Ouaaaa, magnifique piano, très belle mélodie 👍 👏

Beau son piano , agréable à écouter aux casques 🔝👏

Beautiful and gentle – a composition that truly touches the heart. 🎶❤️🎶

Belle chanson, piano ❤️👏🌻✌️

les rêveries dans l'ombre et l'homme sur l'art/photo sous la lumière

Cool Eclectic Playlist

Dofactor - E

Up And Down Again

Fourth track of a set of short piano pieces called "Rêveries pour Piano".
Sous la Lumière.

Rêveries pour Piano IV - Sous la Lumière

Higher U

Little melody I did for my father for father's day. Also for all the fathers of the universe. Happy father's day!

In the Name of the Father

I'm Gonna Lose Me (Myself) 

Lyrics:

You couldn't scar me

Physically here 

But Spiritually I'm in safari

And I'm sorry 

My repertoire is more than your's 

I'm gnarly 

Focus 

All you do is Loddy Doddy party

I been in my lane and I don't wanna be distracted 

Only up from here because I practice practice practice

I'm moving forward they just want me going backward's 

You made your bed I wouldn't lay on any mattress 

I do what you won't 

Matter fact in better word's I just do what you don't 

See I made about position I just play it alone 

Been away

Been in my palace 

Sharing light from my home

Mistreated Silence

I'm Gonna Lose Me (Myself)

Rosewood & Main

30-5-2025

Let's go with a tempo of 192 BPM to represent it's average speed of an amazing 192 body lengths per second

Although the intention is to appreciate the creature for what it is, tiny creatures like this are even more special because they inhabit spacial dimensions we can never truly appreciate. They live in micro machines the game all the time. So cool... 😆

It's nice also to use their imagined perspective for trying to imagine beings that can inhabit additional dimensions to us. Spider mites are so small relative to us it's as if they exist in 2D world. In their 3D world they have mount everest at every turn

Maybe ascension for us as beings lies in evolving to states of being that can access a fifth dimension and as firth dimensional beings we can see our 3 dimensional brothers and sisters trying to think outside the box


Ok back in my box!


Red Spider Mite

A pest we say
Through weed old true to me
Dear spider mite
Just red and bright
You make Schindler's list with system wist
Munching buds and weeds and strawberries
Crunching paths
Minute dimensional glories
We lack perspective for very small
Be sound balloon muse melody troll

Make your mission Anthropoda
Make zinc spark fission
Like human coda
Mites are more like spacial rock
More mighty mites make light as clock
Eurakyotes, resident with mind
Be fine red raid of niche you find
Kind is kind
Blind is blind
Through your eyes no pest sees bind
Zesty like sculpturor of this planet
You carve this rock
Be life like granite

Silky webbing your fortress for troop
Expansion of nice red army like group
fruit sustenance leaves munched for lunch
More red rainbow youth multiplication of bunch
Go be no pest with battle for zest
Be Earth like nest
Big gravitational best

Red Spider Mite (Poem and Notes)

Written and performed live using Teenage Engineering OPXY

An excuse to use an E sus4#9#13 or maybe just F Maj7/E

Crisis Averted

"Passacaille Tourbeuse (from Longeyroux)" from the Suite of Dances no.1, is a solo piano composition structured around a classical passacaglia form, characterized by an obstinate bass over which progressive variations unfold. The work is situated within a modern aesthetic, blending contrapuntal rigor with timbral exploration.

The writing emphasizes minimalist thematic material, centered on a repetitive bass motif that serves as the foundation for a series of variations developing complex harmonic textures and contrasting dynamics. The piece demands advanced piano technique, particularly in pedal control and dynamic management, to convey the depth and ambiguity of sonorities evoking a peatland landscape from Haute Corrèze.
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"Passacaille Tourbeuse (du Longeyroux)", issue de la Suite de Danses no.1 est une composition pour piano solo structurée autour d’une forme passacaille classique, caractérisée par une basse obstinée sur laquelle se déploient des variations progressives. L’œuvre s’inscrit dans une esthétique moderne, mêlant rigueur contrapuntique et exploration timbrale.

L’écriture privilégie un matériau thématique minimaliste, articulé autour d’un motif répétitif en basse, qui sert de fondement à une série de variations développant des textures harmoniques complexes et des dynamiques contrastées. La pièce sollicite une technique pianistique avancée, notamment dans le contrôle de la pédale et la gestion des nuances pour rendre la profondeur et l’ambiguïté des sonorités évoquant un paysage tourbeux de la Haute Corrèze.

Recorded: July 21st, 2025
Composer & Pianist: Pierre Fontaine
Dedicated to Mérédith Lacroix-Trincat.

Sound Mixing : Thérence Guillerme (www.therenceguillerme.fr/)

#composer #piano #PianoSolo #ContemporaryClassical #ModernPiano #NeoClassical #InstrumentalMusic #PianoMusic #SoundtrackVibes
#BaroqueDance #MedievalMusic #EarlyMusicInfluence #AncientMelodies #BaroqueVibes #MedievalVibes #ModernBaroque #NeoMedieval #CrossoverMusic #TimelessSounds #ClassicalFusion #HistoricVibes #PastAndPresent #CinematicPiano #AtmosphericPiano #EmotionalPiano #MinimalistPiano

Rêveries pour Piano IV - Sous la Lumière

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