Great show John, many thanks for the upload

Man, I’ve always wanted to find out where I can get more eko stuff

Very excited to feature a really special new mix by an old friend from Milan, Gabriele (Sunny Crypt) collects records, occasionally enjoys playing weird music to dancing crowds and also spends some of his happiest days working in a record shop. 
Driven by a strong curiosity towards a wide range of musical genres coming from different eras and different cultural contexts, in a previous life he’s been a resident DJ at Milan’s Dude Club, a true institution for italian clubbing during the last decade. Open you hearts <3

Sound Metaphors Mix Series 05 : Gabriele

Welcome to another episode of Music From Mullets. Since I've recently recorded some balearic mixes for other channels, I was still in the mood for that kind of vibe, so here is a nice ride from synth-pop over italian and 80s soundtrack, japanese and south korean pop, leftfield and slow italo jams. While the first hour is more a dive into fresh and cold water, uprising talent @Jeepsooni from Seoul / South Korea provides the warm sunbath to sooth your senses with AOR und uplifting boogie in the second hour.

This show originally aired on Cashmere Radio on March 29, 2023
For more info, the tracklist or other episodes visit the show's archive at cashmereradio.com/shows/music-from-mullets

Music From Mullets #13 w/ Frinda di Lanco & Jeepsooni

Collector John Gómez brightens up Mondays with some music from different times and different places.  
https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-9th-october-2023

Soup To Nuts w/ John Gómez 091023

In this year’s Outsiders season, Customs bring their Ambient Bangers to a new Monday morning slot. 

Post-club euphoric comedowns, gauzy dream pop and gentle percussive rollers to ease your passage into the fresh week.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Customs @ Kiosk Radio 12.02.2024

Premiere disco dreamer Loud-e spreading some loudefication over my SC! Enjoy!
https://soundcloud.com/djloud-e

Loud-e´s '24 - 365 MIX

https://www.instagram.com/kristine_barilli

TOTALLY CORRUPT with Kristine Barilli @ The Lot Radio 04-02-2024

◆ Spotify: open.spotify.com/artist/3Bt4V3gMbdITfEasiDy6rv
◆ Apple Music: music.apple.com/artist/produced-by-tuan/1657209267

Nostalgia with its eyes open. A pocketed bassline and measured backbeat carry understated guitars and amber keys, the mix staying clear and unforced. The writing treats memory like documentary, not dream—regret counted, small brightness kept. It lands with present-tense clarity: less longing, more acceptance; the weight and the warmth in the same frame.

🎧 Stream “Good Old Days”: lnkfi.re/ThatWasIt

——————————————————
LYRICS
——————————————————

Wish somebody told me, babe
These were the good old days
All the love we won’t forget
And all the fire we couldn’t name
One day you’ll feel it slip away
And miss the stillness of those days

Wish I asked you to that dance
Instead of hiding in my stance
Drank to blur what I could feel
Played it tough, but none was real

Wish somebody told me, babe
These were the good old days
All the love we won’t forget
And all the fire we couldn’t name
One day you’ll feel it slip away
And miss the stillness of those days

You and me on that old futon
Grass below, the stars were on
Didn’t care what they would say
Back then, we just slipped away

Maybe these are the moments
Maybe we’re still young
Maybe we never saw it then
But we were golden
Now we’ve got scars
But we’re still here
Smiling through

Wish somebody told me, babe
These were the good old days
All the love we won’t forget
And all the fire we couldn’t name
You don’t know what you’ve got
Until it’s gone
These were the good old days

☛ Follow Produced by TuaN: instagram.com/producedbytuan

Good Old Days

thanks for all the support over the years, big thanks to everyone who made these all happen, and for everyone who kept listening.

STONER LONERS 7

Image taken from the Italian documentary released sometime in the 1970's.

