023

Pender Street Steppers 190923

@No_Frills are back in the bin! !!
Celebrating the second release on their label Viktor & Lukas provided this three and half an hour trip filled with prime digs, chilled bits and unheard house hits. I'm sure you'll find some of these gems on their youtube account soon. May I now channel your attention to the Chiquita before everbody is checking for track ids? https://soundcloud.com/no_frills/sets/chiquita-nf-002

Pender Street Steppers 190923

NTS 2023

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