Thec - 2

Flashing Lights

Partiboi69 - Freaking You Out

Posing For Flex

LGN73-School Trafic-Original mix

Baby Love

DJ Boneyard - Thats Right

Lobster Theremin ‎– LF01
Meda Fury ‎– LF01
Lobster Fury ‎– LF01
2016

DJ Seinfeld - Feel De Bum Slap

"Those not familiar with Jones’ style, will listen slack-jawed at the shear anticipatory nature of his sound collage. The five lengthy tracks are based on hypnotic and somewhat menacing grooves: a repetitive dub bass beat, waves of Middle Eastern strings and voices, layers of building hand percussion. Each track is respective but the washes of sound/percussion come and go often creating a sense of motion and change. All of the tracks are similar and even share elements. Mid-East tension is so accurately captured through the use of the regions instrumentation (especially percussion), sinister electronics, samples of men chanting, women crying, sounds culled from the horrors of war, and occasional angry distortion that the listener’s listener will be transported to the belly of the beast.
‘Mullah Said’ displays two aspects of the work of Muslimgauze. Firstly, musically, it is in the delightful drifting ambient vein. The percussion is mainly acoustic hand drums - providing a rhythm of aural features - the trademark shimmering string sound heard on a number of releases is much in evidence, rhythms are generally slower, there are lots of samples of people speaking in conversation, markets wherever. ‘Mullah said’ opens the disc with the lovely mix of these sounds. ‘Every grain of Palestine sand’ continues the mood, with a slightly faster tempo, and more emphasis on the beat. But it soon locks into a mesmeric lassitude as various effects echo or smear the sounds, drums come in for short moments, different string sounds enjoin the play. ‘Muslims die India’ follows the mood though the voices seem darker, sadder, and then comes ‘Every grain of Palestinian sand’ followed by ‘Muslims die India’. Yes - not a typo, these tracks are repeated. Muslimgauze trend - to remix himself.  Prime Muslimgauze middle eastern ambience - if you like that side you will love this album. The final track is short and different, a crackling ground over which a singer chants a song interrupted by machine-gun percussive bursts - ‘An end’."

Engineered by John Delf.
Recorded at the Abraham Mosque, Manchester.
Originally released in 1998 as Muslimlim 018.

A2.  Muslimgauze "Mullah Said": Every Grain Of Palestinian Sand

orphaned deejay selek 2006-2008

serge fenix Rendered 2

Brisbane based ambassadors of genre fusing techno X CLUB. make their anticipated EP debut with ’SCUM’. Shifting between hasty breaks and propulsive 4/4 kicks, the EP focuses upon a definitive neo-futuristic rave sound inspired by a combination of 90s rave, jungle, electro and warehouse techno. Amongst clear hints of nostalgic influence, X CLUB. have involved a quantitive level of abrasive digital and analogue sound design in sculpting their signature techno-grime texture. Featuring four dynamic heaving club cuts, ‘SCUM’ explores tones of darkness while inducing a trance-like sense of euphoria. Blasts of contorted synth tones rage against mechanic percussive rhythms manifesting the scene of a dystopian industrial rave set neither in the past nor future.

‘SCUM’ is officially set for release on July 2nd via Earthed.

earthed-systems.bandcamp.com
Souncloud.com/itsxclub
Facebook.com/itsxclub
Instagram - @xclubmusic

PREMIERE: X CLUB - SCUM 3 -03 [Earthed]

https://filth-inc.bandcamp.com/album/suspect-raver-no-face-no-case-ep-filth001

Listen on Spotify: spoti.fi/3c3frkn

Listen on Youtube: https://www.youtube.com/watch?v=7plv3Zh6cc4

Presenting the 'No Face no Case' EP by Suspect Raver! It's the debut release by Suspect Raver and is also the first EP released under the Filth Inc. banner. We hope you enjoy :)

About 'No Face no Case' EP -

Hailing from Sydney Australia, Suspect Raver has seen first hand the effect that tough laws have had on the local nightlife over the past few years.

Although it was dire for most, there was still a resolute band of underground music heads that kept the soundsystems thumping throughout the weekend evenings at determined and unyielding venues as well as via "illegal" raves.

These tracks are a homage to those times and a push for more of the same energy in the future.

Castles' angelic vocal sample drives the listener into a trance, while Run it Straight and Rave to the Rhythm are two unforgiving big room thumpers. Finally Warehouse Mobb uplifts the energy with a melancholic and reflective hook and interview sample from one of hip hops' realists.

Warehouse Mobb [FILTH 001]

SKIN ON SKIN -Walk Up To Yo House [WARBY Shite Mix]

Artist: @obskurofficial
Full VA: https://hypeddit.com/link/o99s60

Free Download

Obskϋr - G.A.T. (got Em)

Asquith returns to his self-titled imprint following a couple of external EP announcements for Who's Susan and Private Persons.

Rave Til Dawn EP sees the London-based artist follow up the massive 'Let Me EP' with another clutch of takes on anthemic, big-room techno.

The title track Rave Til Dawn does everything a Let Me followup should do; huge compressed kicks, reverberating piano stabs and epic call-out vocals all collide on an absolute monster A-side. Second track 'Down' traces a more tool-y techno line. Rolling with the percussion and popping with mechanic energy. It's all compiled with elements of the original techno template shot through with a ton of UK bass weight.

‘Crush’ takes Asquith's manic monotone stab template into more techy territory, opening the production up and leading us into a cocoon of pressurised space. Stripped back but still crushing. Final track 'LCD Steppin'' sees us entering back into pacier territory that regularly pops up at the end of Asquith EPs. Shifting pad samples overlay a rickety jungle break and a voice calling at us to "Step!", before we're hoofed into the long grass with a 4/4 kick all the way up at 155bpm. It's not quite 160 but that's what the pitch slider is for ;)

Tracklist: 
A1. Rave Til Dawn
A2. Down
B1. Crush
B2. LCD Steppin'

Buy: https://asquith.bandcamp.com/album/rave-til-dawn-ep

Production & arrangement by James Asquith
Design and artwork by James Lacey
Mastered by Beau at TenEightSeven
Pressed with rave at MPO

DJ Boneyard - Thats Right

Pura Vida

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