▶ YouTube: https://www.youtube.com/channel/UCFQf9zFGKpdqTU9B0--cbGQ

Fantastic Planet 02 - Mondo Magic

‘El Rocko, Rockateer, Rocklette, Oldschool Ride' aka Jonny Rock was in Amsterdam to play in Claire on Friday night. He didn’t mind to join us during the day, so he brought a extra bag of records (we have no CDJs in-store), including a dub plate holding one of his edits that he’d cut especially for this trip. Yes!

London based Jonny is known for his love of Middle Eastern sounds. He was at the forefront of the growing interest of Turkish music by helping to promote Mehmet Aslan among other producers, by unearthing Turkish Disco Folk and by releasing his awesome edits (for Hamam Disco under his Afacan alias for instance). Expect a track taken from Disco Hamam 4, some Human League (!) and much more party in this mix.

This is the tenth recording in a series of (themed) Rush Hour in-store broadcasts, recorded on July 27th, 2018. After a live broadcast to Facebook, the music lands on Soundcloud for playback.

Store Broadcast 010 I Jonny Rock live from the RH store

Mix 17 is a summery trip of over 2 hours that comes from Grizzly Bear member Christopher Bear, who released his first solo album as Fools with us last month. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Chris, welcome to the series. How have you been lately, LA too must have felt and looked different the past couple weeks? Did the recent events influence your view of music, culture and society in some way?

CB: Heya! Happy to be a part of it. I’m doing pretty well, all things considered... Yeah, absolutely. It’s being felt around the world, as it should be. Obviously, a serious excavation of the systemic racism that pervades our country is long overdue and perhaps the more pronounced collective consciousness from pandemic conditions in tandem with all of the police brutality, pushed things over the edge enough to get a real movement happening. There is much sadness, grief, and anger wrapped up in it, but the bit of progress that has been made so far feels very positive and I hope that the momentum continues and more change will come. All of the motion towards defunding the police is very exciting as it is such a corrupt and broken system.

MFM: So, congratulations with your very solo album. Were the choices to limit yourself in time and to record during summer made intentionally?

CB: Thanks! It kind of just developed out of the circumstances of life at that moment. I had finished up some scoring work a couple months prior and was feeling a bit unfocused and confused with what to do around the beginning of June, but also had a family trip to the east coast planned for the middle of July. So rather than let those weeks fizzle into more meandering, I set the intention to finish something long enough that I could throw on a tape and listen to on my trip. I didn’t have a clear idea at all what that would be, but that was the fun of it. There were some textures and sounds that I had been messing around with that I figured would shape some of the aesthetic, but really just following whatever ideas started coming thru day to day.

MFM: Most of the songs have this very serene and calm vibe to it, rather meditating or even spiritual. Can you describe the surroundings of the place where you did the recordings?

CB: That’s good to hear. I would treat each morning getting started in the studio a bit like a meditation. I’d bring down my coffee and just start playing Wurlitzer or whatever synth was calling for about an hour and see what happened, often fairly drone-y or raga-esque. The studio itself has a good energy, it’s not huge, but certainly enough room for me as long as I don’t find anymore synths ; ) It’s got a window, so the natural light is a real bonus and I keep some plants in there, which gives it some nice life as well.

MFM: In Grizzly Bear you do vocals as well. How come are there no vocals on this record?

CB: Alongside removing the parameter of traditional song form for this collection, I told myself not to worry about vocals. It’s often the part I’d get stuck on in past recordings, so in the spirit of trying to finish something, that freedom helped keep things moving. Also my listening often gravitates towards instrumental music, so it definitely felt like more of my wheelhouse. At some point, I’d love to figure out a way to incorporate voice into my own music, but it will just take some time.

MFM: Thanks for contributing to the mix series. What was your approach to making it?

CB: I used to DJ more frequently years ago and it’s something I really enjoy doing. I’ve always had a passion for digging, collecting, and connecting the dots between different music. This mix has a handful of tunes that I’ve been listening to more over the past year as well as some things I’ve held close to my heart for a long time. A lot of it feels somehow related to the palette or energy of Fools’ Harp and some of it is maybe a place I’d like to head with whatever I do next.

Soup To Nuts w/ John Gómez 091023

NTS 2023

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