' In celebration of Warp's re-release of Artificial Intelligence - a mix of some of the stuff that was floating around us at the time ' - Autechre
https://www.nts.live/shows/guests/episodes/autechre-5th-february-2023

AUTECHRE

Throughout a three decade career & countless of releases under tens of aliases, Terre Thaemlitz has tackled complex issues — queer identity, race, class — through the lens of club music, an art form which relies on simplicity & easy narratives. 

In this In Focus, 150 Session parses through the politically forceful productions of Terre Taemlitz

https://www.nts.live/shows/in-focus/episodes/in-focus-dj-sprinkles-12th-february-2020

In Focus: Terre Thaemlitz / DJ Sprinkles

James Jordan Johnson joins Paul on the show for a 2 hour, unrehearsed, unplanned, improvised sonic conversation using 4 CDJs, and trumpet interludes from Johnson. 
https://www.nts.live/shows/we-are/episodes/we-are-30th-september-2023

We Are... w/ Paul Camo & James Jordan Johnson 300923

In Iceland, Thomas Stankiewicz contemplates the constant flux of the elements. A composer & musician in his own right, he selectively weaves in between soundtracks, classical music, and evocative ambient sounds, symphonically unveiling untold stories from past and future… [@tommmasi]

https://www.nts.live/shows/tommasi/episodes/tommasi-14th-january-2024

Tommasi 140124

Musical peregrinations from Gabi, guiding listeners through new wave, post punk and synth.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/gabi/episodes/gabi-16th-september-2024

Gabi 160924

From Japan here's producer, DJ and friend of the label Kunyuki Takahashi (@kuniyuki-takahashi) with a special recording of his live set during Rainbow Disco Club this year 2024. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Kuni. What was growing up in Sapporo like, being quite remote from the other major cities in Japan? Via what channels/media/ways did you learn about music, art, etc? 

KT: Tokyo is most biggest scene about culture and music, but I was really looking for more out of Japan. Sapporo is more slow. I was just into music when I was teenager so everydays looking interesting music, because around 80's was crazy it' like big bung for music. My friends and i also really looking for PUNK, Industrial music, Ambient music, also of cause electric music as well at that time. It was just our like networks and channels for connect to other essence from each one. You know Teenager No need mainstream, no need TV show just believe to get some good one  from friends!

MFM: Your sound overall has a very 'organic' and 'spiritual' touch. Where does this come from? Who and what were/are your inspirations?  

KT: Both of feeling is definitely I need and my favorite things about when I touch instruments because it's nice to connect into music. So many instruments has lot's of colors so it's my inspirations come from. But to be honest i'm really bad to playing instruments....

MFM: That is debatable, haha. Where did you actually learn to play all those instruments, like the conga's and flute?

KT: I learnt about percussion and congas by listening to African music, and in the 90s I spent a lot of time with these. I used to listen to Peter Gabriel's Realworld record series so it's my teacher of  music! There are flute-like instruments in synthesizers and music workstations, but when I tried to use flute sounds by Synth, I couldn't feel spiritual, so I decided to try my hand at it. There is so much spiritual real instruments.

MFM: Your contribution is a recording of your live show at Rainbow Disco Club in Japan this year 2024. What can you tell us about the show? For those who had to miss it, maybe you can describe the setting a bit?

KT: Yes it was from My good friend Masa From Rainbow disco club.
I've been joined Rainbow disco club many times and always did a Dance set but he Told me “could you play live show like your album from Music from memory For RDC2024?”, and I was say “YES I would love to and if we can do then I want to do proper Music from memory live set.” So it was so exciting. Because these music from MFM was very special. It was morning time, there is nature and birds singing, and I was joined with my like bird whistle, feel windows, relaxing people waiting before making dance time. I re-created all sound patterns so it was so fun like should do make Tape sound like bit noise sound, more retro sound. Also I really remembered about what I used different Chords before in the 80's and 90's!

MFM: Your live shows seem to be improvisation based, very playful. As if you're jamming in the studio. Does playing live differ much to you from working in the studio?

KT: Yes I love like improvisations when doing live show. I'm always thinking about each party is totally different energy from music lovers. I love to get something good happen with music lovers, and yes it's totally different with Studio works. Prepare for live set also needs time and skills, so i always try to do at my studio for what can happen at the live show.

MFM Mix 052: Kuniyuki Takahashi

While the rest of their electronic music contemporaries in the late 1990s reached for dancefloor ecstacy and big room bombast, French duo Air paved an influential path with a more delicate and atmospheric sound. Taking inspiration from old school film composers and vintage synthesiser wizards like Burt Bacharach, Isao Tomita and Vangelis, they shot to success with a distinct sonic world.

Selected and mixed by [Ian Kim Judd.](https://www.nts.live/shows/fifth-world) 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/in-focus/episodes/in-focus-air-25th-october-2024

In Focus: Air 271024

Sticky Groove for Every Direction. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/aoki-takamasa/episodes/aoki-takamasa-5th-february-2025

Vibrations for a Better World w/ AOKI takamasa 050225

Low, slow and sleazy sounds with babyschön, in the studio for the early afternoon shift...  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-babyschon/episodes/soup-to-nuts-babyschon-6th-march-2025

Soup To Nuts w/ babyschön 060325

Yu Su’s spring deep dives.

https://www.instagram.com/yusu_suyu
https://www.soundcloud.com/yu_su



Yu Su @ The Lot Radio 03-26-2025

@khotin has served up a free flowing range of multi-genre experiments since announcing himself with a soft-hued acid album on 1080p back in 2014. Now involved with running Normals Welcome as well as releasing on DFA, Pacific Rhythm and Public Release, his music is united by a distinctive take on melody, post-club melancholy and love for downtempo sounds. He crafts blissful songs filled with nostalgic feelings and is exactly the sort of artist in whom we can all find some sort of solace.

And this mix is a perfect tonic for reluctant bodies with its slowly cascading rhythms and soft focus melodies serving as a gentle New Year wakener. It's laced with perfectly dreamy pads and ramshackle drums that are never too forceful but always compelling. While often invitingly sombre in mood, the clouds do break along the way to bring moments of real lightness and joy just when you need it.

We Are... w/ Paul Camo & James Jordan Johnson 300923

NTS 2023

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